Auction 83 - Part I - Rare and Important Items
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Ink and paint on parchment; wood, turned and carved.
Large Esther scroll, written in Sephardic-Italian script on five parchment membranes, 17 columns, 24 lines per column. First membrane and leaf of blessings with decorative right edges. Elongated and decorated Lamed on top lines. Omitted words completed in a different hand. With wooden roller.
Enclosed: a large parchment leaf with the blessings for the megillah reading and the piyyut "Korei Megillah" by R. Avraham ibn Ezra. The text is set in an architectural frame composed of three arches resting on four pillars, each bearing a flower-filled vase. A laurel-wreathed head surmounts each arch. Initial words of blessings and piyyut in large, ornamental, gilt letters; some of the ornaments surrounding the text (leaves and branches) were colored in yellow and gold, but most were not filled-in and are only outlined (in pencil).
Height of parchment: 32 cm. Roller: 52 cm. Leaf of blessings: 70X32.5 cm. Overall fair-good condition. Tears, stains and creases to leaf of blessings (long marginal tear). Minor stains and blemishes to scroll. Lacking upper part of roller; some chipping.
Ink and paint on parchment; wood, turned and carved.
Miniature Esther scroll, written in Italian script on six thin, light-colored parchment membranes, 38 columns, 15 lines per column. First membrane with decorative right edge. Wooden roller with an ornamental tiered finial.
Enclosed: a parchment leaf with the blessings for the Megillah reading and the Korei Megillah piyyut by R. Avraham ibn Ezra. The text is arranged in six columns, separated by vases bearing large bouquets, resting on ornate pillars; each column of text is surrounded by a foliate and floral arch-shaped ornamental motif. The text and ornaments are set in a green rectangular frame.
Height of parchment: 9 cm. Roller: 28 cm. Leaf of blessings: 39X9 cm. Overall good condition. Stains and creases to leaf of blessings. Minor stains and tears to scroll. Long tear to end of scroll (reinforced with paper on verso). Later corrections to text.
Ink and paint on parchment; wood, turned and carved.
Large Esther scroll, written in Sephardic-Italian script on two parchment membranes, 21 columns, 19 lines per column. First membrane with decorative right edge; first column preceded by a large colorful floral illustration. The initial word "Vayehi" is written in large, ornamental letters. The scroll is mounted on a wooden roller with a tiered finial.
Large, elaborately decorated parchment leaf enclosed, with the blessings for the Megillah reading and the piyyut "Korei Megillah" by R. Avraham ibn Ezra. The text is set in an architectural frame comprising four marble arches. The arches are decorated with branches and flowers, and rest upon five stylized marble pillars, the whole topped by an illustration depicting Haman leading Mordechai on the horse, preceded by two trumpet-blowing figures and followed by four additional figures. Two additional illustrations appear at the foot of the leaf: one depicting Haman hanging on a pole flanked by two figures, and a second depicting three other figures. The upper illustration is flanked by two heraldic shields featuring a lion and crescent – the coat-of-arms of the Ambron family. The initial words of the blessings and piyyut are inscribed in large, ornamental letters.
A colophon below the liturgical text reads: " With the help of G-d, the writing of these blessings with the scroll was completed, on 10th Adar I 1767... [by] the modest and pleasant girl, Luna, daughter of the honorable and wealthy Yehuda Ambron, in the 14th year of her life... May we merit to see miracles and wonders speedily in our times...".
The colophon attests that the scroll and the blessings recited prior to the Megillah were copied by the young girl Luna Ambron. Of the manuscripts written by women, only two Scrolls of Esther are known, both originating in Italy. A.M. Habermann, in his article "Nashim Maatikot" (Kiryat Sefer XIII [Nissan 1936], pp. 114-120), lists a Scroll of Esther written by Anna, daughter of David Giuseppe Piperno (1840). Another, earlier Scroll of Esther, written by Estellina, daughter of Menachem of Venice in 1564, is found in the Bragisnky Collection (S102).
The wedding of Luna daughter of Yehuda (Leone) Ambron with Yaakov David son of Mordechai (Angelo) Di Segni was celebrated in Livorno on 14th Nissan 1776, and her ketubah is documented in the book Le Ketubbòt della famiglia Ambron by Lionella Viterbo Neppi Modona (Florence, 2016).
Height of parchment: 25.5 cm. Roller: 40 cm. Leaf of blessings: 57X26 cm. Overall good condition. Minor blemishes, creases and tears to leaf of blessings. Minor stains and blemishes to scroll. Lacking lower part of roller.
Ink and paint on parchment; wood, turned.
Miniature Esther scroll, written in Sephardic-Italian script on three parchment membranes, 19 columns, 22 lines per column. "HaMelech" scroll – most columns begin with the word "HaMelech"; letters forming G-d's name and other letters emphasized in several places. Wooden roller. Small parchment leaf enclosed, with the blessings for the megillah reading.
