Auction 87 - Jewish and Israeli Art, History and Culture
Including: sketches by Ze'ev Raban and Bezalel items, hildren's books, avant-garde books, rare ladino periodicals, and more
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97.5X70 cm. Good condition. Minor stains. Tears to edges, some open, repaired with paper on verso. Minor fold lines.
1. "Israel / Air France, " poster with advertisement for the French airline Air France, designed by French painter Georges Mathieu (1921-2012). [1967].
One in a series of posters designed by Mathieu for Air France in the years 1966-67. In his distinctive abstract style, in this series Mathieu presented images associated with the countries appearing on the airline's list of destinations. The present poster features a seven-branched menorah over a purple background, alongside the captions "Israel" and "Air France".
100X60 cm. Good condition. Creases and minor blemishes. Tears to edges, some reinforced with adhesive tape (on back).
2. Poster with advertisement for the British airline BOAC (British Overseas Airways Corporation, which would in time merge with British European Airways [BEA] to form British Airways). [ca. 1960s].
Tel Aviv's Dizengoff Square is pictured at the center of the poster over a bright orange background. The words "Jet Your Way to Tel Aviv" appear at the top, and "by BOAC – First Around the World with Jets" at the bottom.
Approx. 76X51 cm. Good condition. Creases and several minor tears to edges.
1. Illustration by Zh. Lvova (Ж. Львова), 1972: An American tycoon with a stereotypically Jewish appearance, representing the government, pouring gold coins into a bird feeder shaped like a Star of David, as birds of prey in IDF (Israeli army) uniforms feed on the gold. At the bottom is a brief anti-Israel poem.
Approx. 57.5X44 cm. Fair-good condition. Stains. Creases. Minor tears, holes, and abrasions. Poster mounted on cardboard. Board worn, with minor tears to corners. Tear to top, causing minor damage to poster.
2. Illustration by Joseph Yefimovski (Жозеф Ефимовский, 1930-2019), 1984: An American tycoon, representing the government, feeding an Israeli soldier with blood-stained hands with a teaspoon.
Approx. 44X33 cm. Good condition.
Letter and postcard, handwritten and signed by Stefan Zweig. Vienna and London, 1909 and 1938. German.
The brief letter was written in 1909, at the height of what was know as "La Belle Époque, " a prolonged period of peace that preceded the First World War; postcard written in 1938, during Zweig's stay in England, four years prior to his suicide. Both items written in purple ink, one of the author's trademarks.
1. Brief letter handwritten and signed by Stefan Zweig, dated March 24, 1909. Written on personal stationery, printed with Zweig's address in Vienna (Kochgasse 8) and his monogram (the letters "S" and "Z"), designed by E.M. Lilien. In the letter, Zweig apologizes for the tardiness of his response, owing to his absence during a visit to India, and submits a work he had written, for publication in "N.R." The addressee is most likely Dr. Josef Adolf Bondy (1876-1946), editor of the journal "Neue Revue." Inked stamp on top of letter: "Erledigt."
[1] f., 21.5 cm. Good condition. Fold lines and minor creases. Minor blemishes to edges, and punch holes. Notation in pen in upper left corner.
2. Postcard handwritten and signed by Stefan Zweig, sent from his temporary place of residence in London and addressed to Josef Adolf Bondy in Geneva, dealing with literary matters. It mentions "Reichner, " who is "no longer interested in publishing poetry"; this is an apparent reference to Zweig's Viennese publisher, Herbert Reichner.
Appearing on the back of the postcard are Bondy's address, handwritten by Zweig, in addition to stamps and postmarks dated January-March, 1938.
14X9 cm. Good condition. Stains and minor wear.
Stefan Zweig (1881-1842), famed Austrian Jewish author of novellas, plays, and novels, some of them regarded as the greatest of German literary masterpieces of the pre-World War I and interwar periods. His important autobiographical work, titled "Die Welt von Gestern" ("The World of Yesterday, " 1942), represents a song of praise to European culture, and, at the same time, a lament over its untimely demise. Alongside the story of his life, Zweig portrays here the thriving cultural awakening that took place in Europe in general and Vienna in particular in the early 20th century. The latter days of the Austro-Hungarian Empire saw the rise of the likes of Sigmund Freud, Rainer Maria Rilke, Stefan George, Arthur Schnitzler, Rudolf Steiner, Richard Strauss, and Theodor Herzl. These, and many others, were great figures who made their mark on the culture of the world, and Zweig was personally acquainted with most of them. Nevertheless, as pointed out in this book, in the German-speaking lands, this "golden age" would also produce the elements that would lay waste to culture – ultra-conservative, right-wing forces, fascists and reactionaries, whose actions would unleash upon Europe the calamities of the Second World War and the Holocaust. The European culture that Zweig eulogized was to be systematically uprooted by the Nazi party – its leaders and followers – who were its direct outgrowth, its natural offspring, its very own flesh and blood.
