Auction 87 - Jewish and Israeli Art, History and Culture
Including: sketches by Ze'ev Raban and Bezalel items, hildren's books, avant-garde books, rare ladino periodicals, and more
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1. Letter, typewritten on official stationery of the Bezalel Arts and Crafts School, hand-signed by Boris Schatz: "According to the written permit of the Military Governor […] the pupil Barzilay [Jacob Eisenberg] is permitted to make sketching excursions in the city and the suburbs". 1918. English.
2. Autograph letter by journalist Yitzhak Brainin, addressed to Jacob Eisenberg; referring to the future of the art of ceramics in Palestine. Vienna: 5683 (1923.)
3. An autograph note by filmmaker Yerushalayim Segal. 1931.
4. Sketch for a sign or advertisement (ink and pencil on paper) – "Kav LeKav, a Company for Illustrated Films. Pann. Gur-Arie. Ben-Dov. Talpiot Jerusalem" (Hebrew.)
5-6. Two leaflets from an exhibition held on the occasion of Bezalel's 50th jubilee -Illustrations by Ze'ev Raban and drawings by Jacob Eisenberg (one for the Jerusalem exhibition, and the other for the Tel Aviv exhibition.) 1957. Hebrew and English.
Size and condition vary.
Provenance: Estate of Shlomo Kedmi.
Included:
• Eight drafts and copies of the association's document of regulations, in various stages of completion. One with a small drawing of a Jew blowing the Shofar.
• Twelve protocols of meetings, participated by artists Jakob Steinhardt, Anna Ticho, Ze'ev Raban, Meir Gur Aryeh, and others. Most protocols printed, some handwritten. Three protocols were handwritten by the association's secretary, Meir Gur Aryeh (a small drawing of a dancer and a snake appears in the margin of one of the protocols).
• Hand-signed letters by artists and critics: Mordechai Narkis, Chaim Gliksberg, Leo Fein, and others.
• Bilingual, handwritten draft (Hebrew and German) for an application form.
• Handwritten draft of an invitation for the association's Sukkot exhibition in Bezalel (a list of 33 Jerusalem artists on verso.)
• And more.
Some of the documents are hand-signed with Meir Gur Aryeh's initials; one document (handwritten protocol) hand-signed with Gur-Aryeh's full signature.
Approx. 40 items. Size and condition vary. Good-fair overall condition. Some half of the documents filed in a binder.
Provenance: the estate of Shlomo Kedmi.
Jacob Eisenberg (1893-1966), collection of etchings and two drawings.
• 11 etchings: portrait of Boris Schatz, portraits of Yemenite and Sephardi Jews, and more. Five etchings are signed in the plate (in monogram). Two etching (portrait of Schatz and another etching) are signed in pencil.
Size varies. Overall good condition. Stains (mostly toedges) and minor creases.
• Two drawings, signed.
Approx. 25Z35 cm, 27X36 cm. Fair-good condition. Marginal tears. Minor blemishes.
Jacob Eisenberg (1893-1966), born in Pinsk, was a prominent student in the old Bezalel school. In 1919, he was sent by Boris Schatz to study ceramic art in the Vienna School for Arts and Crafts, a subject he later taught in the ceramic department he founded and headed in Bezalel. In this capacity, he created several famous ceramic works (such as "The Traveler's Prayer" and "The Wolf shall Lie Down with the Lamb"), street name signs for the new quarters of Jerusalem and a welcome sign for the Bezalel building. Between 1927-28 he also taught painting in Bezalel. Famous also for his stained glass works, prints and portraits; his work was exhibited in a number of shows, including solo exhibitions in Bezalel (1924) and in the Jerusalem Artists' House (1958 and 1961).
Provenance: Estate of Shlomo Kedmi.
Jacob Eisenberg (1893-1966), Old Man.
Oil on canvas. Signed.
48X37.5 cm. Unstreched. Considerable damage to paint. Fold lines.
Jacob Eisenberg (1893-1966), born in Pinsk, was a prominent student in the old Bezalel school. In 1919, he was sent by Boris Schatz to study ceramic art in the Vienna School for Arts and Crafts, a subject he later taught in the ceramic department he founded and headed in Bezalel. In this capacity, he created several famous ceramic works (such as "The Traveler's Prayer" and "The Wolf shall Lie Down with the Lamb"), street name signs for the new quarters of Jerusalem and a welcome sign for the Bezalel building. Between 1927-28 he also taught painting in Bezalel. Famous also for his stained glass works, prints and portraits; his work was exhibited in a number of shows, including solo exhibitions in Bezalel (1924) and in the Jerusalem Artists' House (1958 and 1961).