Opening panel with three color illustrations. Two of them depict structures – (European style) houses and towers with turrets; the middle illustration depicts Haman leading Mordechai on a horse, with the caption "So shall be done to the man whom the king wishes to honor". Remnants of yellowish-green pillars and frames surround each column of the scroll (some are exceedingly faded), and remnants of a large, floral decoration after the final column.
Height of parchment: 7 cm. Roller: 20 cm. Leaf of blessings: 7.5X6.5 cm. Overall fair-good condition. Stains and fading of paint to scroll; large tears to parchment between columns 13-14. Scroll detached from roller. Minor chip to roller. Stains to leaf of blessings.
Ink on parchment; wood, turned.
5 membranes, 27 columns, 19 lines per column; Sephardic script. Wooden roller with decorative finial. The text of the megillah is framed in engraving-like hand-drawn borders. The columns are separated by architectural pillars with scrolling tendrils and leaves. At the foot of each column, a miniature narrative scene from the Book of Esther, set in a decorative cartouche. Some of the scenes appear to be inspired by the illustrations decorating the engraved Megillah printed in Venice (designed by Griselini, first half of the 18th century).
Water jugs are depicted on the pillar pedestals and above the text columns. This motif generally testified to the family's pedigree as Levites. In this case, the water jug motif, together with a large part of the decorative elements surrounding it, was most likely borrowed from book title pages (a very similar decoration is found in books printed by Naftali Hertz Levi Rofe, active in Amsterdam in 1726-1766).
On the first and last membranes, coat of arms of the Spanish Pimentel noble family, adopted by the Henriques Pimentel family (descendants of the family) as their own coat of arms, with the permit of the King of Spain. The patriarch of the Henriques Pimentel family, Manuel-Yitzchak Henriques-Pimentel (b. 1657) immigrated with his parents as a young boy from Malaga, Spain to Amsterdam, where he returned to openly practicing Judaism.
Height of parchment: approx. 20 cm. Height of roller: approx. 38 cm. Good condition. Stains to parchment. Minor worming. First membrane trimmed close to decorative border. Chips and blemishes to roller.
Ink on parchment; silver, cast, pierced and engraved.
The scroll is written in neat Sephardic scribal script, on thin, light-colored parchment, 32 columns, 12 lines per column.
Fitted in an octagonal silver case, with foliate patterns. Surmounted by a dome, topped with an orange (coral lookalike) bead. Angled, ornamented handle.
Height of parchment: 5 cm. Case: 6.5 cm (including handle: 20 cm). Overall good condition. Minor tears. Minor corrections to text.
Reference:
Jewish Life in Art and Tradition, From the Collection of the Sir Isaac and Lady Edith Wolfson Museum, Hechal Shlomo, Jerusalem. Jerusalem: Hechal Shlomo, 1980, pp. 168-169.
Stam script, with vocalization and cantillation marks (headings in Rashi script). Haftarot for the weekly Torah portions. Lacking end of the scroll (ends in the middle of the Haftarah of Haazinu). Initial panels in neat calligraphic script.
Height of parchment: approx. 57 cm. Fair condition. Many stains. Damage, wear and creases. Lacking end. Two membranes detached from one another – scroll split in two.
Sephardic stam script, on soft, brown gevil, mounted on a carved, wooden roller.
Iraqi Jews customarily read from such scrolls when praying at the gravesite of prophet Yechezkel in the Al Kifl village (which they referred to as "the village of our master, prophet Yechezkel"), during the pilgrimage on Shavuot and in the month of Elul.
The tomb of prophet Yechezkel was considered holy by Jews of Iraq and neighboring countries, and for hundreds of years was a focal point for pilgrimage. R. Binyamin of Tudela, who visited the site in 1170 writes: "...that place is deemed holy by the Jewish people until this day; people come from afar to pray and celebrate there between Rosh Hashanah and Yom Kippur; the exilarch and yeshiva deans travel from Baghdad...". In 1180, R. Petachiah of Regensburg visited the site and likewise described the mass pilgrimage and miracles which took place on that occasion: "...on Sukkot, people come from all countries, and the entrance widens and heightens on its own to the extent camels can enter; some sixty thousand or eighty thousand Jews convene there, apart from the Muslims, and build Sukkot in the courtyard. The entrance later returns to its original size and everyone witnesses it..." (for more information about the Tomb of Yechezkel, the customs surrounding it and its mentions over the years, see: Avraham ben Yaakov, Kevarim Kedoshim BeBavel, Jerusalem 1974, p. 38 onwards).
