Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
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Displaying 133 - 144 of 401
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $500
Sold for: $813
Including buyer's premium
Four Russian editions of the poem "The Twleve" (Двенадцать) by poet Alexander Blok (1880-1921). Berlin, Sofia and Simferopol, ca. 1918-1922. Illustrations by Yury Annenkov, Wassili Masjutin and Ivan Milev.
The poem "The Twelve", describing a march of twelve revolutionary soldiers in the streets of Petrograd during a storm, was written by Alexander Blok in January 1918, several months after the Bolshevik Revolution. The poem, nowadays considered one of the best-known works of Russian poetry, was subjected to much criticism when first published. It is told that after its writing Blok felt his literary career had come to an end.
1. "The Twelve". Berlin: Алконост (Alkonost), 1918. Third edition (of three editions printed in the year the poem was written).
The book contains illustrations by Russian artist Yury Annenkov (1889-1974), which are considered his best-known works.
61, [3] pp + [1] leaf (reproduction of a portrait of Alexander Blok by Konstantin Somov; from another book), 31 cm. Rebound in hard cover, lacking original cover. Fair condition. Stains. Closed and open tears, some large and some reinforced with paper and tape. Damaged binding, loose.
2. "The Twelve". Sofia, Bulgaria: "Russian-Bulgarian Publishing" (Российско-Болгарское книгоиздательство), [1920]. Cover design by artist Ivan Milev (1897-1927), a prominent representative of Bulgarian Modernism.
36 pp, 22 cm. Fair-good condition. Detached cover and leaves (lacking spine). Stains throughout the booklet; numerous stains to cover. Tears to edges of several leaves and edges of cover. Minor creases.
3. "The Twelve". Simferopol, 1921. Without illustrations.
15, [1] pp (including cover), 21 cm. Good-fair condition. Dampstains. Creases and several small tears to edges.
4. "The Twelve". Berlin: Нева (Neva), [1922?]. Front cover illustration and four illustrations inside the book by artist Wassili Masjutin (1884-1955). Masjutin was born in Riga, studied art in Moscow and specialized in printmaking. Since 1921, he lived in Berlin, where he worked as a painter, sculptor, graphic designer and book illustrator.
[3] leaves, 22 pp, [2] leaves + [4] plates (illustrations), 24 cm. Good-fair condition. Stains. Open tears to edges of cover and spine.
Enclosed is an additional copy of the poem published by Neva (no. 4), with back cover lacking.
Provenance: The collection of Uzi Agassi.
The poem "The Twelve", describing a march of twelve revolutionary soldiers in the streets of Petrograd during a storm, was written by Alexander Blok in January 1918, several months after the Bolshevik Revolution. The poem, nowadays considered one of the best-known works of Russian poetry, was subjected to much criticism when first published. It is told that after its writing Blok felt his literary career had come to an end.
1. "The Twelve". Berlin: Алконост (Alkonost), 1918. Third edition (of three editions printed in the year the poem was written).
The book contains illustrations by Russian artist Yury Annenkov (1889-1974), which are considered his best-known works.
61, [3] pp + [1] leaf (reproduction of a portrait of Alexander Blok by Konstantin Somov; from another book), 31 cm. Rebound in hard cover, lacking original cover. Fair condition. Stains. Closed and open tears, some large and some reinforced with paper and tape. Damaged binding, loose.
2. "The Twelve". Sofia, Bulgaria: "Russian-Bulgarian Publishing" (Российско-Болгарское книгоиздательство), [1920]. Cover design by artist Ivan Milev (1897-1927), a prominent representative of Bulgarian Modernism.
36 pp, 22 cm. Fair-good condition. Detached cover and leaves (lacking spine). Stains throughout the booklet; numerous stains to cover. Tears to edges of several leaves and edges of cover. Minor creases.
3. "The Twelve". Simferopol, 1921. Without illustrations.
15, [1] pp (including cover), 21 cm. Good-fair condition. Dampstains. Creases and several small tears to edges.
