Искусство Марка Шагала [The Art of Marc Chagall], by Yakov Tugendhold (Тугендхольд) and Abram Markovich Efros (Эфрос). Moscow: Геликон, 1918. First edition. Russian. Two copies.

The first monograph on Marc Chagall. Includes reproductions of his works on separate pages and within the text. Copy nos. 170 and 198, from an edition of 850 copies. The publishing house logo was designed by El Lissitzky.

Marc Chagall (Марк Заха́рович Шага́л; 1887-1985), a Russian-French artist, is considered by many the greatest Jewish modern painter. Chagall was born to a Hassidic family in Liozna (then in Belarus), the eldest of nine siblings. When his mother asked his first art teacher, the painter Yehuda Pen, whether her son could earn a living from painting, Pen looked at Chagall's sketches and told her: "Yes, he has some ability". At the age of twenty, he was accepted to study art in St. Petersburg (during this period, he painted for the first time the figure of the Fiddler on the Roof, after which the famous musical is named) and in 1914 married the writer Bella Rosenfeld, who became known as one of his greatest sources of inspiration. After the October Revolution, Chagall was appointed commissar of arts for the Vitebsk district, where he established an art school and a museum. Among the teachers of the school were the artist El Lissitzky and the painter Yehuda Pen – Chagall's first teacher. In 1920, Chagall moved to Western Europe and after a short stay in Berlin settled in Paris. During this period, he created the important series "My Life", which documented the views of the Jewish town, and the series of bible illustrations. In 1941, about two years after the occupation of France by Nazi Germany, Chagall succeeded in escaping to the USA with the assistance of the American journalist Varian Fry. For several years he lived in New York, returning to France after the war, where he remained until his death. Chagall's works of art, which embrace a wide variety of fields and styles (prints, theater sets and costumes, sculpture and ceramics, tapestry, mosaics, stained glass, and more), are exhibited in leading museums and galleries, in the opera houses of New York and Paris, in the Mainz Cathedral, in the Knesset (in The Chagall Lounge) and elsewhere. The painter Pablo Picasso said of his work: "When Matisse dies, Chagall will be the only painter left who understands what color really is".

Искусство в производстве, Issue number 1. Moscow: Отдел ИЗО Наркомпроса, 1921. Russian.

Two copies – variants with different cover colors, one in orange and the other in purple, with additional minor differences; one booklet (in the purple cover) was specially printed for the art historian and critic David Arkin (Дави́д Ефи́мович А́ркин; 1899-1957), who contributed to its creation – printed on the verso of the title page: "Copy of David Efimovich Arkin" (Russian).

The booklet comprises a collection of articles dedicated to the role of art in industrial production, emphasizing the need for artistic thinking in production and development processes, according to the principles of the Constructivist art movement. Contributors include David Shterenberg, David Arkin, Osip Brik, Aleksei Toporkov, Vasily Voronov, and others.

The lithographic covers were likely designed by David Shterenberg (1881-1948), a Russian-Jewish painter and graphic artist, one of the prominent representatives of the Russian avant-garde movement, and head of the Fine Arts Department of the People's Commissariat for Education – "Narkompros" (who published this booklet).

Two copies: 42, [1] pages. Approx. 22-22.5 cm. Overall good to good-fair condition. Stains, creases and minor wear. Inscriptions. Wear and blemishes to the orange-toned cover, with tape to spine.

MoMA 356.