Auction 87 - Jewish and Israeli Art, History and Culture
Including: sketches by Ze'ev Raban and Bezalel items, hildren's books, avant-garde books, rare ladino periodicals, and more
- book (136) Apply book filter
- books, (89) Apply books, filter
- children (79) Apply children filter
- hebrew (77) Apply hebrew filter
- period (73) Apply period filter
- palestin (69) Apply palestin filter
- other (66) Apply other filter
- art (63) Apply art filter
- print (59) Apply print filter
- artist (52) Apply artist filter
- bezalel (52) Apply bezalel filter
- estat (52) Apply estat filter
- ev (52) Apply ev filter
- from (52) Apply from filter
- includ (52) Apply includ filter
- item (52) Apply item filter
- judaica (52) Apply judaica filter
- kedmi (52) Apply kedmi filter
- origin (52) Apply origin filter
- raban (52) Apply raban filter
- shlomo (52) Apply shlomo filter
- sketch (52) Apply sketch filter
- ze (52) Apply ze filter
- ze'ev (52) Apply ze'ev filter
- zeev (52) Apply zeev filter
- cultur (49) Apply cultur filter
- establish (49) Apply establish filter
- fighter (49) Apply fighter filter
- fighters, (49) Apply fighters, filter
- illig (49) Apply illig filter
- immifr (49) Apply immifr filter
- immifration, (49) Apply immifration, filter
- isra (49) Apply isra filter
- israel (49) Apply israel filter
- israel, (49) Apply israel, filter
- mandatori (49) Apply mandatori filter
- ottoman (49) Apply ottoman filter
- palestine, (49) Apply palestine, filter
- state (49) Apply state filter
- underground (49) Apply underground filter
- jewish (38) Apply jewish filter
- avant (37) Apply avant filter
- avant-gard (37) Apply avant-gard filter
- avantgard (37) Apply avantgard filter
- gard (37) Apply gard filter
- periodicals, (37) Apply periodicals, filter
- poetri (37) Apply poetri filter
- yiddish (37) Apply yiddish filter
- communiti (35) Apply communiti filter
- europ (35) Apply europ filter
Comprehensive collection, featuring many of the themes typically found in postcards dealing with Palestine during the first half of the 20th century. Including: • Sites holy to Judaism, Christianity and Islam, in Jerusalem and throughout the country – the Western Wall, the Temple Mount, Rachel's Tomb, Meron, Cave of the Patriarchs, Church of the Nativity, the Jordan river, Jericho, Bethlehem, Capernaum, and more. • Old and new cities throughout Palestine; many postcards depicting Haifa, Safed, Tiberias, Beersheba, and other places. Many postcards dedicated to Tel Aviv and its iconic buildings, such as the Herzliya Hebrew Gymnasium, the old city hall, Bialik House, the Great Synagogue, and more; dozens of postcards depicting Haifa, published by K. Hefner & J. Berger, Kraków. • Colonies (Moshavot), including Gedera, Ness Ziona, Rishon LeZion, Rehovot, Petah Tikvah, Metula, Zikhron Ya'akov, and Rosh Pinna. • Various hotels and sanatoriums across the country. • Sea of Galilee, the Dead Sea, port of Haifa, and more.
Average size: 14X9 cm. Condition varies.
• Printed postcard issued by the Kamnitzer café and restaurant, Tel Aviv. • Printed postcard issued by the Hinga restaurant, Tel Aviv. • Real photo postcard (RPPC) issued by the Splendid-Bar café and restaurant. With (Hebrew) inked stamp: "Photo Ein-Hai … Tel Aviv." • Postcard with photograph of the Kafee Restaurant Wiener Kuche (café and restaurant). • Real photo postcard, uncaptioned (Café Sapir, Tel Aviv?). • Real photo postcard: singer and orchestra (uncaptioned).
9X14-15 cm. Overall good condition. Minor stains and blemishes. Two postcards used.
Provenance: The Rimon Family Collection.