4. "The Twelve". Berlin: Нева (Neva), [1922?]. Front cover illustration and four illustrations inside the book by artist Wassili Masjutin (1884-1955). Masjutin was born in Riga, studied art in Moscow and specialized in printmaking. Since 1921, he lived in Berlin, where he worked as a painter, sculptor, graphic designer and book illustrator.
[3] leaves, 22 pp, [2] leaves + [4] plates (illustrations), 24 cm. Good-fair condition. Stains. Open tears to edges of cover and spine.
Enclosed is an additional copy of the poem published by Neva (no. 4), with back cover lacking.
Provenance: The collection of Uzi Agassi.
Category
Russian Avant-Garde
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $300
Sold for: $500
Including buyer's premium
Портреты [Portrety / Portraits], by Yuri Annenkov (Юрий Павлович Анненков). Petersburg (Saint Petersburg): "Petropolis", 1922. Russian and some French. Copy no. 97 from an edition of 900 copies.
Album of portraits by Annenkov (1889-1974), a Russian artist, mostly known for his book illustrations and portraits. The book contains color and black and white reproductions of portraits of key figures in Russian art of his time, which were drawn during the years 1906-1921, including portraits of artists, writers and poets such as Altman, Chukovsky, Pasternak, Gorky, Zamyatin, Remizov, Blok, Akhmatova and others. The portraits are accompanied by articles by Yevgeny Zamyatin, Michael Kuzmin and Mickhail Babentchikoff.
169, [2] pp., 33 cm. Fair condition: from the original constructivist dust-jacket, only a cut piece remained (approx. 28X23 cm), trimmed on the verge of the illustration and the text, with stains. The cover is torn, missing the spine and almost completely detached, with tears to edges and missing pieces. Most of the leaves and the illustrations are in good condition. Stains and minor blemishes. Some loose or detached leaves and plates. Pen notation on inside back cover. Pen inscription and inked stamp on the title page.
Album of portraits by Annenkov (1889-1974), a Russian artist, mostly known for his book illustrations and portraits. The book contains color and black and white reproductions of portraits of key figures in Russian art of his time, which were drawn during the years 1906-1921, including portraits of artists, writers and poets such as Altman, Chukovsky, Pasternak, Gorky, Zamyatin, Remizov, Blok, Akhmatova and others. The portraits are accompanied by articles by Yevgeny Zamyatin, Michael Kuzmin and Mickhail Babentchikoff.
169, [2] pp., 33 cm. Fair condition: from the original constructivist dust-jacket, only a cut piece remained (approx. 28X23 cm), trimmed on the verge of the illustration and the text, with stains. The cover is torn, missing the spine and almost completely detached, with tears to edges and missing pieces. Most of the leaves and the illustrations are in good condition. Stains and minor blemishes. Some loose or detached leaves and plates. Pen notation on inside back cover. Pen inscription and inked stamp on the title page.
Category
Russian Avant-Garde
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $600
Unsold
Four volumes of poetry by Alexander Kusikov and other Imaginist poets. Moscow and Kiev, ca. 1920. Russian. Illustrations by Boris Erdman and Georgi Yakulov. One of the books is inscribed by Kusikov.
1. Жемчужный коврик [A Pearl Rug], by Alexander Kusikov, Konstantin Balmont and Antony Sluchanovsky. [Moscow, ca. 1920].
Front cover illustration by Boris Erdman (Борис Эрдман, 1899-1960), a stage designer and graphic artist, member of the Imaginists.
On the first (blank) page is a Russian inscription handwritten by Alexander Kusikov (Александр Кусиков, 1896-1977), a prominent voice of the Imaginist movement in Russian poetry.
2. Коевангелиеран [Koevangelieran], by Alexander Kusikov. Moscow, 1920. Illustrations by Boris Erdman on the front cover and throughout the booklet.
3. В никуда [Going Nowhere], by Alexander Kusikov. Moscow: "Имажинисты" (Imaginists), 1920. The logo of the publishing house was designed by Boris Erdman. The illustration on the front cover and the author's portrait (p. 9) were created by Georgi Yakulov (Георгий Якулов, 1884-1928).
