Auction 84 - Jewish and Israeli History, Culture and Art
Including: Items from the Estate of Ruth Dayan, Old Master Works, Israeli Art and Numismatics
December 21, 2021
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Displaying 229 - 240 of 389
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $100
Sold for: $188
Including buyer's premium
Pamela Levy (1949-2004), Girl Brushing Her Hair. Woodcut. Signed, numbered 3/10. 58X53 cm.
Pamela Levy (1949-2004) was born in Fairfield, Iowa. She studied at the University of Northern Iowa, and later joined an artists commune in Santa Fe, New Mexico. In 1976 she immigrated to Israel. Her early works were textile collages inspired by the feminist Pattern and Decoration art movement. In the 1980s she started to experiment with other techniques, painting figurative scenes in oil, based on photographs (some of which she herself took), and creating woodcuts and silkscreens, always retaining a collage-like, patchwork quality. Levy's works deal with feminist and political issues, "her oil paintings are made as collages featuring naked and clothed figures in deserted urban spaces, building sites or on the beach. They are psychologically charged, saturated with tension and contrasts between fear and delight, childhood and old age, complete and ripped, violent and merciful" (exhibition statement – retrospective of Levy's work at the Tel Aviv Museum of Art, 2018).
Provenance: The Uzi Agassi Collection.
Category
Art – Old Masters, European and Israeli Art
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $100
Sold for: $200
Including buyer's premium
Pamela Levy (1949-2004), Girl Brushing Her Hair. Woodcut. Signed, numbered 6/10. 58X53 cm.
Pamela Levy (1949-2004) was born in Fairfield, Iowa. She studied at the University of Northern Iowa, and later joined an artists commune in Santa Fe, New Mexico. In 1976 she immigrated to Israel. Her early works were textile collages inspired by the feminist Pattern and Decoration art movement. In the 1980s she started to experiment with other techniques, painting figurative scenes in oil, based on photographs (some of which she herself took), and creating woodcuts and silkscreens, always retaining a collage-like, patchwork quality. Levy's works deal with feminist and political issues, "her oil paintings are made as collages featuring naked and clothed figures in deserted urban spaces, building sites or on the beach. They are psychologically charged, saturated with tension and contrasts between fear and delight, childhood and old age, complete and ripped, violent and merciful" (exhibition statement – retrospective of Levy's work at the Tel Aviv Museum of Art, 2018).
Provenance: The Uzi Agassi Collection.
Category
Art – Old Masters, European and Israeli Art
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $300
Sold for: $375
Including buyer's premium
Michail Grobman (b. 1939), portfolio containing a dozen prints. Signed in the plate; some works dated 1967/1968 in the plate; signed and numbered in pencil, XIV/XV. Housed in cloth-covered case. 65X50 cm. Good condition.
Michail Grobman (b. 1939), Russian-Israeli painter and poet, native of Moscow. Among the founders of the Second Russian Avant-Garde – a title he himself coined – in the Soviet Union in the 1960s. Immigrated to Israel in 1971. Established the Leviathan Group in 1975 in collaboration with Avraham Ofek and Samuel Ackerman. The style of the group represented a blend of contemporary art, Jewish themes, symbolism, and metaphysics. In the manifesto entitled "The Leviathan Declaration, " publicized in 1976, Grobman set forth the group's goals: "Our joint appearance is an incipient attempt to create an inclusive national style that befits the spirit of the building of the New Israel […], our political basis [is] Zionism. Our spiritual basis – Jewish mysticism. Three foundations define our artistic stance: 1. Primitivism 2. Symbol 3. Letter." In an interview with the children's weekly magazine "Davar Liyeladim" in 1981, Grobman had this to say about his work: “Nothing I do pertains to the realm of psychology, nor to any emotional aspect of life. Nor am I endeavoring to imitate Nature […] One must never attempt to transfer any of these beautiful living things around us onto a piece of paper and turn them into something of a forgery of life. The purpose of the painting is entirely different […] Painting and art must serve to build the conditions for an altogether new world! Just as God, once upon a time, created the world as a work of art which is presently alive with us living in it, so must the artist seek the opportunity to create a totally new condition, which, in the case of a picture, is something we absorb through the eye."
Provenance: The Rami Cohen Collection.
Category
Art – Old Masters, European and Israeli Art
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $300
Sold for: $688
Including buyer's premium
Michail Grobman (b. 1939), portfolio containing a dozen hand-colored prints. Signed in the plate; some works dated 1967/1968 in the plate; signed and dated in pencil. Housed in cloth-covered case. 65X50 cm . Good condition.