Provenance: Estate of Shlomo Kedmi.
Jacob Eisenberg (1893-1966), Rural Landscape. Vienna, [ca. 1920-1922].
Oil on board. Signed.
Approx. 33X24 cm. Frame: 45X36 cm. Minor damage.
Jacob Eisenberg (1893-1966), born in Pinsk, was a prominent student in the old Bezalel school. In 1919, he was sent by Boris Schatz to study ceramic art in the Vienna School for Arts and Crafts, a subject he later taught in the ceramic department he founded and headed in Bezalel. In this capacity, he created several famous ceramic works (such as "The Traveler's Prayer" and "The Wolf shall Lie Down with the Lamb"), street name signs for the new quarters of Jerusalem and a welcome sign for the Bezalel building. Between 1927-28 he also taught painting in Bezalel. Famous also for his stained glass works, prints and portraits; his work was exhibited in a number of shows, including solo exhibitions in Bezalel (1924) and in the Jerusalem Artists' House (1958 and 1961).
Provenance: Estate of Shlomo Kedmi.
Jacob Eisenberg (1893-1966), Hills.
Oil on card. Signed.
28X20 cm. Good condition. Pinholes (with damage and open tears) to four corners. Some stains. Unframed.
Jacob Eisenberg (1893-1966), born in Pinsk, was a prominent student in the old Bezalel school. In 1919, he was sent by Boris Schatz to study ceramic art in the Vienna School for Arts and Crafts, a subject he later taught in the ceramic department he founded and headed in Bezalel. In this capacity, he created several famous ceramic works (such as "The Traveler's Prayer" and "The Wolf shall Lie Down with the Lamb"), street name signs for the new quarters of Jerusalem and a welcome sign for the Bezalel building. Between 1927-28 he also taught painting in Bezalel. Famous also for his stained glass works, prints and portraits; his work was exhibited in a number of shows, including solo exhibitions in Bezalel (1924) and in the Jerusalem Artists' House (1958 and 1961).
Provenance: Estate of Shlomo Kedmi.
Jacob Eisenberg (1893-1966), Jerusalem.
Oil on canvas. Signed.
65X50 cm, in a 84.5X70 cm frame. Minor damage.
Jacob Eisenberg (1893-1966), born in Pinsk, was a prominent student in the old Bezalel school. In 1919, he was sent by Boris Schatz to study ceramic art in the Vienna School for Arts and Crafts, a subject he later taught in the ceramic department he founded and headed in Bezalel. In this capacity, he created several famous ceramic works (such as "The Traveler's Prayer" and "The Wolf shall Lie Down with the Lamb"), street name signs for the new quarters of Jerusalem and a welcome sign for the Bezalel building. Between 1927-28 he also taught painting in Bezalel. Famous also for his stained glass works, prints and portraits; his work was exhibited in a number of shows, including solo exhibitions in Bezalel (1924) and in the Jerusalem Artists' House (1958 and 1961).
Provenance: Estate of Shlomo Kedmi.
Brass, repoussé; etched.
A circular repoussé plaque depicting two figures giving Mishloach Manot occupies the center of the plate; with the inscription "Sending portions to one another [Esther 9:19], Bezalel Jerusalem". The lip of the plate is decorated with etched vine leaves and clusters of grapes, and inscribed "The Jews had light and joy, and gladness and honor" (Esther 8:16). Soldered onto the base of the plate is a plaque with the Sharar workshop logo and the English inscription: "Made in Palestine at the art workshop Sharar Bezalel Jerusalem".
Diameter: approx. 22 cm. Good condition. Minor bends and blemishes.
Literature: Nurit Shilo-Cohen, Schatz's Bezalel 1906-1929, Catalogue List Volume. Jerusalem: The Israel Museum, 1983. Item 595, p. 51.
Brass, etched.