Postcard advertising the Hotel Elisabetha (also known as the Elizabeth Hotel or "Feingold Hotel") in Tiberias, published prior to its opening, while it was still under construction. [Tiberias, ca. mid-1920s]. English.
Printed at the top of the postcard: "Elisabetha Sanatorium: Hotel and Auditorium at Tiberias – in Progress of Construction." At center is a picture of the elegant hotel – designed by the architect Zalman Axelrod – signed in print: "Z. Axelrod." (The final blueprint for the hotel was actually submitted by the architect Dov Hershkowitz.)
The caption (in English) at the bottom of the postcard reads as follows: "A first class Hotel and Sanatorium with every possible modern appointment. Constant hot water from the phenomenal Springs of Tiberias – famous for their panacean curative virtues."
The Hotel Elisabetha of Tiberias was the brainchild of the real estate entrepreneur Shlomo Feingold. Construction apparently commenced in the mid-1920s according to an original blueprint drafted by the architect Zalman Axelrod. Already in the early stages, a dispute erupted between Axelrod and Feingold, and Feingold's involvement in the project was terminated. The building was then re-designed by the architect Dov Hershkowitz (previously employed as chief architect of the Municipality of Tel Aviv), and after numerous delays and a wide range of violations of building codes on the part of Feingold, the hotel was officially opened with great fanfare on February 1, 1929, in a ceremony attended by the highest echelons of the British Mandatory authorities in Palestine. The building was officially named "Hotel Elisabetha" after Feingold's wife, Elisabetha-Elisheva.
Shlomo Ben David Feingold (1865-1935), entrepreneur in the fields of real estate, construction, hospitality, and journalism in Palestine. Native of Russia. Ordained as a rabbi – presumably while still in his teens – he settled in Great Britain in his twenties. In London he became friendly with members of "the British Israelites, " a messianic Christian cult who believed they could hasten the redemption through the missionary work they were conducting among the Jews. Feingold immigrated to Palestine with his wife circa 1895. His wife was in turn accompanied by her patron, Margaret Palmer, who became Feingold's business partner. Shlomo Feingold initiated projects with varying degrees of success in Afula, Jerusalem, and Tel Aviv. But the Hotel Elisabetha in Tiberias – flagship of all his construction projects – would, in the end, lead him to financial ruin.
Shlomo Feingold was a colorful and controversial figure. The Jews of Jerusalem were highly suspicious of what they regarded as his missionizing agenda. As such, he provided the inspiration for the character of the convert from Judaism appearing in Shai (Shmuel Yosef) Agnon's celebrated novel, "T'mol Shilshom."
See:
• Esther Yankelevich, "Jewel in the Crown: The Hotel Elizabeth-Elisheva of Tiberias, " "Atarim – MaMagazin" (published by the Council for Conservation of Heritage Sites in Israel), Issue No. 1, 2011, Hebrew.
• Mordechai Eliav and Yosef Lang, "Shlomo Feingold: Convert from Judaism or a Jew Loyal to his Own People? A Brief Biography of this Controversial Figure, " "Katedra" (published by the Ben-Zvi Institute), Issue No. 93, September, 1999, Hebrew.
Approx. 10X15.5 cm. Good condition. Minor blemishes.
Extensive collection depicting nearly one hundred years of tourism in Palestine in different periods, from the late Ottoman period, through Mandatory Palestine to the state of Israel.
Numerous rare postcards: postcards depicting the earliest modern hotels in Palestine – in Jerusalem, Haifa, Jaffa, Safed, Jericho and elsewhere; postcards depicting Kaiser Wilhelm II's visit to Palestine; postcards printed for hotels which have since gone out of business; postcards ink-stamped with official hotel stamps; etc. Especially notable are postcards depicting sanatoriums and resthouses run by the Histadrut (General Organization of Workers in Palestine/Israel), the various Kupat Cholim (HMO) organizations and insurance companies since the 1920s.