4. Коробейники счастья [Peddlers of Happiness], by Alexnader Kusikov and Vadim Shershenevich. Kiev, 1920. Front cover illustration by Boris Erdman.
Russian handwritten notes and markings on several pages.
Size and condition vary.
Provenance: The collection of Uzi Agassi.
1. Жемчужный коврик [A Pearl Rug], by Alexander Kusikov, Konstantin Balmont and Antony Sluchanovsky. [Moscow, ca. 1920].
Front cover illustration by Boris Erdman (Борис Эрдман, 1899-1960), a stage designer and graphic artist, member of the Imaginists.
On the first (blank) page is a Russian inscription handwritten by Alexander Kusikov (Александр Кусиков, 1896-1977), a prominent voice of the Imaginist movement in Russian poetry.
2. Коевангелиеран [Koevangelieran], by Alexander Kusikov. Moscow, 1920. Illustrations by Boris Erdman on the front cover and throughout the booklet.
3. В никуда [Going Nowhere], by Alexander Kusikov. Moscow: "Имажинисты" (Imaginists), 1920. The logo of the publishing house was designed by Boris Erdman. The illustration on the front cover and the author's portrait (p. 9) were created by Georgi Yakulov (Георгий Якулов, 1884-1928).
4. Коробейники счастья [Peddlers of Happiness], by Alexnader Kusikov and Vadim Shershenevich. Kiev, 1920. Front cover illustration by Boris Erdman.
Russian handwritten notes and markings on several pages.
Size and condition vary.
Provenance: The collection of Uzi Agassi.
Category
Russian Avant-Garde
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $150
Sold for: $188
Including buyer's premium
Ленин [Lenin], sketches by Nathan Altman. St. Petersburg, 1921. Russian.
A booklet with ten reproductions of sketches by Nathan Altman – nine portraits of Vladimir Ilyich Lenin and a sketch of the view seen from the window of his office in the Kremlin. The sketches are signed and dated in the plate ("Nathan Altman, Moscow – Kremlin, 1920"). Lenin's facsimile signature on p. 3. Suprematist cover design by Altman.
In 1920, Nathan Altman was invited to the Kremlin to create a portrait of Vladimir Ilyich Lenin, leader of the Bolshevik Revolution and founder of the USSR. To complete this task, Altman spent about six weeks in the Kremlin. Since Lenin did not have time or patience to sit for a portrait, Altman captured his face and movements in a number of quick realistic sketches, deviating from his artistic style at the time, which documented Lenin during his daily routine – sitting at his desk, speaking on the phone, during meetings, and more. By the end of his stay in the Kremlin, Altman created a bust of Lenin, which became the first portrait of Lenin to be shown outside the USSR.
[3] leaves, [10] plates, [2] leaves, 22.5 cm. Good-fair condition. Stains. Strips of paper for reinforcement to inner margins. Detached cover, with stains. Tears to cover edges and spine (reinforced with tape). Stamp and pen notation on back cover.
Provenance: The collection of Uzi Agassi.
A booklet with ten reproductions of sketches by Nathan Altman – nine portraits of Vladimir Ilyich Lenin and a sketch of the view seen from the window of his office in the Kremlin. The sketches are signed and dated in the plate ("Nathan Altman, Moscow – Kremlin, 1920"). Lenin's facsimile signature on p. 3. Suprematist cover design by Altman.
In 1920, Nathan Altman was invited to the Kremlin to create a portrait of Vladimir Ilyich Lenin, leader of the Bolshevik Revolution and founder of the USSR. To complete this task, Altman spent about six weeks in the Kremlin. Since Lenin did not have time or patience to sit for a portrait, Altman captured his face and movements in a number of quick realistic sketches, deviating from his artistic style at the time, which documented Lenin during his daily routine – sitting at his desk, speaking on the phone, during meetings, and more. By the end of his stay in the Kremlin, Altman created a bust of Lenin, which became the first portrait of Lenin to be shown outside the USSR.
[3] leaves, [10] plates, [2] leaves, 22.5 cm. Good-fair condition. Stains. Strips of paper for reinforcement to inner margins. Detached cover, with stains. Tears to cover edges and spine (reinforced with tape). Stamp and pen notation on back cover.