Many wondrous stories are connected to the tomb of Yechezkel, and many Jews would visit it to pray and beg for salvation. One of the early customs was to visit Yechezkel's tomb on Shavuot, on the first day of which Maaseh Merkavah from the Book of Yechezkel is read as haftarah. Thousands of Jews from the area would participate in this event. Another prevalent pilgrimage time was the month of Elul and the subsequent festivals of Tishrei. On both these occasions, pilgrims would recite at the gravesite a special order of verses and prayers, from parchment scrolls (see Kevarim Kedoshim BeBavel, ibid, pp. 80-81).
Contents of the present scroll: two sections from the Book of Yechezkel (Maaseh Merkavah, chapter I and the Dry Bones prophecy, chapter 37); lengthy prayer, several Psalms and sayings of the sages; and an additional brief prayer.
Dedicatory inscription at beginning of scroll: "Dedicated by R. Avraham Ezra Tzion Rachamim".
Height of parchment: approx. 10.5 cm. Stains, tears and blemishes, affecting text in several places. Strap closure at beginning of scroll.
Hatzaah al Odot HaGet, regarding the Tamari-Venturozzo divorce affair and the controversy surrounding it, with letters exchanged between the rabbis, and rulings. Venice: [Giorgio di Cavalli, 1566].
Copy of R. Akiva Eger. Ownership inscription (slightly deleted) on verso of the title page, handwritten by his son: "Belongs to… the outstanding Torah scholar R. Akiva Eger of Eisenstadt, presently rabbi and dean in Märkisch Friedland [--], his son… Avraham".
Printed during the course of the Tamari-Venturozzo polemic (see below). The present book was published by the Tamari family and the rabbis of Venice who supported them. The book opens with a narrative of the affair from their point of view. This is followed by letters and rulings issued by rabbis in favor of the Tamari family, in which they express their opposition to R. Moshe Provençal and his party.
The present book was published in several stages, as described by Y. Yudlov (Bibliographical Notes on the Tamari-Venturozzo Affair, Alei Sefer, II, 1976, pp. 105-114): The first chapter (leaves 1-4) was published first, under the title She'elah al Odot HaGet. Leaves 1-4 were later reprinted with additional chapters – leaves 5-41, under the title Hatzaah al Odot HaGet (in some cases, the new leaves were added to existing copies of She'elah al Odot HaGet). 41-leaf copies can be found in Jerusalem and in the Bibliotheca Rosenthaliana. In the third stage, an addition to the work was printed – leaves 42-77 (at this time leaves 39-41 were reprinted, with certain changes). Most of the known copies comprise 77 leaves. The present copy ends with leaf 77, however an error occurred during the printing of leaves 39-40: pages 39a and 40b were printed on the same leaf, while pages 39b and 40a were omitted.
R. Akiva (Güns) Eger (1761-1837), a leading Torah scholar in his times, was born in Eisenstadt to R. Moshe Güns and Gittel – daughter of the first R. Akiva Eger (rabbi of Pressburg, author of Mishnat D'Rabbi Akiva). Before he reached the age of 13, he began studying in the Breslau yeshiva under the tutelage of his uncle and teacher R. Binyamin Wolf Eger and at the age of fifteen, he was already delivering Torah lectures. After getting married in 1778, he moved to Lissa (Leszno) to the home of his father-in-law R. Itzek Margolies. In spite of his young age, he was regarded as one of the leading scholars of the city, which was the hub of Torah study at that time.
In 1792, he was appointed rabbi of Märkisch Friedland (Mirosławiec) and established a yeshiva there. In 1815, he began serving as rabbi of Posen (Poznań), a position he held over 20 years, until his passing in 1837. In Posen as well, he founded a yeshiva and taught many disciples. He was a holy person with Divine Inspiration, though supremely humble and gracious, he knew how to insist upon the honor due to the Torah and the rabbinate. He issued numerous regulations and established many public institutions. He replied to the thousands of questions addressed to him from around the world and recorded many novellae.
His descendants were also leading Torah scholars: R. Shlomo Eger (1786-1852), one of Warsaw's most influential Jews and his father's successor in the Posen rabbinate, author of Gilyon Maharsha and other books; R. Avraham Eger of Rawicz who edited his father's writings (with his own additions signed "A.A.B.H.H.", acronym of the Hebrew "Amar Avraham ben HaRav HaMechaber" [Avraham, son of the author says]); his renowned son-in-law R. Moshe Sofer, the Chatam Sofer, who after the death of his first wife, married the daughter of R. Akiva Eger (Rebbetzin Sorel, who bore him R. Avraham Shmuel Binyamin Wolf – the Ketav Sofer, and R. Shimon Sofer – rabbi of Kraków).
R. Akiva Eger devoted his entire life to Torah study and was known for his amazing proficiency and profound definitions which became basic tenets of Torah learning until our times. His books and novellae are key Torah texts for yeshiva students and poskim alike. R. Elazar Menachem Shach, author of Avi Ezri, writes in his approbation to the book Pote'ach She'arim – Teachings of R. Akiva Eger (Jerusalem, 1985) "For us, R. Akiva Eger, his opinions and reasoning are as conclusive as one of the Rishonim…".