With the rise to power of the Nazis in Germany, Zweig left Austria for England. In 1940 he moved to New York, and from there to Brazil. Out of despair over the catastrophe that had befallen Europe, he and his wife Lotte took their own lives in 1942.
Josef Adolf Bondy (1876-1946), Jewish journalist and poet, native of Prague. A man of letters, deeply immersed in Prague's literary circles in the first half of the 20th century. Worked as Geneva correspondent for the Vienna-based "Neues Wiener Tagblatt" daily newspaper until the Nazi German takeover of Austria. Immigrated to London in 1939.
Letter, handwritten and signed by Elisheva Bikhovski. Moscow, October 2, 1924. Hebrew.
In this letter, Elisheva discusses the difficulties she is experiencing in trying to write after giving birth to her daughter ("My daughter is just a frail little girl, and I am an entirely inexperienced mother"); her eagerness to leave Russia and immigrate to Palestine ("Unfortunately for me, I have no choice but to stay here, as if [stranded] in the desert"); and the publication of stories and poems in Hebrew. An intriguing addendum appears at the end of the letter: "Just now I noticed that in the poem 'Zemer, ' published in ‘Hapoel Hatzair, ' an entire verse is missing… It should read: 'Indeed I had wings / Though I never felt their presence / Still now, evening after evening / My heart weeps over them.'"
The letter's addressee ("Dear Friend!") was, in all likelihood, the journalist Moshe Newiasky, a friend of Elisheva's.
Elizaveta Ivanovna Zhirkova-Bikhovski (known as Elisheva, 1888-1949) was a Russian-born Hebrew poet, one of the founding mothers of Hebrew women's poetry. Though born to a Christian family, Elisheva was drawn to Jewish culture already in her early teens, and by the early 1920s she relinquished Russian entirely in favor of Hebrew as her language of writing. Her decision to tie her fate to the Jewish people and adopt their language (without ever actually renouncing her own Christian faith) earned her the epithet "Ruth on the Banks of the Volga." In 1925, she immigrated to Palestine with her husband, the publisher, and literary critic Simeon (Shimon) Bikhovski, and became one of the most influential poets during those years of Jewish settlement in Palestine. Her book "Simta'ot" ("Alleyways") is thought to be the very first Hebrew novel to have been written by a woman in Palestine.
Following the death of her husband in 1932, Elisheva experienced great difficulty earning a living, and found herself mired in poverty. She passed away in Tiberias in 1949. Since she had never converted to Judaism, efforts to grant her a Jewish burial encountered religious opposition. Nevertheless, Avraham Broides, Chief Secretary of the Hebrew Writers Association, interceded on her behalf; as a result, she was buried in the famous cemetery of Kibbutz (or Kevutzat) Kinneret on the shores of the Sea of Galilee, next to the renowned poet Rachel Bluwstein Sela.
[1] f., folded in half (four written pages), 13 cm. Good condition. Stains.
• Enclosed: A two-page autograph letter signed by Elisheva's husband, the publisher, and literary critic Simeon (Shimon) Bikhovski, dealing with the publication of her poetry. Addressed (in Hebrew) to "M. Neuazski" [Moshe Newiasky]. Moscow, 1924.
1. "Hazon Ehad Ha-Legionot" [A Vision of One of the Legions.] Tel Aviv: Sadan, [1928].
31, [1] pp., approx. 21 cm. Good-fair condition. Stains. Creases. Closed and open tears to edges of pages and cover. Some leaves unopened.
2. "Ezor Magen Ve-Ne`um Ben Ha-Dam." Jerusalem: Sadan, [1930]. Linocut by Leon (Arie) Fein on front cover.
31 pp., 24 cm. Good-fair condition. Stains. Creases. Closed and open tears to edges of some pages and cover. Cover detached.
Both books are inscribed by Greenberg, to Lieutenant colonel Menachem Kaufmann (short dedications, in Hebrew, signed "Atzag" and dated 1964).
Enclosed: two photographs of Greenberg in the company of IDF officers.
Nine books of poetry and prose by Aryeh Ludwig Strauss. Germany (one book from Switzerland), 1920s to 1960s. Most books bear his personal signature and/or handwritten dedication; some are copies from numbered editions. German.