Provenance: The collection of Uzi Agassi.
Category
Russian Avant-Garde
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $1,000
Sold for: $3,750
Including buyer's premium
Four sketches by Vladimir Tatlin (1885-1953) – figures.
Four pencil sketches, on three sheets of paper. Not signed.
Vladimir Tatlin (Владимир Татлин, 1885-1953), a Russian artist and architect, a leader of the Russian avant-garde movement in the 1920s and a pioneer of the Constructivist movement. In 1919, he was invited by the Department of Fine Arts of the People's Commissariat for Education to plan a monument to the Third International which will also serve as the headquarters of the Comintern (the international organization of the communist parties). The structure planned by Tatlin, a spiral structure inspired by the Eifel Tower, was meant to be built from industrial materials such as iron, steel and glass and to a large extent reflected the vision of Constructivist art. The plan for the monument to the Third International is considered today Tatlin's most well-known work; however, the monument itself was never built (both for practical reasons and due to the change for the worse in the authorities' attitude towards the avant-garde art).
Three leaves, 40.5X26.5 cm to 44.5X32 cm. Condition varies. Stains. Tears to edges.
Provenance: The collection of A.N. Korsakova, Tatlin's widow (as indicated by the penciled notes on verso).
Provenance: The collection of Uzi Agassi.
Four pencil sketches, on three sheets of paper. Not signed.
Vladimir Tatlin (Владимир Татлин, 1885-1953), a Russian artist and architect, a leader of the Russian avant-garde movement in the 1920s and a pioneer of the Constructivist movement. In 1919, he was invited by the Department of Fine Arts of the People's Commissariat for Education to plan a monument to the Third International which will also serve as the headquarters of the Comintern (the international organization of the communist parties). The structure planned by Tatlin, a spiral structure inspired by the Eifel Tower, was meant to be built from industrial materials such as iron, steel and glass and to a large extent reflected the vision of Constructivist art. The plan for the monument to the Third International is considered today Tatlin's most well-known work; however, the monument itself was never built (both for practical reasons and due to the change for the worse in the authorities' attitude towards the avant-garde art).
Three leaves, 40.5X26.5 cm to 44.5X32 cm. Condition varies. Stains. Tears to edges.
Provenance: The collection of A.N. Korsakova, Tatlin's widow (as indicated by the penciled notes on verso).
Provenance: The collection of Uzi Agassi.
Category
Russian Avant-Garde
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $300
Sold for: $813
Including buyer's premium
Five woodcuts by Solomon Yudovin (1892-1954); signed and dated in pencil. 1920-1925.
Four of the woodcuts depict small towns and houses; three of them are reproduced in "Vitebsk in S. Yudovin's Woodcuts" (Vitebsk, 1926). The fifth woodcut depicts a Jewish shoemaker (another version of it, reversed, is reproduced in "S. Yudovin, Woodcuts". Leningrad, 1928).
Size and condition vary. Woodcuts of approx. 2.5X4 cm to 11.5X15 cm. Stains. All prints matted.
Provenance: The collection of Uzi Agassi.
Four of the woodcuts depict small towns and houses; three of them are reproduced in "Vitebsk in S. Yudovin's Woodcuts" (Vitebsk, 1926). The fifth woodcut depicts a Jewish shoemaker (another version of it, reversed, is reproduced in "S. Yudovin, Woodcuts". Leningrad, 1928).
Size and condition vary. Woodcuts of approx. 2.5X4 cm to 11.5X15 cm. Stains. All prints matted.
Provenance: The collection of Uzi Agassi.
Category
Russian Avant-Garde
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $100
Sold for: $400
Including buyer's premium
C. Plinji Liber secundus de mundi historia, second book of "Natural History" by Pliny the Elder, by Jacob Milich with additions and comments by Bartholomäus Schönborn. Leipzig: Iohannes Steinman, 1573 (imprint from colophon). Latin.