Michail Grobman (b. 1939), Russian-Israeli painter and poet, native of Moscow. Among the founders of the Second Russian Avant-Garde – a title he himself coined – in the Soviet Union in the 1960s. Immigrated to Israel in 1971. Established the Leviathan Group in 1975 in collaboration with Avraham Ofek and Samuel Ackerman. The style of the group represented a blend of contemporary art, Jewish themes, symbolism, and metaphysics. In the manifesto entitled "The Leviathan Declaration, " publicized in 1976, Grobman set forth the group's goals: "Our joint appearance is an incipient attempt to create an inclusive national style that befits the spirit of the building of the New Israel […], our political basis [is] Zionism. Our spiritual basis – Jewish mysticism. Three foundations define our artistic stance: 1. Primitivism 2. Symbol 3. Letter." In an interview with the children's weekly magazine "Davar Liyeladim" in 1981, Grobman had this to say about his work: “Nothing I do pertains to the realm of psychology, nor to any emotional aspect of life. Nor am I endeavoring to imitate Nature […] One must never attempt to transfer any of these beautiful living things around us onto a piece of paper and turn them into something of a forgery of life. The purpose of the painting is entirely different […] Painting and art must serve to build the conditions for an altogether new world! Just as God, once upon a time, created the world as a work of art which is presently alive with us living in it, so must the artist seek the opportunity to create a totally new condition, which, in the case of a picture, is something we absorb through the eye."
Provenance: The Rami Cohen Collection.
Category
Art – Old Masters, European and Israeli Art
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $500
Sold for: $938
Including buyer's premium
Michail Grobman (b. 1939), two (identical) portfolios of prints; each containing a dozen prints. Signed in the plate; some works dated 1967/1968 in the plate; signed and numbered in pencil, 20/85 and 25/85. Housed in cloth-covered cases. 65X50 cm. Good condition.
One print in duplicate (duplicate copy numbered 84/85).
Michail Grobman (b. 1939), Russian-Israeli painter and poet, native of Moscow. Among the founders of the Second Russian Avant-Garde – a title he himself coined – in the Soviet Union in the 1960s. Immigrated to Israel in 1971. Established the Leviathan Group in 1975 in collaboration with Avraham Ofek and Samuel Ackerman. The style of the group represented a blend of contemporary art, Jewish themes, symbolism, and metaphysics. In the manifesto entitled "The Leviathan Declaration, " publicized in 1976, Grobman set forth the group's goals: "Our joint appearance is an incipient attempt to create an inclusive national style that befits the spirit of the building of the New Israel […], our political basis [is] Zionism. Our spiritual basis – Jewish mysticism. Three foundations define our artistic stance: 1. Primitivism 2. Symbol 3. Letter." In an interview with the children's weekly magazine "Davar Liyeladim" in 1981, Grobman had this to say about his work: “Nothing I do pertains to the realm of psychology, nor to any emotional aspect of life. Nor am I endeavoring to imitate Nature […] One must never attempt to transfer any of these beautiful living things around us onto a piece of paper and turn them into something of a forgery of life. The purpose of the painting is entirely different […] Painting and art must serve to build the conditions for an altogether new world! Just as God, once upon a time, created the world as a work of art which is presently alive with us living in it, so must the artist seek the opportunity to create a totally new condition, which, in the case of a picture, is something we absorb through the eye."
Provenance: The Rami Cohen Collection.
Category
Art – Old Masters, European and Israeli Art
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $150
Sold for: $550
Including buyer's premium
La Belle Assemblée, volume I, Parts I & II (11 issues of the first year of publication and a special issue printed at the end of the year). With 22 hand-colored fashion prints. London: J. Bell, Gallery of fine arts, February-December, 1806. English. The British women's magazine La Belle Assemblée was founded by publisher John Bell (1745-1831). Volume includes 62 plates (some folding) – portraits of aristocratic English women, musical notes, embroidery patterns, and 22 fashion prints (hand-colored). Few plates may be missing.
610 pp. (issues paginated consecutively) + [62] plates, 23.5 cm. Good condition. Stains. Minor blemishes. Closed and open tears to edges of some pages. Tears along fold lines of some plates. Blemishes and wear to cover.
Category
Art - Prints
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $300
Unsold
Georges Rouault (1871-1958), Two Women, [1928]. Etching. Printed in Réincarnations du Père Ubu (Paris, 1932; plate no. 18),
27X19 cm. Good condition. Minor stains. Framed; unexamined out of frame.
Provenance: The Uzi Agassi Collection.
Category
Art - Prints
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $200
Sold for: $250
Including buyer's premium
Max Liebermann; 24 farbige Faksimiledrucke nach Gemälden aus der Austellung seiner Werke in der Königlichen Akademie der Künste zu Berlin aus Anlass seines 70. Geburtstages. Portfolio containing 24 color reproductions of works by Liebermann. Charlottenburg (Berlin): Photographische Gesellschaft, [1918]. From a limited edition of 50 numbered copies. Copy signed by Liebermann.
24 color reproductions of works presented at an exhibition held on the occasion of the 70th birthday of Max Liebermann at the Königliche Akademie der Künste zu Berlin (Royal Academy of the Arts, Berlin), in their original portfolio. This is Copy no. 26 from a limited edition of 50 numbered copies. Signed in pencil by Liebermann (underneath Table of Contents).