Included:
• "Das Ufer" ["The Riverbank"], poems. Berlin: Otto von Holten, 1922. Copy no. 127 from an edition of 300 copies, signed on the colophon page.
• "Tiberius, " a play. Munich: Münchner Drucke, 1924. Signed dedication.
• "Das Antlitz im Gestirn." [Chemnitz]: Gesellschaft der Bücherfreunde zu Chemnitz, 1925. Copy no. 120 from an edition of 550 copies. Signed on the colophon page.
• "Ruf aus der Zeit" ["A Call Transcending Time"]. Berlin: Lambert Schneider, 1927. Signed dedication.
• "Nachtwache" ["Night Watch"], book of poetry. Hamburg: Der Deutsche Buch-Club, [1933]. From an edition of 1,000 copies. With a signed dedication to the poet Tuvya Ruebner on the title page. Signed again on the colophon page.
• "Heimliche Gegenwart" ["Homely Present Time"], book of poetry. Heidelberg: Lambert Schneider, 1952. With a signed dedication to "Tuvya" [Ruebner].
• And more.
Handwritten corrections and notations (German) appear on some of the books; in addition, notepapers, photographs, newspaper clippings, and additional items of ephemera have been inserted into several books.
Also enclosed: Eight typewritten leaves with handwritten corrections, containing poems by Ludwig Strauss (some different than the versions published in his books); two notebook leaves with handwritten poems (German); a single leaf with a handwritten poem (Hebrew).
Size and condition vary.
Aryeh Ludwig Strauss (1892-1953), author, poet, and literary scholar, born in Germany. In 1925, he married Eva (née Buber, daughter of philosopher Martin Buber), and in 1935, the couple immigrated to Palestine, where Aryeh Strauss experienced life as a "halutz" (pioneer) – doing such work as paving roads and planting forests, among other things. At the same time, he established the Department of Comparative Literature at the Hebrew University in Jerusalem. As a lecturer in the department, Strauss helped give rise to a new generation of Hebrew poets which included the likes of Nathan Zach, T. Carmi, Yehuda Amichai, Dan Pagis, Haim Gouri, and Tuvya Ruebner. The latter worked tirelessly to publish his works and translate them into Hebrew.
Provenance: The Tuvya Ruebner Collection.
This book bears roughly 65 signatures and dedications – some of them on items of ephemera that were glued on – inscribed by individuals who came to visit the home of the Israel Journalists Association in the early years of its existence, including David Ben-Gurion, Yitzhak and Rachel Yanait Ben-Zvi (signed on the menu of a meal prepared specially in their honor), Chaim Herzog (signed on an official letter written in his capacity as an IDF major general), the pianist Arthur Rubinstein (along with a photograph stapled onto the opposite page, showing Rubinstein signing the guest book), the Austrian conductor Robert Stolz (dedication with musical notes), the cantors Richard Tucker and Jan Peerce, ambassadors representing countries all over the world, and more.
Beit Sokolow, the Israel Journalists Association Building, was officially opened in April 1957 with the Prime Minister and President in attendance. In its early years it served as the hub of journalistic activity in Israel, providing for the staging of interviews and news conferences with senior officials, for the issuing of emergency notices, and for the holding of symposiums and ceremonies. Once a year, on the 29th of November (anniversary of the United Nations vote on the Partition of Palestine), the prime minister would make use of the venue to host a festive news conference and respond to journalists' questions. Over the years, with the gradually diminishing influence of the print media, the status of Beit Sokolow as a center of media attention also steadily diminished.
[36] ff. with signatures, dedications, and attached items of ephemera (numerous blank leaves at end of book), approx. 22 cm. Good-fair condition. Stains, some creases and blemishes. Fold lines and minor tears to edges of some attached items. Several leaves partly detached. Binding detached and worn.
Fors L'Honneur [For Honour], foreword by the right-wing extremist Jean-Louis Tixier-Vignancour, photographs and captions by Yves Le Deliou and Marie-Therese Dupuy. Paris: S.E.R.P., 1963. French. Limited edition of 1000 copies.
An album documenting in text and photographs the trials of the dissidents who violently opposed Algerian independence – anti-Gaullistes, participants in the failed Generals' putsch in Algeria (1961), and members of the underground right-wing organization OAS (Organisation armée secrete; "Secret Armed Organization, ") which among its other violent operations, attempted to assassinate the president of the republic, Charles de Gaulle.