His works include: Responsa of R. Akiva Eger, published by his sons in his lifetime, under his instruction. After his passing, his sons continued publishing his novellae in Drush VeChiddush, and additional volumes of his responsa series. Other responsa and novellae are being published until this day based on manuscripts (the books Kushiot Atzumot, Ketav VeChotam, Michtavei R. Akiva Eger and others). His various books were reprinted in many editions, including some annotated and expanded editions, which were enriched with related selections of his Torah teachings appearing in other places.
The glosses of R. Akiva Eger are valued in the yeshiva world and by Torah scholars for their perspicacity and profundity, and they invest much effort in studying them. He himself considered his glosses a composition worth publishing, as is apparent from his letters to his son R. Avraham Eger, printed at the beginning of Hagahot Rabbenu Akiva Eger, Berlin 1862. Especially renowned are his glosses to the Talmud, named Gilyon HaShas (first printed in his lifetime in the Prague and Vilna editions of the Talmud), his glosses to the Shulchan Aruch, and Tosefot R. Akiva Eger on the Mishnah. Over the years, his glosses to various books were published in later editions of those books and in Torah anthologies. R. Chaim Berlin related regarding his father, the Netziv of Volozhin: "And literally one word of R. Akiva Eger would resolve in his eyes several pages of pilpul in other books" (Meromei Sadeh, I, Jerusalem 1956, foreword).
39, 41-77 leaves. 20 cm. Good condition. Stains, including dark dampstains. Worming. Leaves trimmed close to text (affecting headings in several places). New leather binding. Placed in matching slipcase.
On p. 16b – the only mention of Hebrew printing in Rome in the 15th century (…the Rashba, as stated in his responsa printed in Rome…" – Responsa of the Rashba was printed there in ca. 1472).
Provenance: Valmadonna Trust Library.
The Tamari-Venturozzo Divorce Scandal
In the 16th century, a scandal known as the Tamari-Venturozzo affair, roused the Jewish public throughout Italy. It began as a halachic controversy over a divorce, and with time grew to involve most of the rabbis of Italy as well as some rabbis of Salonika, Constantinople and Eretz Israel. Even the clergy and government of various Italian cities were embroiled in the dispute.
The two main players in this affair were Yosef son of Moshe HaKohen Tamari – a Venetian physician, with considerable influence both in the Jewish and Catholic circles in the city, and Shmuel Shlumiel HaKatan, known as Ventura or Venturozzo – son of Moshe of Perugia. In 1560, Shmuel Venturozzo betrothed Tamar, daughter of Yosef Tamari (in those times, the Kiddushin was performed at the time of the betrothal, and they were therefore halachically considered married). Three month later, after a dispute had broke out between Venturozzo and his father-in-law, Venturozzo left Venice. He claimed that he had to flee the city since his father-in-law reported him to the authorities. In the following years, wherever he went, Venturozzo was pursued by Tamari, who demanded money Venturozzo allegedly owed him. After four years, Tamari requested the intervention of Maharam Padua. On 4th Adar 1564, Maharam Padua ruled that Venturozzo must either consummate the marriage or divorce Tamar within a month. After extensive legal proceedings, Venturozzo agreed to return to Venice and divorce his betrothed. However, the affair did not end there, since Venturozzo later contended that the divorce was extracted under duress, and was thus not valid. Both sides requested the intervention of the clerical and secular authorities of Venice, Florence, Ferrara, Mantua and other cities. The majority of Italian rabbis were involved in the dispute. Tamari was backed by the rabbis of Venice, while Venturozzo's cause was mainly advocated by R. Moshe Provençal, rabbi of Mantua. The rabbis of Venice placed a ban on Venturozzo, concurrently ruling that the divorce was valid. On the other hand, R. Moshe Provençal ruled that the divorce was invalid and that Tamari's daughter was not allowed to remarry until matters were clarified. This aroused much ire against R. Moshe Provençal, and when he refused to arrive in Venice to explain his position in person, the rabbis of Venice issued a ruling demoting him. Both parties also sent a circular to the rabbis of all Italian communities, thus drawing more rabbis into the affair. From amongst the rabbis of Eretz Israel, R. Moshe Provençal earned the support of R. Yosef Karo and the rabbis of Safed, while R. David ben Zimra (the Radbaz) joined the rabbis of Venice. Each party printed leaflets and books supporting their position, and publicized the rulings of the rabbis on their side.
Offered here are three books printed during the course of the affair, in 1566: Hatzaah al Odot HaGet (item 14), printed in Venice by Tamari's party (originally printed in installments, later gathered together as a book), the book Eleh HaDevarim printed in Mantua by Venturozzo's party (item 12), and Biur Zeh Yatza Rishonah – the ruling of R. Moshe Provençal, also printed in Mantua (item 13).
