Auction 87 - Jewish and Israeli Art, History and Culture
Including: sketches by Ze'ev Raban and Bezalel items, hildren's books, avant-garde books, rare ladino periodicals, and more
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Collotype and hand-stenciling were used for the reproduction of the manuscript pages and illuminated chapter headings. The illustrations were reproduced in facsimile by a combination of lithography, collotype and hand-stenciling.
Copy X of 14 hors commerce copies (from a total edition of 240 copies). Bound in fine green leather boards; gilt lettering on spine. Fine, matching slipcase. Accompanied by a lithograph, hand-signed by Shahn.
23 pp., 33 cm. Good condition. Spine faded. Blemishes to slipcase.
1. Ink & Blood, a Book of Drawing by Arthur Szyk. New York: The Heritage Press, 1946. English.
The book comprises a series of anti-Nazi caricatures by Szyk, drawn during WWII.
Seventy-four illustrated plates; including six plates in color – four plates represent the four Allied powers in the war, one plate condemns the White Paper policy in Palestine and one plate depicts the Warsaw ghetto uprising. The other plates are printed in sepia tones and comprise sharp political caricatures mostly dealing with Nazi Germany, the Axis powers, and the war against them. Color frontispiece, depicting Szyk at work. Lengthy preface by the writer Burt Struthers.
Elegant copy from a limited edition of 1000 inscribed copies signed by Szyk, leather bound.
[7] ff., 18, [1] pp., [1] f., LXXIV plates, 31 cm. Good condition. Several leaves slightly warped. Blemishes to binding. Slipcase heavily damaged, torn and fragmented.
2. The Book of Job, from the Translation Prepared at Cambridge in 1611 for King James I with a Preface by Mary Ellen Chase and Illustrations by Arthur Szyk. New York: The Limited Edition Club, 1946. English.
Eight color illustration plates by Szyk. Copy no. 1607 from a limited edition of 1950 copies, signed by Szyk on the colophon leaf. Fine, gilt-decorated, half-leather binding.
148 pp., [1f., 30.5 cm. Good condition. Minor stains and blemishes to binding. Placed in gilt slipcase. Defects to slipcase.
Joint creation of the French writer Raymond Hesse (1884-1967) and the artist Gabriel Belot (1882-1962), depicting a journey from Écouffes street to Rosiers street in Paris – the quarter of Jewish Eastern European immigrants: the food market, the school, a Jewish wedding, and other scenes. Ends with three woodcuts depicting Moses and the Exodus from Egypt, and a text relating to the return of Jews to Palestine.
Copy no. 168 of a limited edition of 200 copies. Inscribed by Raymond Hesse on half-title page.
[44] loose leaves ([24] text leaves and [20] woodcuts). Without cover and slipcase. 32.5 cm. Good condition. Minor stains and defects (primarily to margins and half-title page).
Twenty engravings: Jewish quarter in Jerusalem, Jewish graves in Silwan, shepherds in Bethlehem, Arab potters, and more. With extracts from the book Voyage à Jérusalem by François-René de Chateaubriand. The engravings are all signed (in pencil) by the artist. Colophon leaf inscribed by the artist.
One of 50 hors commerce copies.
[20] engraved plates + [9] pages (six loose two-page spreads), in original paper wrappers; lacking casing. Approx. 31 cm. Good condition. Some stains and minor blemishes. Tissue guard for each print (with creases and blemishes). Paper wrappers slightly worn.
A story about an emperor who is shown a vision of a heavenly city in a dream, and commissions an architect to design a real, earthly city based on this vision. Text in German, accompanied by fifty color illustrations and an illustrated title page, all by Uriel Birnbaum (signed in the plate). At the beginning of the book, a presentation inscription handwritten and signed by Birnbaum, to the art historian Otto Kallir (Nirenstein), dated September 16, 1937, Vienna (German).
[1], 82 pp., [2] ff., 30 cm. Good condition. Minor blemishes to binding.
Copy no. 68 out of 100 copies. Lithographs all signed by the artist.
16 lithographs illustrating scenes from the novel "Fischke der Krumme" ["Fischke the Lame"] by Mendele Mocher Sforim. The novel was first published in Yiddish in 1869; over the years, expanded versions of the novel were published, including the Hebrew-language version, titled "Sefer HaKabtzanim" ["Book of the Beggars"].