Two identical hexagonal tapering vases. An empty rectangle is etched on each of the six faces, with a medallion below it. Three of the medallions contain the inscriptions: "If I am not for myself, who will be for me, and if not now, when"; "If I forget you, O Jerusalem, let my right hand forget her cunning"; "Let my tongue cleave to the roof of my mouth, if I do not remember you". The other three medallions depict a farmer plowing with an ox, a camel rider and a horse rider. A series of cartouches on the faces of the vases read: "Bezalel Arts and Crafts School, Jerusalem 5673" (Hebrew).
Height: 16.5 cm. Diameter: 6.5 cm. Good condition. Minor bends. Minor blemishes. Base of one vase partially detached.
Literature: Nurit Shilo-Cohen, Schatz’s Bezalel 1906-1929, Catalog List Volume. Jerusalem: The Israel Museum, 1983. Item 648, p. 55.
Silver, filigree; granulation.
Case with fine filigree designs; topped by a dome, surrounded by an open crown. On top of the dome, a spherical knob flanked by petals. Roller engraved with an elegant monogram, reading "MB".
Length: 14 cm. Good condition. Dents. Silver pull piece missing.
Enclosed: Miniature Esther scroll (4 cm) on paper-thin parchment. Text faded.
Bronze, cast. Numbered 5/8.
Enclosed certificate attests that this relief is "one of a series of 8 copies cast after the original, which was made by Prof. Schatz, founder of Bezalel. With the permission and under the supervision of the Boris Schatz Estate" (Hebrew; signed by the manager of the estate).
53X50 cm.
Bound volume of issues of the weekly "El Instructor, revista sientifika y literaria" ("The Instructor, scientific and literary review"), edited by David Fresco. Year one, issues 1-32 (no additional issues were published). Galata, Istanbul, 1888. Ladino.
The periodical El Instructor, edited by David Fresco (1853-1933), prominent Ladino translator, journalist and public figure, was published during the course of 1888 (1st Iyar 1888 – 11th Kislev 1888). It features articles on literature, science, history, the Jewish world, and includes serialized stories and novels, riddles and quizzes, and more. In the main editorial in the first issue, Fresco writes: "After dedicating more than 13 of my best years to publishing the newspaper El Telegrafo, I realized it was necessary to renounce from it […] and I am beginning now with the publication of a new newspaper titled El Instructor" (quoted by Gaon, see below).
Rare. The complete collection of issues is held in the NLI and other libraries in microfilm only.
See: Dov Cohen, Thesaurus of Ladino Books, Yad Ben Zvi, 2021. No. 3480. • Moshe David Gaon, A Bibliography of the Judeo-Spanish (Ladino) Press, Yad Ben Zvi, 1965, no. 15.
The editor of the periodical, David Fresco (1853-1933), was closely associated with the Alliance Israélite Universelle, and was known to enthusiastically support the integration of Jews as equal citizens in the Ottoman empire, among other things by encouraging Westernization in all areas of life. This viewpoint is expressed in El Instructor, one of several publications edited by Fresco, the purpose of which was "to educate the readers about the latest trends in hygiene, child-rearing, nutrition, and the natural and human sciences" (Abrevaya Stein, p. 124; see below). El instructor and other periodicals edited by Fresco were comprised almost entirely of articles translated from contemporary English- and French-language periodicals, and offered Jewish readers "models of how to eat, drink, sleep, exercise, breath and behave" (ibid). They thus served as a platform for furthering the interests of the Alliance. Nevertheless, given that they were written in Ladino, they were perceived as intrinsically Jewish periodicals.
Fresco was criticized for not being Zionist, and for expressing hostility to the Zionist movement and its institutions, which he rejected in favor of the integration of Jews in the general society. Nevertheless, in the various forums he wrote in, Fresco defended the rights of the Jews, and dealt with attacks against them in Turkish newspapers, while at the same time displaying absolute loyalty to the Ottoman Empire, and after 1923, to the Republic of Turkey.
See: Sarah Abrevaya Stein, "Making Jews Modern: the Yiddish and Ladino Press in the Russian and Ottoman Empires, Bloomington and Indianapolis: Indiana UP, 2004.
32 issues, bound together. 318 pp. (8-12 pages per issue; continuous pagination). Approx. 38 cm. Overall good condition. Stains (dark stains to several leaves). Minor marginal tear, some open, not affecting text, repaired in part. Minor creases. Some handwritten notations. New binding and endpapers.