For more details on the affair, see: S. Simonson, The Scandal of the Tamari-Venturozzo Divorce, in Tarbiz, Vol. 28 (1959), pp. 375-388 and in History of the Jews in the Duchy of Mantua (Hebrew), II, Jerusalem 1965, pp. 364-367; Y. Yudlov, Bibliographical Notes on the Tamari-Venturozzo Affair, in Alei Sefer, Vol. 2 (1976), pp. 114-115; E. Kupfer, Further Clarifications Concerning the Tamari-Venturozzo Divorce Scandal, in Tarbiz, Vol. 38 (1969), pp. 54-59; R. Tz. Gertner, Parashat HaGet Tamari-Venturozzo – New Discoveries from the Beit Midrash of the Beit Yosef, Moriah, year 16, Iyar 1988, p. 9 onwards.
Five Books of the Torah, with Targum Onkelos and Rashi. [Bologna: Abraham son of Haim de Tintori, for Joseph son of Abraham Caravita, 1482]. Incunabula.
First Pentateuch to include both the text of the Torah and Targum Onkelos and Rashi's commentary. This may also be the first Pentateuch printed with vocalization and cantillation marks (another early Torah edition with vocalization and cantillation, dated ca. 1480, was printed by Isaac son of Aaron d'Este and Moses son of Eliezer Refael. it is unknown whether it was printed before or after the present Pentateuch)
Beautiful print, from the early days of Hebrew printing, on exceptionally high-quality paper. The text was printed using two different types: the text of the Torah, the page headings and the initial words of the Targum, commentary and colophon were printed in large, Sephardic square type. Targum Onkelos, Rashi's commentary, the total of verses and colophon were printed in Italian semi-cursive type.
The present edition was edited by Yosef Chaim son of Aharon Strasbourg Zarfati, and printed by Abraham son of Haim the Dyer (de Tintori) of Pesaro. The printing was commissioned and funded by Joseph son of Abraham Caravita.
The Rashi commentary in this edition served as basis for the Rashi text in most subsequent Bible editions. The famous printer Gershom Soncino, in his colophon to the Rimini edition of the Rashi commentary on the Torah, printed ca. 1525, testifies to the accuracy of the Rashi commentary in the present edition, writing that people had begged him to print Rashi's commentary on the Torah, stating that all the printed and manuscript versions available were inaccurate, though the Bologna edition edited by R. Yosef Strasbourg was the best of them all.
The present copy is incomplete. It contains most of the Five Books of the Torah (including the full colophon at the end). T
he final page contains a lengthy, detailed colophon by the proofreader, R. Yosef Chaim son of R. Aharon Strasbourg Zarfati, which serves as one of the earliest documentations on the history of Hebrew printing in Italy. He describes there how he resolved to come to the assistance of the Torah scholars struggling to understand the error-ridden versions of Rashi's commentary, and devoted himself to producing a corrected, accurate text. He also encouraged and supported the printing of the edition. He mentions R. Yosef Caravita, who funded the printing and employed professional, skilled print workers, especially Avraham son of R. Chaim de Tintori of Pesaro, who was a renowned printer of the highest caliber, with unparalleled expertise in his profession. The colophon concludes: "The work was completed on Friday, 5th Adar I 5242 (1482) in Bologna… and whoever studies from it shall see children, he shall prolong his days, and God's purpose shall prosper in his hand, life and peace upon Israel".
Masoretic glosses (trimmed) and markings in several places, in the margins and on the letters, added at an early point. The markings added to the letters, recreate an early scribal tradition and custom – the use of unique letters and crownlet decoration – detailed in the early book Sefer Tagi. The Rambam quotes this tradition in Hilchot Sefer Torah (chapter 7, law 8): "…and one should be particular with enlarged and reduced letters, letters with an overdot and unusual letters, such as the winding Pe and crooked letters, as transmitted from one scribe to another. And one should be particular about the crownlet decorations and their number, some letters have one crownlet and some have seven…". This style of writing disappeared with time, due to lack of uniformity between the different versions of the Masorah, and following the responsum of the Rambam who stated that a Torah scroll is not disqualified if lacking the extensive crownlet decoration and unusual letters. In the present copy, someone expended effort in preserving the tradition of crownlet decorations, adding many markings to letters throughout the book. Ownership inscription on final page in Italian script of "Shmuel son of R. Ben Tzion of Correggio, here in Florence 5333 [1573?]".