Copy no. 68 out of 100 numbered copies. Each lithograph has been signed by Szalit-Marcus.
The portfolio comprises a title page, an introduction, and discussions of the depicted scenes from Mendele Mocher Sforim's story by the art historian Julius Elias (1861-1927).
Rahel Szalit-Marcus (1894-1942), Jewish painter and illustrator. Grew up in Lodz, studied art in Munich. Active in Berlin, 1916-33. Associated with Berlin's bohemian circles. She was friendly with such artists as Ludwig Meidner, Jacob Steinhardt, and others, and belonged to the Modernist artists' group known as the "Novembergruppe, " which functioned in the early days of the Weimar Republic and identified with the revolutionary Left. Displayed some of her works at the "Verein der Berliner Künstlerinnen" exhibition – alongside Käthe Kollwitz and Julie Wolfthorn – and at exhibitions staged by the "Berlin Secession" movement. In the early 1920s, she began creating illustrations for literary works, including Heinrich Heine's "Hebräische Melodien" ("Hebrew Melodies"), Sholem Aleichem's "Motl Peysi dem Khazns" ("Motl, Peysi the Cantor's Son"), Israel Zangwill's "The King of Schnorrers, " Fyodor Dostoevsky's "The Crocodile, " and other writings. Rahel was married to the successful stage actor Julius Szalit (1892-1919?).
[6] pp. + 16 lithographs (on separate sheets), in original portfolio. 53X35 cm. Good condition. Minor stains. Creases to edges. Minor blemishes to portfolio.
Ten lithographs depicting the biblical Ten Plagues; each lithograph hand signed in pencil by the artist Rafaello Busoni. (The last work – "The Slaying of the Firstborn – is signed twice.) Illustrated title page and colophon page. Printed in a limited edition of two hundred copies. The present copy is no. 25.
[12] ff. (title page, ten signed prints, and colophon page), 25.5 cm. Good condition. Stains. Notations in pencil in margins. Kept in card portfolio, slightly worn; missing original paper cover.
Provenance: The Rimon Family Collection.
Engraving. Signed in the plate and in pencil.
33X40 cm. Good condition. Browning. Enclosed in 68X83 cm frame; unexamined out of frame.
Including: • Official undivided Zionist congress postcard issued for the fifth Zionist congress, Basel, 1901, with Lilien's famous work depicting the daughter of Zion redeeming the Jewish diaspora while pointing at a Jewish farmer working the land on the backdrop of the rising sun. • Three postcards with illustrations for Börries von Münchhausen's "Juda", two of which were printed for the JNF bureau in Vienna. • Six postcards featuring Lilien's illustrations for Morris Rosenfeld's "Lieder des Ghetto". • Postcard reproducing the etching "Fest unter Ölbaumen", depicting a folk festival, possibly Lag BaOmer, in Jerusalem. • Undivided postcard celebrating May 1st. • Happy new year card for 1901, visiting card (?) proof and title illustration for a Polish-Jewish almanac for the year 1902 (presumably not used).
15 items. Size and condition vary.
Some 65 items of ephemera relating to the work of the painter Saul Raskin. Ca. 1930s to 1960s. English, with some Yiddish and Hebrew.
The collection includes: • Invitation cards to Raskin's exhibitions and to various events held in his honor, including an invitation to a reception to welcome Raskin back to New York following a visit to Palestine (1946); invitations to events marking his birthdays; invitations to his exhibitions at the Hebraica gallery in New York; an invitation to a retrospective exhibition at the Mishkan LeOmanut Museum of Art at Kibbutz Ein Harod on the occasion of his 85th birthday (1963); and more. • Brochures for various exhibitions, and brochures advertising the publication of books dealing with Raskin's works. • Brief autobiographical summary, printed on glossy paper (English). • Article by Raskin on the subject of the Labor Legion in Migdal, typewritten (English). And more.
The collection also includes a small drawing in pencil, on lined paper: cello player (unsigned), and a number of handwritten items by Raskin, including: • A biographical information sheet. • A list titled "Jewish Art in Theory and Practice" (outline for a lecture?), written in pen on the back of a brochure advertising the launch of a new portfolio comprising 20 color reproductions and titled "Saul Raskin: Twenty Full Color Plates" (1953). • Brief letter, signed, written on a printed brochure advertising the publication of Raskin's book, "Saul Raskin: 125 Paintings, Drawings, Etchings" (ca. 1938).