The second book in the encyclopedic series Natural History by Pliny the Elder (a series of 37 books from the first century A.D. covering topics including geography, agriculture, astronomy, mathematics, medicine, zoology, commerce and art, and containing approx. 20,000 entries). This is an annotated edition by the German mathematician and astronomer Jacob Milich (1501-1559), first printed in 1535, with comments and additions by the German scholar Bartholomäus Schönborn (1530-1585).
The book deals with astronomy and contains various astronomical illustrations and charts (one of them on a folded plate).
The book has a leather-covered wooden binding by artist Georg Kammerberger II (stamped G.T.), a member of the well-known Kammerberger family of binders, who owned a bindery which operated during the 16-17 centuries in Wittenberg, Germany. On the front board: a coat of arms of the Holy Roman Empire; beneath it, the inscription "Des H. Remi Keisertums Wappen" and the year 1583, and above it, the letters I.H.O. (possibly representing the name of the owner of the book). On the back board: the coat of arms of Augustus, Elector of Saxony and beneath it the inscription "Insignia Et Electo. Saxo".
636 pp. [634, mispagination], [6] leaves + [1] plate. Approx. 19.5 cm. Good condition. Minor stains. A small wormhole to margins of approx. seventy of the last leaves (not affecting text). Holes and small tears to edges of title page and back endpapers. Without front endpapers. Stained binding (a large stain on the lower part of the back board), with blemishes and wear to corners and spine.
The second book in the encyclopedic series Natural History by Pliny the Elder (a series of 37 books from the first century A.D. covering topics including geography, agriculture, astronomy, mathematics, medicine, zoology, commerce and art, and containing approx. 20,000 entries). This is an annotated edition by the German mathematician and astronomer Jacob Milich (1501-1559), first printed in 1535, with comments and additions by the German scholar Bartholomäus Schönborn (1530-1585).
The book deals with astronomy and contains various astronomical illustrations and charts (one of them on a folded plate).
The book has a leather-covered wooden binding by artist Georg Kammerberger II (stamped G.T.), a member of the well-known Kammerberger family of binders, who owned a bindery which operated during the 16-17 centuries in Wittenberg, Germany. On the front board: a coat of arms of the Holy Roman Empire; beneath it, the inscription "Des H. Remi Keisertums Wappen" and the year 1583, and above it, the letters I.H.O. (possibly representing the name of the owner of the book). On the back board: the coat of arms of Augustus, Elector of Saxony and beneath it the inscription "Insignia Et Electo. Saxo".
636 pp. [634, mispagination], [6] leaves + [1] plate. Approx. 19.5 cm. Good condition. Minor stains. A small wormhole to margins of approx. seventy of the last leaves (not affecting text). Holes and small tears to edges of title page and back endpapers. Without front endpapers. Stained binding (a large stain on the lower part of the back board), with blemishes and wear to corners and spine.
Category
Scholarly Works, Prints
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $300
Unsold
The Holy State, by Thomas Fuller. London: Printed by John Redmayne for John Williams, 1663. English. Fourth edition.
"The Holy State" is one of the most popular books by the Anglican Churchman, historian and writer Thomas Fuller (1608-1661). The book provides general rules of conduct for various archetypes – the good wife, the good husband, good doctor, artist, and more – and includes brief biographies of model characters (for example, following the chapter about the good husband, appears a chapter about Abraham as a model husband). The book also includes general rules of hospitality, traveling, apparel, and more (also interspersed with brief biographies). The last part, "The Profane State" (with separate title page) covers negative figures.
20 in-text engravings by William Marshall – portraits of figures mentioned in the book.
[4] leaves, 189, 200-394, 435-510 pp (mispagination), approx. 28 cm. Stains (some pages are slightly browned). Closed and open tears to edges of several leaves (not affecting text). Paper label on front endpaper. Several handwritten notations. Leather-covered binding, with tears and blemishes.
"The Holy State" is one of the most popular books by the Anglican Churchman, historian and writer Thomas Fuller (1608-1661). The book provides general rules of conduct for various archetypes – the good wife, the good husband, good doctor, artist, and more – and includes brief biographies of model characters (for example, following the chapter about the good husband, appears a chapter about Abraham as a model husband). The book also includes general rules of hospitality, traveling, apparel, and more (also interspersed with brief biographies). The last part, "The Profane State" (with separate title page) covers negative figures.