Incomplete copy. [171] leaves. Originally: [220] leaves. Lacking [49] leaves (first 46 leaves, two leaves from Parashat Tetzaveh and last blank leaf). Two leaves bound out of sequence. Collation: 6 8 (lacking gatherings 1-5 and first two leaves of gathering 6), 7-8 8, 9 9, 10 9 (lacking last leaf), 11 3 (lacking first leaf), 12-13 6, 14 10, 15 8, 16 6 (first leaf of gathering 16 bound in Parashat Bechukotai), 17 8, 18 10, 19 8, 20 10, 21 8, 22 4, 23 8, 24 6 (last leaf bound after first leaf of gathering 25), 25 10, 26-27 8, 28 5 (lacking last blank leaf). The gatherings are not marked (the opening words of each gathering were listed by P. Tishbi; see below).
33 cm. Wide margins (especially lower margin). Light-colored, thick, high-quality paper. Complete, fine leaves. Good condition. Stains, including minor dampstains. Dark stains to several leaves (affecting text in one place). Minor open tear to lower margin of one leaf in Parashat Balak; open tear to upper margin of a leaf in Parashat Devarim (neither of them affecting text), repaired with paper. Margins of several leaves reinforced with paper (primarily final leaves). Marginal open tears to final leaf, repaired with paper on recto and verso (along margins). Inscriptions. New wooden binding, with leather spine and fine metal clasps. Placed in a velvet-lined slipcase.
Only Hebrew book from the Incunabula period mentioning Bologna as place of printing.
The printer Abraham Chaim of Pesaro, from the de Tintori family, was the founder of Hebrew printing in Ferrara. He acquired the typeface from the printer Abraham Conat, as well as two sheets from the book Tur Yoreh De'ah which Conat had begun printing. Abraham Chaim completed the printing of the Tur, and printed an additional book in Ferrara – the Ralbag's commentary on the Book of Iyov. Both books were printed in 1477, and are the only books known to us from this printing firm. Despite his skills, he presumably did not succeed as an independent printer, and began working in various printing firms in other places. One can presume that he was involved in the printing of several books in Bologna, yet he is mentioned as a printer in Bologna only in the present Chumash edition. Printing a Pentateuch edition so soon after the advent of the printing press was a difficult, complex task, and not for nothing did the proofreader praise the printer so profusely in the colophon. He is also recorded as the printer of one other important book – the first complete Bible with vocalization and cantillation, produced in the printing firm of Josua Solomon son of Israel Natan Soncino, in Soncino, 1488 (see A.M. Habermann, HaSefer HaIvri BeHitpatchuto, Jerusalem 1968, pp. 84-86; Ch.D. Friedberg, Toldot HaDfus HaIvri BeMedinot Italia, Tel Aviv 1956, pp. 28-29; according to Friedberg, Abraham Chaim of Pesaro lived in Bologna from ca. 1481; see enclosed material).
Regarding the text of the Torah in this edition, see: Ch.D. Ginsburg, Introduction to the Massoretico-Critical edition of the Hebrew Bible, New York 1968, pp. 794-802. For a detailed description of this edition, see: P. Tishbi, in: Ohev Sefer, I, 1987, pp. 34-40, no. 26; Sh. Iakerson, Catalogue of Hebrew Incunabula from the Collection of the Library of the Jewish Theological Seminary of America, New York and Jerusalem, 2004, vol. I, pp. 85-89; A.K. Offenberg, Hebrew Incunabula in Public Collections, Nieuwkoop 1990, no. 3; Catalogue of books printed in the XVth century now in the British Museum. pt. 13 (2004), Hebraica, pp. 26-27.
Most known copies were printed on vellum. Copies printed on paper are most rare (see Offenberg, ibid).
Meshal HaKadmoni, by R. Yitzchak ibn Sahula. Many woodcut illustrations, mostly hand colored. [Italy]: Gershom son of Moses Soncino, [ca. 1497]. Incunabula.
Meshal HaKadmoni, the first illustrated Hebrew book, was first printed by Gershom Soncino in Brescia, ca. 1491. This is the second edition of the book, also printed by Soncino.
The author, R. Yitzchak son of Shlomo ibn Sahula, was a philosopher, physician and kabbalist. Born in Spain in 1244, he presumably passed away in late 13th century. His composition Meshal HaKadmoni is a collection of fables, parables and poems, striving to inculcate ethics and positive attributes. Various animal fables are employed by the author as moral allegories. The composition takes the form of a dialogue between the author and his opponent, who argue over the importance and necessity of cultivating moral virtues.
The book includes many woodcuts illustrating scenes from the parables and fables, depicting both animal and human figures. The illustrations originate in the manuscript of the author, R. Yitzchak son of Shlomo ibn Sahula (now lost). They were copied in later manuscripts, and were printed for the first time by the Soncino family.
The present copy comprises 76 woodcuts (out of 81). The book is lacking three leaves (which originally featured five woodcuts). Some of the missing text was completed by hand in Italian script (from the period of the printing of the book).