Approximately half the collection consists of postcards printed before the establishment of the state of Israel (including 40 undivided back postcards), and the other half consists of Israeli postcards dating to 1948-1980s. Arranged in two different albums and grouped by cities.
Partial list of depicted hotels:
• Jerusalem: Notre Dame de Jerusalem (undivided postcard); the Austrian hospice (undivided postcard); Grand New Hotel (undivided postcard); King David Hotel (dozens of different postcards); the YMCA (dozens of different postcards). • Tel Aviv: Hotel Ben-Nachum (rare postcard published by "Artzenu", berlin, reading: "Jew, write in Hebrew!"); San Remo Hotel; Hotel du Parc; Jerusalem Hotel; HaTzuk Hotel; and more. • Haifa: Hotel Carmel (undivided "Gruss aus" postcard); the Mount Carmel hospice run by the Sisters of Mercy of St. Borromeo (real-photo postcard); the Teltsch House hotel; the Savoy Hotel; and more. • Postcards from the Arza-Motza sanatorium; the resthouse Maale HaChamisha; the Kiryat Anavim guesthouse; and others. • Hundreds of additional hotels and vacation spots in Nazareth, Jericho, the Dead Sea, Safed and elsewhere.
Some 960 postcards, mostly 14X9 cm. Condition varies.
Enclosed: Color label for the Palace Hotel, a letterhead sketch for the Palatin Hotel, and more.
Provenance: The Rimon Family Collection.
Collection of some 120 postcards commemorating the official visit of the German Emperor, Kaiser Wilhelm II, to the Holy Land. Various publishers, Germany, Palestine, and elsewhere, ca. 1898.
The official visit of the German Kaiser in the months of October-November 1898, to the Holy Land, and to cities in other parts of the Ottoman Empire, was regarded as one of the most salient and pivotal events in relations between the two powers. Because of the great import attributed to the event, it was commemorated in a number of different ways, most notably by means of illustrated postcards, a relatively new mode of correspondence at the time, having first appeared in the second half of the 19th century.
The postcards in the present collection were printed during the lead-up to the visit and in the course of it, although a number were produced in its wake. Various publishers were involved, including Hermann Vogel (Berlin), Alfred Silbermann (Berlin), Knackstedt & Näther (Hamburg), Verlag des Syrischen Waisenhaues (Jerusalem), and many others. Many of the postcards have undivided backs. By means of illustrations – in both color and black-and-white – and photographs, they document important landmarks in the course of the journey, in particular the various sites visited by the Kaiser. Many of the postcards are devoted to sites in the Holy Land, and in particular to Jerusalem, as well as sites in other countries, visited by the Kaiser during his journey.
Most of the postcards were mailed, and consequently bear postage stamps and postmarks (most dated 1898). A few of them specifically bear postmarks dated October 31, 1898, the day Kaiser Wilhelm II personally dedicated the Church of the Redeemer in Jerusalem. A handful of postcards were not printed specially in honor of the Kaiser's journey, but nevertheless feature related sites and subjects: the Church of the Redeemer – during its construction and after its dedication (including a few postcards depicting the church's interior) – Jerusalem, and portraits of the Kaiser and the Empress. Some of the postcards are undocumented by Ralph Perry and David Pearlman.
Most of the postcards are placed in two Palestine souvenir albums with olive wood bindings, alongside additional items: • 23 pictures from various stages of the imperial visit – modern prints of photographs (some printed in large format). • Photograph of a rowing boat, manned by rowers dressed in Ottoman garb (on the shore of Jaffa), signed in plate "Bonfils, " (pasted to inside front board of one album). • Modern reproductions of the Kaiser's visit postcards, a modern postcard of the old city in Jerusalem, a handful of newspaper clippings, reporting on the imperial visit, and a map of Jerusalem (early 20th century.)
Postcards in standard size: 14X9 cm. Condition varies. Most postcard were mailed – bear inscription, postage stamps and postmarks. Stains. Minor wear and creases. Blemishes to some postcards, mostly to corners.