20 in-text engravings by William Marshall – portraits of figures mentioned in the book.
[4] leaves, 189, 200-394, 435-510 pp (mispagination), approx. 28 cm. Stains (some pages are slightly browned). Closed and open tears to edges of several leaves (not affecting text). Paper label on front endpaper. Several handwritten notations. Leather-covered binding, with tears and blemishes.
Category
Scholarly Works, Prints
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $100
Sold for: $125
Including buyer's premium
Gallerie der ausgezeichnetsten Israeliten aller Jahrhunderte, ihre Portraits und Biographien [Gallery of the most outstanding Israelites of all centuries, their portraits and biographies], by Eugen von Breza and Richard Otto Spazier. Stuttgart: Fr. Brodhag'sche Buchhandlung, 1834-1838. German. Five parts in one volume (a separate title page for each part).
Biographies of renowned Jews, accompanied by ten portrait-plates (lithographs), including portraits of Moses, Rehoboam King of Judah, Moses Mendelsohn, Rabbi Jonathan Eibeschutz, Baruch Spinoza, David Friedlander, Heinrich Heine, Gabriel Riesser, Rahel Varnhagen and others.
VIII, 9-48 pp; [1] leaf, 49-86 pp; [1] leaf, 87-126 pp; 49 pp; [1] leaf, 43 pp. + [17] plates (with tissue guards). 27 cm. Good condition. Stains. Notations and inked stamps on the first and last leaves. New binding and endpapers.
Biographies of renowned Jews, accompanied by ten portrait-plates (lithographs), including portraits of Moses, Rehoboam King of Judah, Moses Mendelsohn, Rabbi Jonathan Eibeschutz, Baruch Spinoza, David Friedlander, Heinrich Heine, Gabriel Riesser, Rahel Varnhagen and others.
VIII, 9-48 pp; [1] leaf, 49-86 pp; [1] leaf, 87-126 pp; 49 pp; [1] leaf, 43 pp. + [17] plates (with tissue guards). 27 cm. Good condition. Stains. Notations and inked stamps on the first and last leaves. New binding and endpapers.
Category
Scholarly Works, Prints
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $200
Sold for: $250
Including buyer's premium
Das Heilige Land, nach seiner ehemaligen und jetzigen geographischen Beschaffenheit [The Holy Land, according to its former and present geographical nature], by Joseph Schwartz. Frankfurt am Mein: J. Kaufmann, 1852. German and a little Hebrew. First German edition.
The German edition of the book "Tevuot HaAretz" by Joseph Schwartz (1804-1865), a scholar, geographer, painter and one of the first researchers of Palestine in Modern History. The book describes the geography of Palestine, its settlements, fauna, and flora, and more, and includes five lithographic plates: portrait of the author (facing the title page), illustrations of the Temple Mount and the Western Wall, Bethlehem and the Cave of the Patriarchs, a panorama of Jerusalem (folded plate) and a map of Palestine (folded plate).
The book "Tevuot HaAretz" was first published in 1845. In 1850 its English translation was published in Philadelphia, with Isaac Leeser's assistance, and two years later, its German translation was published in Frankfurt (the book before us). The book was translated into German by the author's nephew, Dr. Israel Schwartz. The German edition was used as learning material in Jewish schools in Germany, and Schwartz was decorated for it by Austrian Emperor Franz Joseph.
XIX, 452, 20 + [5] plates (two of them folded), 21.5 cm. Good condition. stains, including dampstains (some of them large. Many stains on the panorama of Jerusalem). Several small tears. Blemishes to the two folded plates. Restored tears to the map of Palestine. New binding and endpapers.
The German edition of the book "Tevuot HaAretz" by Joseph Schwartz (1804-1865), a scholar, geographer, painter and one of the first researchers of Palestine in Modern History. The book describes the geography of Palestine, its settlements, fauna, and flora, and more, and includes five lithographic plates: portrait of the author (facing the title page), illustrations of the Temple Mount and the Western Wall, Bethlehem and the Cave of the Patriarchs, a panorama of Jerusalem (folded plate) and a map of Palestine (folded plate).