The present edition includes two illustrations omitted from the first edition (pp. 53a and 61a), as well as an illustration original to this edition (the final illustration in the book). Most illustrations are hand-colored.
Poem in praise of the book on p. 1b, set in a woodcut frame.
Large woodcut on first page – printer's device of Gershom Soncino, depicting a walled tower with two guards, set on a background of acanthus tendrils and flowers. Caption above the woodcut: "Gershom the printer, son of R. Moshe… of Soncino". The verse "The name of the Lord is a tower of strength; the righteous runs into it and is strengthened" is inscribed above and below the tower. This device only appears in the present book, Soncino later used a different, simpler device (see: A. Yaari, Diglei HaMadpisim HaIvriim, Jerusalem 1944, no. 5, note on pp. 123-124).
The Soncino family were prominent printers in the 15th and 16th century, and particularly in the incunabula period. They established their first printing press in Soncino, Italy, ca. 1483, and later wandered through various Italian cities with their printing equipment, resuming their printing operations wherever they settled. One of the prominent members of this family was Gershom Soncino, printer of the present edition.
Incomplete copy. [63] leaves. Originally: [66] leaves. Lacking three leaves: sixth leaf of first gathering (text of recto replaced in manuscript over a page and a half, followed by a blank leaf); two leaves of second gathering – first leaf (blank leaf bound in its place) and eighth leaf (entirely replaced in handwriting). (Book originally comprised nine gatherings; gatherings 1-8 with eight leaves each, gathering 9 with 2 leaves. Present copy: gathering 1 – 7 leaves, gathering 2 – 6 leaves; other gatherings complete).
Approx. 19 cm. Fair-good condition. Stains, including dampstains and dark stains (traces of past dampness to first leaf with printers' device, with large, dark dampstains). Tears, including open tears affecting text (open tears to inner margin of leaf [2] with book title, affecting text, repaired with paper on both sides of leaf; open tear on leaf [6], affecting text). Worming, affecting text in several places (worming to inner margins of some leaves, close to spine, affecting text in approx. six final leaves). Upper margins trimmed close to text, affecting text in several places, with some loss (margins of first leaf trimmed, with damage to upper part of woodcut border). Several places reinforced with paper. Some detached or loose leaves. Handwritten inscriptions. Early leather binding, damaged (open tear to upper part of spine), partially detached, with extensive and significant worming. Placed in a new slipcase.
Exceptionally rare edition. Does not appear in the NLI catalog (which only includes a microfilm of the incomplete JTS copy), and to the best of our knowledge has never before been offered at auction. Offenberg lists only 8 extant copies, scattered in 7 libraries throughout the world, including some incomplete copies (see below).
Literature:
M. Marx, Gershom Soncino, in: Sefer HaYovel LiChevod Alexander Marx, New York 1943, pp. I-X.
Sh. Iakerson, Catalogue of Hebrew Incunabula from the Collection of the Library of the Jewish Theological Seminary of America, New York and Jerusalem, 2004-2005, pp. 362-367.
Hebrew Incunables, a Bibliographical Essay, by Lazarus Goldschmidt, Oxford, 1948, p. III, footnote 6.
A.K. Offenberg, Hebrew Incunabula in Public Collections, Nieuwkoop 1990, no. 60; Catalogue of books printed in the XVth century now in the British Museum. pt. 13 (2004), Hebraica, p. 76.
Bound at the beginning of the book:
• Mehalech Shevilei HaDaat, by R. Moshe Kimchi, with commentary by R. Eliyahu HaLevi Ashkenazi – HaBachur. [Pesaro: Gershom Soncino, ca. 1515]. Second edition. Printed without title page. First page blank. Colophon: "Printed by the printer from the Soncino family, who resides in Pesaro".
[4]; [12]; [18] leaves. Leaves bound out of sequence. Originally: [22]; [12] leaves. [12] leaves of part II bound in middle of part I, after leaf [4]. Good-fair condition.
• Leshon Limudim, grammar, by R. David ibn Yichye. [Constantinople: David and Samuel sons of Nahmias, 1506]. First edition.
[60] leaves. Good condition. Stains. Minor tear to final leaf, slightly affecting text.
• Pirkei Eliyahu, on the rules of Hebrew grammar "brief rules about letters, vocalization and other topics", by R. Eliyahu HaLevi Ashkenazi – HaBachur. [Pesaro: Gershom Soncino, 1520]. First edition.
[19] leaves. 19 cm. Good-fair condition. Many stains, including dark stains and dampstains to title page and other leaves. Leaves trimmed close to text, slightly affecting text in several places. Many handwritten inscriptions.