[1] f. (title page and table of contents) + 24 reproductions (each mounted in upper corners on a separate plate of thick paper). Tissue guards, bearing printed titles of works. Reproductions: approx. 32X24 cm. Plates: approx. 49X38.5 cm. Portfolio: approx. 52X41 cm. Good condition. Foxing, mostly to plates. Minor tears to several plates and tissue guards, not affecting reproductions. Stickers to inner surface of portfolio. Minor tears, abrasions, and wear to portfolio.
Category
Art - Prints
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $100
Sold for: $125
Including buyer's premium
"The Tombs of the House of David and the Scroll of Songs of Songs and Ecclesiastes", lithographic micrography. [Poland?, 1920s or 1930s]. The micrography is comprised of the scroll of Song of Songs and Ecclesiastes in cursive script. Brown ink shading added by hand. Caption at bottom, reading: "The Tombs of the House of David and the Scroll of Songs of Songs and Ecclesiastes". Signed Is. Goodleser in Hebrew and English (presumably, Israel Goodleser, 1901, Poland – 1971, South Africa). The work depicts the tombs of the House of David – one of the holy sites repeatedly depicted in maps of Palestine, "Mizrach" plates, prints and other printed items and popular art depicting holy tombs and sites of Palestine. Though different in each occurrence, these are always depicted in the naïve, symbolic manner characteristic of Jewish folk art, a style that is also evident in the present work.
26X20.5 cm. Fair condition. Worming affecting text. Stains. Paper frame mounted to edges.
Category
Art - Prints
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $150
Sold for: $400
Including buyer's premium
Chad Gadjo. German translation by Uriel Birnbaum, illustrations by Menachem Birnbaum. Berlin: Welt-Verlag, 1920. Aramaic and German.
Bilingual edition, Aramaic-German, of the piyyut Chad Gadjo, with ten illustrations (color lithographs) by the artist Menachem Birnbaum.
Menachem Birnbaum (1893-1944?), a Jewish artist, caricaturist and book-illustrator, born in Vienna. Murdered during the Holocaust. Brother of the expressionist artist, illustrator and poet Uriel Birnbaum (who translated the Piyyut). Their father, the important Zionist philosopher Nathan Birnbaum (1864-1937) was famed for coining the terms Zionismus (Zionism) and Ostjuden in his newspaper, Der Colonist.
[15] ff., 29 cm. Good condition. Stains. Original binding (two card sheets attached with four strings), with stains and blemishes.
Provenance: The Rimon Family Collection.
Category
Art - Prints
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $150
Unsold
"Buch Esther, " illustrations for the Book of Esther by Mischa Traub. Hanover (Germany): Kommissions-Verlag der Bücherstube Coester, [1922]. German.
Booklet with seven illustrations (tipped-in prints) to the Book of Esther: Vashti expelled from the palace, Ahasuerus chooses Esther to be queen, Mordechai the Jew refuses to bow before Haman, Mordechai paraded on horseback, and more. Copy no. 62 out of an edition of 100 copies, signed "M. Traub" on title page. With introduction by the artist. Some of the illustrations feature elements characteristic of Europe in the early 1920s, including feathered caps, lorgnettes (hand-held spectacles), and a handbag. The characters in the illustrations are identified by bearing either Stars of David or swastikas (which appear on their clothing, their jewelry, or on other belongings). As the narrative progresses, King Ahasuerus's palace gradually fills with Stars of David while the swastikas gradually diminish in number, until they remain only on Haman's distinctive hat. The Nazi party adopted the swastika as its official symbol in 1920.
[4] pp. + [7] ff. (heavy paper with prints tipped in), approx. 30 cm. Good condition. Minor stains to title page and introductory page. Minor blemishes. Leaves slightly faded at edges. Bound with a string. Original paper cover, with gilt inscription (somewhat blemished and worn, with minor worming).
Only two copies in OCLC.
Category
Art - Prints
Catalogue
Lot 240 Psalms in German Translation – Limited Edition, with Woodcuts by Joseph Budko – Berlin, 1921
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $150
Sold for: $213
Including buyer's premium
Die Psalmen, Uebertragen von Moses Mendelssohn mit 12 Holzschnitten von Joseph Budko. Berlin: Fritz Gurlitt (Verlag für Jüdische Kunst und Kultur), 1921. German. Copy no. 26 from a limited edition of 120 copies.
Elegant edition of the Book of Psalms, translated into German by Moses Mendelssohn. Five chapters, each opening with an illustration and an illuminated initial, all woodcuts by Joseph Budko. Two additional woodcuts by Budko appear at the beginning and end of the book. Original vellum-covered boards, with gilt design on front.
[1] f., 280 pp., [3] ff., 29.5 cm. Good condition. Foxing and dampstains (some dark).
Provenance: The Rimon Family Collection.
Category
Art - Prints
Catalogue