The book "Tevuot HaAretz" was first published in 1845. In 1850 its English translation was published in Philadelphia, with Isaac Leeser's assistance, and two years later, its German translation was published in Frankfurt (the book before us). The book was translated into German by the author's nephew, Dr. Israel Schwartz. The German edition was used as learning material in Jewish schools in Germany, and Schwartz was decorated for it by Austrian Emperor Franz Joseph.
XIX, 452, 20 + [5] plates (two of them folded), 21.5 cm. Good condition. stains, including dampstains (some of them large. Many stains on the panorama of Jerusalem). Several small tears. Blemishes to the two folded plates. Restored tears to the map of Palestine. New binding and endpapers.
Category
Scholarly Works, Prints
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $100
Sold for: $450
Including buyer's premium
Hagadah, oder Erzählung von Israels Auszug aus Egypten. Zum Gebrauche bei der im Familienkreise stattfindenden Feierlichkeit an den beiden ersten Abenden des Matzoth-Festes / Passover Haggadah, with German translation and sheet music for the Piyyutim. Köln (Germany), 1838. Hebrew and German. Illustrated title page.
The publisher and composer of the sheet music is Isaac Eberst (Offenbach), a cantor in Köln, father of the composer and cellist Jacques Offenbach. The sheet music is for traditional and original melodies to "Hodu", "Adir Bimelucha", "Chasal Siddur Pesach", "Adir Huh", "Echad Mi Yode'ah" and "Chad gadya". According to H.D. Friedberg (History of Hebrew printing in Central Europe [Hebrew], Antwerp, 1935, p. 33) only the title page was printed in Köln while the rest of the book was printed in Hamburg.
[1], III, [2], 8-91, 7 pp. + [8] pp. of sheet music, 21.5 cm. Fair-poor condition. Missing the original cover and the first title page. Many stains. Tears and wear. Detached leaves. Binding worn and detached, reinforced with tape.
Ya'ari 578; Otzar Hahaggadot 799.
The publisher and composer of the sheet music is Isaac Eberst (Offenbach), a cantor in Köln, father of the composer and cellist Jacques Offenbach. The sheet music is for traditional and original melodies to "Hodu", "Adir Bimelucha", "Chasal Siddur Pesach", "Adir Huh", "Echad Mi Yode'ah" and "Chad gadya". According to H.D. Friedberg (History of Hebrew printing in Central Europe [Hebrew], Antwerp, 1935, p. 33) only the title page was printed in Köln while the rest of the book was printed in Hamburg.
[1], III, [2], 8-91, 7 pp. + [8] pp. of sheet music, 21.5 cm. Fair-poor condition. Missing the original cover and the first title page. Many stains. Tears and wear. Detached leaves. Binding worn and detached, reinforced with tape.
Ya'ari 578; Otzar Hahaggadot 799.
Category
Passover Haggadot
Catalogue
Online Auction 023 Part I + Part II - Jewish and Israeli History and Culture + Judaica
June 9, 2020
Opening: $350
Unsold
"LeSadot Rechokim, LeAmal" [To Faraway Fields, to Labor]. Passover Seder, The Ra'anana "HaChugim" Group. [Chomat Maoz / Maoz Chaim], Nissan 1938.
Non-traditional Haggadah of Kibbutz Maoz Chaim (previously: Chomat Maoz) in the Beit She'an Valley, which was established by members of the Ra'anana "HaChugim" Group. Illustrated; mimeographed.
The central axis around which the texts and the illustrations revolve is the ethos of labor and the transition from a "nation of merchants" enclosed in ghettos to the new Jew, who labors and fights. Noteworthy are the buildings featured in the illustrations, which unlike buildings depicted in other non-traditional Haggadahs, and except for one illustration dealing with the enterprise of "Choma u'Migdal" (Tower and Stockade), are depicted in the spirit of international style. The entire text is non-traditional, although several passages refer to the traditional Haggadah.