Copy of R. Yitzchak Lampronti, with his signatures on the title pages and first pages of all four books. R. Yitzchak Lampronti (1679-1756), scholar, physician and leading Italian rabbi. Rabbi and yeshiva dean in Ferrara. His disciples served as rabbis of prominent Italian communities. He was famous for his monumental work, the Pachad Yitzchak series – first halachic encyclopedia, part of which was printed in his lifetime.
Other signatures and inscriptions (including: "My acquisition, Moshe son of R. Meshulam of Camaiore"). Marginal glosses in Italian script. Censors' signatures on final (blank) page of Meshal HaKadmoni.
Ink on paper, exceptionally neat large Yemenite square script (Stam script), with vocalization and cantillation marks. Two columns per page.
Masorah Ketanah appears on the sides of each column, while Masorah Gedolah is inscribed at the top and foot of the pages, in small script. The Song of the Sea and Song of Haazinu are formatted just like in the Torah scroll (brickwork pattern, 2-column format). On the pages of the songs, the Masorah Gedolah was inscribed in a micrographic lattice pattern. This form of ornamentation is characteristic of manuscripts scribed by Benayah HaSofer and his family.
Machberet HaTijan (principles of pronunciation and vocalization) at the beginning of the volume (incomplete).
The manuscript was attributed by Dr. Edna Engel of the Hebrew Paleography Project to R. Benayah son of Saadiah son of Zechariah – "the most renowned scribe in Yemen" (Encyclopedia LeChachmei Teiman, I, p. 42), head of the famous family of scribes active in Sanaa, Yemen. He is known to have signed in colophons of other books he scribed: "The weak scribe… smallest of scribes… Benayah son of Saadiah son of Zechariah son of Benayah son of Oded, known as Ben Merjaz" (see: M. Beit-Arie, Asufat Ketavim Ivriim MiYemei HaBenayim, I, Oriental and Yemenite Scripts, Jerusalem 1988, plate 140). The famous traveler Yaakov Sapir, who visited Yemen in the 19th century, reports in his book Even Sapir: "…I did not find many early manuscript Bibles as I expected, since their last exiles and tribulations did not leave many surviving exemplars; the oldest ones are some five hundred years old. The most accurate ones were produced by Benayah, the expert and punctilious scribe, and unbelievably, he is said to have scribed four hundred books in his lifetime… (Even Sapir, Lyck, 1866, leaf 102). R. Yaakov Sapir also mentions Miriam the scribe, daughter of R. Benayah, who also worked as a copyist: "He also had a daughter who was an expert scribe, and I was shown a manuscript Chumash concluding with the inscription: 'Do not condemn me for any errors that you may find, as I am a nursing woman, Miriam daughter of Benayah the scribe' – and it is accurate, with neat, beautiful script" (Even Sapir, ibid.).
R. Benayah himself scribed books ca. 1450-1483, and he passed away ca. 1484, as evident from a colophon written by his son the scribe R. Yosef son of Benayah, were R. Benayah is mentioned as deceased (Ktav Yad Yerushalayim, Benayahu Collection, quoted by: M. Rigler, Benayah HaSofer VeTze'etza'av – Mishpachat Sofrim MiTeiman, Pe'amim 64, 1995, p. 63).
The Encyclopedia LeChachmei Teiman described R. Benayah son of Saadiah as "the most renowned scribe in Yemen… his fame is due to the dozens of manuscripts copied by him, his sons and grandsons… according to a different opinion he served as head of the Sanaa Beit Din… the vast majority of books he copied were books of the Bible with Masorah and Machberet HaTijan… his copyings are regarded as most accurate, and he is considered the greatest authority in the field of Biblical Masorah. The question of whether the Masorah in his books belonged to the Tiberian school aroused a great polemic between the scholars… according to tradition, he and his family copied hundreds of manuscripts, of which several dozen are extant… (Gavra, Encyclopedia LeChachmei Teiman, I, pp. 42-43). See there a partial list of extant manuscripts he produced.
The Hebrew Paleography Project lists close to 40 manuscripts produced by the family of Benayah HaSofer, found today in various libraries and collections (M. Rigler, Benayah HaSofer VeTze'etza'av – Mishpachat Sofrim MiTeiman, ibid., p. 54).
The present manuscript is not complete, and is lacking at least three leaves: Machbaret HaTijan is presumably lacking the first leaf and final leaf, while the Torah part of the manuscript is almost complete and is only lacking one leaf at the beginning. The manuscript opens in the middle of the first chapter of the Book of Bereshit, and concludes at the end of VeZot HaBerachah (final leaf torn and lacking lower half, with loss of final verses of VeZot haBerachah). The text of the Masorah is damaged and lacking on most leaves.
[20] leaves; [193] leaves. Approx. 25 cm. Fair-poor condition. Stains. Extensive wear and worming. Open tears to all leaves, with significant damage to marginal text. Loss to text in center of leaves in some places. Entire book restored with paper. Glosses in later, unskilled hand. New binding.