Reference: Ralph Perry and David Pearlman, "Postcards commemorating the 1898 journey of the German imperial couple to the Orient, " Stuttgart, 2019.
Kaiser Wilhelm II's Journey to the Levant
Through the months of October-November 1898, Kaiser Wilhelm II of Germany, and his wife, the Empress Augusta Victoria, toured some of the major cities of the Ottoman Empire, with Jerusalem being the most important of the destinations. The journey took place at a time when the impending and anticipated disintegration of the Ottoman Empire was hovering in the background, and a struggle between the European powers over the "spoils" – the assets of the so-called "Sick Man of Europe" – appeared likely to ensue in the near future. The journey went on for more than a month. Chief among its goals were the strengthening of ties between the German and Ottoman empires and the encouragement of Christian settlement in the Holy Land. Among the places visited by the Kaiser and his entourage were, in addition to Jerusalem, Athens, Constantinople, Haifa, Jaffa, Ramle, and Cairo.
Preparations for the Kaiser's visit to Jerusalem had already begun in the summer of 1898. These included a massive municipal clean-up, the improvement and overhaul of infrastructure, the laying of a telegraph line, and other operations. In time for the Kaiser's arrival in Jerusalem, a number of municipal roads were widened. The authorities went as far as breaching a gap in Jerusalem's Old City Wall, adjacent to Jaffa Gate, to enable the smooth passage of the Kaiser's opulent carriage. In addition, the city streets – most notably HaNevi'im Street, where a special tent camp for the Kaiser and his entourage, the so-called "Camp Imperial, " was to be temporarily constructed – were adorned with the flags of Germany and the Ottoman Empire, and with makeshift gates of honor.
One of the main highlights of the Kaiser's visit to Jerusalem – well-documented in many of the postcards in this collection – was the opening ceremony of the Lutheran Church of the Redeemer in the Christian Quarter of the Old City. But the Kaiser also visited the German Colony, the Mt. of Olives, City Hall, and other sites. From a Jewish standpoint, undoubtedly the most historically important event in the Kaiser's itinerary was his meeting with Theodor Herzl.
Throughout their visit, Wilhelm and the empress were accompanied by a small entourage. The Kaiser rode either on horseback or in the imperial carriage. Following in the footsteps of his immediate entourage in Jerusalem was a parade of lesser-ranked officials, accompanied by cavalry regiments and "kawas" officials – ceremonial Ottoman-Empire bodyguards.
The Kaiser's mission was documented in its time in hundreds of books and articles, and commemorated on playing cards, board games, and souvenir cards – collector's items – featuring Holy Land landscapes. But beyond a doubt, the quintessential commemorative souvenirs of the visit were the numerous different postcards, many of excellent quality, printed specially for the occasion; an astounding number of publishers – some 350 of them, from Germany and other countries – began publishing postcards commemorating the journey on a historically unprecedented scale. Major publishers such as Vogel, Silbermann, and Knackstedt-Näther went as far as presenting stamp and postcard collectors with a special offer; in exchange for a fixed fee, subscribers would be rewarded with postcards from cities the Kaiser visited, postmarked and mailed on the very day the Kaiser actually made his presence in the city in question.
Album featuring 36 reproductions of photographs by empress Auguste Victoria, taken during the imperial visit to Palestine in 1898. Facsimile inscription by Empress Augusta Victoria as title page: "Album in commemoration of the voyage to Palestine. Photographs taken by empress Augusta Victoria. Dedicated to charitable causes". Includes photographs of the Kaiser and his entourage – the Kaiser on board the SMY Hohenzollern, the Kaiser accompanied by Ottoman bodyguards in Atlit Castle (Château Pèlerin), the Kaiser and his entourage before the Dome of the Rock, close-up of the Kaiser pacing towards Baalbek (Lebanon), and more.