The Haggadah is divided into three sections. The first section, "Our forefathers in Canaan were farmers", includes bible quotes dealing with agriculture and the product of the land, alongside an illustration of a pottery fragment listing the farming seasons found in the Gezer excavations. The second section, "They were plucked up out of their land", contains texts dealing with the Diaspora and the degeneration of the nation. On leaf 8 is a quote by Berdyczewski: "The street of the Jews is the symbol of our downfall […] do not seek a blossoming tree, a layer of grass, the singing of birds […] we have secrets and combinations – yet, in the face of nature we close our eyes". The third section, "Your children shall come back again to their own border", deals with the return to Palestine and its building. The text celebrates hard work, with its hardships and demands, and the transition from the Diaspora to the redemption of the country: on leaf 12, alongside a farmer, it is written: "To us the ripe grain has never whispered […] from our father's house we did not bring the weapons with which you can build a nation and conquer the land. Desperate when we came – we have become, nevertheless, creators". On leaf 14, alongside an international-style building and a eucalyptus tree, a worn-out farmer can be seen, and the text announces: "Not in several years will the sons of a nation of merchants turn into working people, but rather in generations. Since work demands man's marrow, sucks up all his vigor, and gives back but a little". On leaf 17, a map of Palestine is spread out under the wheels of a tractor which is working its land, and the text deals with the "vision of a kibbutz of farmers […] which will settle the homeland".?[1] front cover, 17 leaves. 26.5 cm. Good condition. Stains. Closed tears and small open tears to edges of several leaves. The front cover is partly detached and reinforced in its margins with thick tape mounted to its verso. The Haggadah has an additional paper cover (blank), the back of which is detached.
Not in OCLC.
Non-traditional Haggadah of Kibbutz Maoz Chaim (previously: Chomat Maoz) in the Beit She'an Valley, which was established by members of the Ra'anana "HaChugim" Group. Illustrated; mimeographed.
The central axis around which the texts and the illustrations revolve is the ethos of labor and the transition from a "nation of merchants" enclosed in ghettos to the new Jew, who labors and fights. Noteworthy are the buildings featured in the illustrations, which unlike buildings depicted in other non-traditional Haggadahs, and except for one illustration dealing with the enterprise of "Choma u'Migdal" (Tower and Stockade), are depicted in the spirit of international style. The entire text is non-traditional, although several passages refer to the traditional Haggadah.
The Haggadah is divided into three sections. The first section, "Our forefathers in Canaan were farmers", includes bible quotes dealing with agriculture and the product of the land, alongside an illustration of a pottery fragment listing the farming seasons found in the Gezer excavations. The second section, "They were plucked up out of their land", contains texts dealing with the Diaspora and the degeneration of the nation. On leaf 8 is a quote by Berdyczewski: "The street of the Jews is the symbol of our downfall […] do not seek a blossoming tree, a layer of grass, the singing of birds […] we have secrets and combinations – yet, in the face of nature we close our eyes". The third section, "Your children shall come back again to their own border", deals with the return to Palestine and its building. The text celebrates hard work, with its hardships and demands, and the transition from the Diaspora to the redemption of the country: on leaf 12, alongside a farmer, it is written: "To us the ripe grain has never whispered […] from our father's house we did not bring the weapons with which you can build a nation and conquer the land. Desperate when we came – we have become, nevertheless, creators". On leaf 14, alongside an international-style building and a eucalyptus tree, a worn-out farmer can be seen, and the text announces: "Not in several years will the sons of a nation of merchants turn into working people, but rather in generations. Since work demands man's marrow, sucks up all his vigor, and gives back but a little". On leaf 17, a map of Palestine is spread out under the wheels of a tractor which is working its land, and the text deals with the "vision of a kibbutz of farmers […] which will settle the homeland".?[1] front cover, 17 leaves. 26.5 cm. Good condition. Stains. Closed tears and small open tears to edges of several leaves. The front cover is partly detached and reinforced in its margins with thick tape mounted to its verso. The Haggadah has an additional paper cover (blank), the back of which is detached.
Not in OCLC.
Category
Passover Haggadot
Catalogue