E. M. Lilien, Eine Künstlerische Entwickelung Um Die Jahrhundertwende, von Lothar Brieger. Mit 226 abbildungen nach radierungen und zeichnungen des künstlers . [E. M. Lilien, his artistic development at the turn of the century, by Lothar Brieger. With 226 etchings and works by the artist]. Berlin-Vienna: Benjamin Harz, 1922.
A book about Ephraim Moshe Lilien, with photos of his works. Copy no. 9 out of an edition of 100 numbered copies, with author's signature. Includes an etching signed by Lilien (10X11.5 cm). Leather binding with a caption and decorations in gold. 30 cm, 260 pp. Good condition. Staining to first pages. Spine and forezats leaves professionally restored. Etching leaf – detached. In a fine cardboard case.

E. M. Lilien, Ein Beitrag zur Geschichte der zeichnenden Künste, von Dr. Edg. [Edgar] Alfr. [Alfred] Regener. Berlin-Leipzig: F. A. Lattmann in Goslar, 1905. German.
Ephraim Moshe Lilien – his contribution to the art of painting, by Edgar Alfred Regener. The book is accompanied by numerous reproductions of the various graphic works by Lilien. 227, [5] pp, 24.5 cm. Good condition. Minor damages to cover.

Ephraim Moshe Lilien, five photogravure prints, made of Lilien's etchings. Size varies. Size of leaves 37.5X25 cm. Tears at margin of leaves.

Jungjudische Gedichte [poems by young Jews], published by Jewish Students' Union, Berlin, 1906.
Anthology of poems, printed on heavy paper of good quality, accompanied by several illustrations by the artists Hermann Struck, Joseph Israëls and Ephraim Moshe Lilien. 43 pp, 20 cm. Good condition. Stains. Title cover faded and slightly worn.

Book of Esther, in scroll format, with illustrations by Otto (Nathan) Geismar. Tel-Aviv: Löwenstein, 1936.
Otto (Nathan) Geismar (1873-1957) was an art teacher at the Jewish Community School in Berlin during the years 1904-1936. In 1930, he spent a few months in Palestine on scholarship from the Berlin congregation. In 1939 he and his wife immigrated to Brazil and after WW II they moved to England. Geismar designed and illustrated this Book of Esther during his time in Berlin. His unique drawing style – utilizing Jugendstil minimalism with its very simple, strong lines to draw characters by means of their bodily contours – is characterized also by its bold typography, freedom of treatment of traditional themes, and humor.
The name of the scribe Sofer Weisberg is noted at the end of the megillah. 21 cm scroll, placed inside its original illustrated cardboard tube (22.5 cm), both in near fine condition (rarely seen in this state of preservation).