The photographs are captioned and dated, and organized chronologically. The Jerusalem Cross decoration, awarded to participants in voyage, impressed on front cover.
[2] pp. + [36] plates (printed photographic reproductions), approx. 23X16 cm. Good condition. Some stains. Minor blemishes. Some wear to cover.
Book for young people relating milestones in the journey of Kaiser Wilhelm II and his wife, Augusta Victoria, through the cities of the Ottoman Empire in 1898, with the highlight being the imperial visit to Jerusalem. Featuring two color illustrations, and photographs, mostly taken in the course of the visit. Elegant binding, with color illustration of the Kaiser on horseback. Handwritten dedication (in German) on front flyleaf, dated Berlin, 1898.
[2] ff., 211, [1] p., + [16] plates (14 photographic plates and 2 color illustration plates), 22.5 cm. Good condition. Minor tears to edges of several leaves, not affecting text. Notations on back of first plate. Endpapers reinforced with strips of adhesive tape. Minor blemishes to binding; abrasions to spine (part of decoration on spine abraded).
A booklet comprising a facsimile of the illuminated manuscript which was signed by Kaiser Wilhelm II and his wife, Augusta Victoria, on the day of the dedication of the Church of the Redeemer, the text of the Kaiser's speech, and a black and white picture of the Imperial wax seal.
The booklet was published in Berlin, to commemorate the dedication of the Church of the Redeemer in Jerusalem, the highlight of the Kaiser's journey to Palestine during the months of October-November, 1898.
The title page indicates that the booklet was available for purchase through the publishing house Ernst Siegfried Mittler und Sohn (enclosed is a single page with a list of other publications by the same publisher).
[6] ff., 27 cm. Good condition. Stains and minor blemishes. Minor marginal abrasions to binding.
Obverse: Church of the Redeemer. Legends: "Erloserkirche Geweiht am 31. Okt. 1898 / Erinnerung an die Kaiserfahrt nach Jerusalem 1898" [Church of the Redeemer, consecrated on October 31, 1898 / to commemorate the Kaiser's voyage to Jerusalem, 1898]. Reverse: a cross against the background of Jerusalem's skyline, and a long legend: "…it is neither power, nor glory, nor honour, nor earthly goods that we seek here…" (German).
This medal was presumably minted in order to alleviate the concern that the Kaiser intends to establish a military base in Palestine, and to emphasize the religious character of his visit. See: Ya'akov Meshorer, "Third side of the coin" (Jerusalem: Yad Ben-Zvi, 2006), p. 166 (Hebrew).
Diameter: 40 mm.
Obverse: bust of the Kaiser (facing right). Legend: "Wilhelm II. Palästina-Reise- Gedenkthaler".
Reverse: the Christ Child in oval frame. Legend: "Zur Einweihung der evang. Erlöserkirche in Jerusalem, Ende Oktober 1898" [on the occasion of the consecration of the Evangelical Church of the Redeemer in Jerusalem, end of October, 1898].
Diameter: 35 mm. Graded PCGS SP Genuine, Cleaned-UNC Detail (in a PCGS plastic case).
Obverse: bust of the Kaiser (facing right). Legend: "Wilhelm II. Palästina-Reise- Gedenkthaler".
Reverse: Church of the Redeemer. Legend: "Zur Einweihung der evang. Erlöserkirche in Jerusalem, Reformationsfest 1898" [on the occasion of the consecration of the Evangelical Church of the Redeemer in Jerusalem, Reformation Day 1898].
Diameter: 36 mm.
Obverse: busts of the Kaiser and Empress Augusta Victoria (facing right). Legend: "Gedenkthaler zur Palastinafahrt des Deutschen Kaiserpaares".
Reverse: Church of the Redeemer. Legend: "Zur Einweihung der evang. Erlöserkirche in Jerusalem, 1898 Reformationsfest" [on the occasion of the consecration of the Evangelical Church of the Redeemer in Jerusalem, Reformation Day 1898].
Diameter: 35 mm.