Size and condition vary.
Saul Raskin (1878-1966), born in Nogaisk (today Prymorsk, Ukraine), and trained in the art of lithography in Simferopol, Crimea. Wandered throughout Europe and studied art in Odessa, Germany, Switzerland, France, and Italy. Immigrated to the United States in 1904, where, among other things, he produced caricatures and cartoons for Yiddish journals, and illustrations for books. He also taught art and served as an art critic. At the age of 43, following a visit to Palestine – a deeply moving experience in his life – he began his career as a professional painter. Many of his works focused on Jewish tradition; these included illustrations for the Mishnaic "Ethics of the Fathers, " the Passover Haggadah, and the Five Megilloth. Raskin was regarded as one of the greatest of American Jewish painters. He self-identified as a Zionist, visited Palestine and the State of Israel a number of times, and painted works that featured its landscapes and inhabitants.
Colored woolen thread; perforated cardboard.
A work of embroidery with a depiction of the Site of the Temple in the schematic form customarily used by Jewish folk artists in Palestine: an ancient stone wall surmounted by cypress trees and flanked on either side by images representing (once again, in the style typical of local artists) the Dome of the Rock and the Al-Aksa Mosque, respectively. The latter images could be interpreted as either representing the Jewish Temple, or filling the space in its absence. The embroidered inscription (Hebrew) at the top reads: "Solomon's School [Midrash Shlomo] Jerusalem, Place of the Temple". Embroidered inscription on bottoms reads "Western Wall" and "year 5672 [1912/13].
Embroidery on perforated cardboard was a form of art that did not demand any formal artistic training, and was therefore popular among local Jewish women, young and old.
Approx. 23X32 cm. Good condition. Tears, including open tears, to edges, not affecting embroidery. Minor stains.
"This is the fire offering which you shall offer to the Lord", drawing by Yosef Zvi Geiger (1870-1944). [Safed, late 19th or early 20th century].
Pencil and ink on paper. Stamp of Geiger's estate.
The verse describing the Tamid offering, "This is the fire offering which you shall offer to the Lord" (Numbers 28:3) is inscribed in neat calligraphic script at the top of the page. The High Priest, clad in his eight priestly garments, is depicted in the center, holding a pan of coals in one hand and a knife in the other, beside the Outer Altar. Two rams stand before the altar. Houses are seen on the right and the Temple site on the left, with a hilly landscape in the background. Fine foliate border (unfinished). A dove bearing an olive leaf in its beak is penciled outside the border. Other penciled inscriptions.
34X28.5 cm. Good condition. Minor closed tears and open tears (slightly affecting lower part of drawing), repaired in part (with strips of paper on verso). Minor creases.
Yosef Zvi Geiger (1870-1944), native of Safed. One of the most prominent public figures in Safed. He served as general secretary of Safed's "Kolel" institutions, and his home was a regular meeting place for the "gaba'im" (managers) of the various Kolelim and congregations. The Yishuv's newspapers – including "Havatzelet, " "HaLevanon, " and "HaZefirah" – regularly published his articles. He also served as a scribe for the Kolelim, and assisted illiterate members of the community by writing letters on their behalf. Geiger was renowned in Safed for being both a gifted scribe and talented painter, entrusted with producing beautifully scripted documents. Among his extant works are splendid "Mizrah" and "Shiviti" plaques, calligraphic and illustrated title pages for "donors books, " certificates for donors and greeting letters, as well as papercuts in the Eastern European style. His contemporaries remember beautiful marriage contracts he produced for the city's couples, decorated with gilt lettering and floral and vegetal designs; and artworks he created to decorate the walls of the local synagogues, including gilt-lettered plaques. Among his many special talents was his ability to inscribe micrographic texts onto grains of wheat; he could fit several verses from the Bible onto a single grain. In the (Hebrew) book of memoirs by Yosef Zvi's grandson, Benjamin Geiger, entitled "One of the Elders of Safed, " Benjamin writes that his grandfather also specialized in engraving in stone (and engraved several headstones in Safed). Benjamin also relates that Yosef Zvi was a lover and champion of the Hebrew language, and in his efforts to promote the language he would put up signs with words in Hebrew on the walls of study rooms and yeshivas throughout the town, so that children would get to know these words. He personally taught the language to his children and grandchildren, ensuring they would become fluent.