Autograph dedication (in French) to general Uzi Narkiss (1925-1997), on front endpaper, with several signatures. Narkiss was the Israeli military attaché to Paris, from the late 1950's to 1962; he was given the album as souvenir of his days in the "Institut des hautes études de Défense nationale" [Institute of Advanced Studies in National Defence] and the visit to the headquarters of the French 27th Mountain Infantry Brigade, in Grande Kabylie, Algeria.
Among those who signed the dedication are the four generals who led the Generals' putsch, in an attempt to prevent Algerian independence, and were convicted for treason: Raoul Salan (1899-1984), Edmond Jouhaud (1905-1995), André Zeller (1898-1979), and Maurice Challe (1905-1979).
Dedication dated 20.12.63 (or 65'). Signed in Tulle, where the prison in which the generals were interned was located.
[48] ff., 29.5 cm. Good condition. Stains. Hardcover, with original dust jacket. Minor marginal tears to jacket.
Enclosed: roughly 12 newspaper clippings (most from the French newspaper "Le Monde"; late 1950s and early 1960s), dealing with the war in Algeria, the Generals' putsch and the trials of the of those responsible for it. Handwritten note on one clipping (Hebrew; handwritten by Narkiss?).
Woodcut depicting the destruction of Jerusalem and the First Temple at the hands of Nebuzaradan, captain of the body guard of Nebuchadnezzar, King of Babylonia, in the year 586 BCE.
The verso of the sheet also bears woodcuts, one depicting King Zedekiah being led, shackled and blinded, into Babylonian captivity, and others portraying kings and prophets of the Kingdom of Judah, including Jehoiachin, Zerubbabel, Haggai, Malachi, and others.
The book titled "The Nuremberg Chronicle" tells of biblical and historical events, from the creation of the world to the author's own period; it bases itself on the Bible, including the New Testament, in addition to various scholarly works. First printed in Anton Koberger's printing press in Nuremberg in 1493, it is considered to be one of the most thoroughly documented incunabula. It was among the first books to integrate illustrations and text, and remains highly regarded till this day, particularly for the quality of the numerous woodcuts featured in it. The woodcuts were created in the studio workshop of the painter and printmaker Michael Wolgemut, one of Nuremberg's leading artists at the time (one of the most famous of the apprentices and students in Wolgemut's workshop was none other than Albrecht Dürer.)
Bifolio, approx. 59X43 cm. Good-fair condition. Stains. Minor worming (minute damage to print). Lengthy tear and abrasions to middle fold line (the two halves of the bifolio are almost completely disconnected; minor damage to print). Upper margin slightly trimmed (with minor damage to title). Tape residue on edges. Small ink scribble (contemporary; obscures image of Satan on the Mount of Temptation).
Laor 1125.
1. Jean-Baptiste Bourguignon d'Anville, "La Palestine, les Tribus, et Jerusalem". Venice: Remondini, 1783. Engraving.
With three insets: map of the territories allotted to the twelve tribes of Israel, a plan of Jerusalem, and "Positions" – places laid down by distances on a scale reduced to a third. Borders in insets partially hand-colored.
Leaf, approx. 74.5X53 cm. Good condition. Minor stains. Some creases.
Laor 37.
2. Rigobert Bonne, "Carte des Douze Tribus d'Israel". Paris: Lattré, [1762-1783?]. Hand-colored engraving.
Map of Palestine delineating the territories of the Twelve Tribes. With notes on the construction of the map, listing sources (printed in French in an inset on the right hand side). Title cartouche shows the High Priest of Israel holding the Temple's seven-branched Menorah, an angel playing the harp, palm trees and the Ark of the Covenant.
Leaf, 51X38.5 cm. Good condition. Minor stains to edges.
Laor 120.
Included: • "Palestina o Terra Santa" [Palestine or the Holy Land], by Humphrey Prideaux. [Venice, 1738]. Laor 596. • "La Terra Promessa" [The Promissed Land] by Augustin Calmet. [Venice, 1822]. Laor 183. • "Carta Della Terra Santa" [Map of the Holy Land], by Pierre-Grégoire Chanlaire. [Late 18th century]. Laor 209. • A plan of Jerusalem and a plan of the Temple (most probably from the book "Storia Universale del Principio del Mondo" – an Italian edition of "An Universal History". [Amsterdam, 1766]. • Maps of the Kingdom of Persia, Assyria and Mesopotamia, and more.
Size and condition vary. Hand-colored border lines in some maps.
Enclosed: Engraving depicting the camp of the Israelites according to Samuel Reyher and according to Bernard Lamy.