Auction 73 - Jewish and Israeli History, Culture and Art
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Displaying 373 - 384 of 390
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $800
Unsold
Yehiel Krize (1909-1968), Figures.
Oil on board. Signed. ?Yechiel Krize (1909-1968), born in Turek (Poland), immigrated to Palestine with his family in 1923. At first he worked as his father's apprentice, painting houses, and in his twenties, was employed as a packer in citrus orchards. At that time, having no background in art, he started painting. Later, he studied at the studios of Avigdor Stematsky and Joseph Zaritsky, and in 1935, travelled to study art in Paris. During his stay in Europe he worked in the artists' colony in Kazimierz Dolny, Poland. In 1947-1948, he was twice awarded the Dizengoff Prize for Painting.
Krize was close to artists of the New Horizons movement, his style growing increasingly abstract over the years, especially after his seven-month stay in New York in 1958-1959. Nevertheless, he chose to work as an independent artist, not joining any group. Solo exhibitions of his work were held at the Tel-Aviv Museum of Art, at the Artists' House in Tel-Aviv and Haifa and elsewhere, but his works were also exhibited in the official New Horizons exhibition at the Mishkan Museum of Art, Ein Harod, in 1963.
Approx. 46X35 cm, in a 72X61 cm frame. Minor blemishes to paint.
Oil on board. Signed. ?Yechiel Krize (1909-1968), born in Turek (Poland), immigrated to Palestine with his family in 1923. At first he worked as his father's apprentice, painting houses, and in his twenties, was employed as a packer in citrus orchards. At that time, having no background in art, he started painting. Later, he studied at the studios of Avigdor Stematsky and Joseph Zaritsky, and in 1935, travelled to study art in Paris. During his stay in Europe he worked in the artists' colony in Kazimierz Dolny, Poland. In 1947-1948, he was twice awarded the Dizengoff Prize for Painting.
Krize was close to artists of the New Horizons movement, his style growing increasingly abstract over the years, especially after his seven-month stay in New York in 1958-1959. Nevertheless, he chose to work as an independent artist, not joining any group. Solo exhibitions of his work were held at the Tel-Aviv Museum of Art, at the Artists' House in Tel-Aviv and Haifa and elsewhere, but his works were also exhibited in the official New Horizons exhibition at the Mishkan Museum of Art, Ein Harod, in 1963.
Approx. 46X35 cm, in a 72X61 cm frame. Minor blemishes to paint.
Category
Israeli and International Art
Catalogue
![Yechiel Krize (1909-1968), Untitled, [1960s?]. Oil on paper. Signed. Yechiel Krize (1909-1968), born in Turek (Poland), immig](https://files.kedem-auctions.com/files/Sale73-public/374.jpg "Yechiel Krize (1909-1968) – Untitled – Oil on Paper")
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $400
Sold for: $500
Including buyer's premium
Yechiel Krize (1909-1968), Untitled, [1960s?].
Oil on paper. Signed.
Yechiel Krize (1909-1968), born in Turek (Poland), immigrated to Palestine with his family in 1923. At first he worked as his father's apprentice, painting houses, and in his twenties, was employed as a packer in citrus orchards. At that time, having no background in art, he started painting. Later, he studied at the studios of Avigdor Stematsky and Joseph Zaritsky, and in 1935, travelled to study art in Paris. During his stay in Europe he worked in the artists' colony in Kazimierz Dolny, Poland. In 1947-1948, he was twice awarded the Dizengoff Prize for Painting.
Krize was close to artists of the New Horizons movement, his style growing increasingly abstract over the years, especially after his seven-month stay in New York in 1958-1959. Nevertheless, he chose to work as an independent artist, not joining any group. Solo exhibitions of his work were held at the Tel-Aviv Museum of Art, at the Artists' House in Tel-Aviv and Haifa and elsewhere, but his works were also exhibited in the official New Horizons exhibition at the Mishkan Museum of Art, Ein Harod, in 1963.
50X70 cm. Good condition. Small tears to edges. Creases. Pieces of tape to edges.
Provenance: The Uzi Agassi Collection.
Oil on paper. Signed.
Yechiel Krize (1909-1968), born in Turek (Poland), immigrated to Palestine with his family in 1923. At first he worked as his father's apprentice, painting houses, and in his twenties, was employed as a packer in citrus orchards. At that time, having no background in art, he started painting. Later, he studied at the studios of Avigdor Stematsky and Joseph Zaritsky, and in 1935, travelled to study art in Paris. During his stay in Europe he worked in the artists' colony in Kazimierz Dolny, Poland. In 1947-1948, he was twice awarded the Dizengoff Prize for Painting.
Krize was close to artists of the New Horizons movement, his style growing increasingly abstract over the years, especially after his seven-month stay in New York in 1958-1959. Nevertheless, he chose to work as an independent artist, not joining any group. Solo exhibitions of his work were held at the Tel-Aviv Museum of Art, at the Artists' House in Tel-Aviv and Haifa and elsewhere, but his works were also exhibited in the official New Horizons exhibition at the Mishkan Museum of Art, Ein Harod, in 1963.
50X70 cm. Good condition. Small tears to edges. Creases. Pieces of tape to edges.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $400
Unsold
Jakob Eisenscher (1896-1980), Houses.
Watercolor on paper. Signed.
Jakob Eisenscher was born in Czernowitz, Bukovina (then in the Austro-Hungarian Empire). He studied in the Academy of Fine Arts Vienna. As World War I broke in 1914 he was conscripted into the Austrian army; in 1915 he was taken captive by the Italians, spending the rest of the war in a Prisoner of War camp. Eisenscher returned to Czernowitz, then a center of Yiddish Avant-garde culture, and started experimenting in woodcuts on top of other media. Immigrating to Paris in the early 30s, he discovered Cubism, which deeply influenced him; he since defined himself an "expressionist cubist". In 1935 he immigrated to Palestine, settling in Tel-Aviv and earning a living as a photographer. Between 1953 and 1968 he taught in Bezalel. His later works are characterized by "semi-cubist, colourist painterly language" as art critic Gideon Ofrat puts it.
"Eisenscher translated the architectural elements which he observed into the architectural structures of his paintings, infusing them with colourism […] The landscape details were abstracted in favor of formal, colorful essences. Eisenscher avoided spontaneous lines and dramatic brush strokes; the poetry and music of his landscapes are conveyed primarily by the tones and formal rhythm". (Broader Horizons, 120 Years of Israeli Art, by Gideon Ofrat. The Vienna-Jerusalem Foundation for Israeli Art, 2013. p. 114).
25.5X22 cm, in a 40X33 cm frame. Fair condition. Creases. Brittle paper. Unexamined out of frame.
Watercolor on paper. Signed.
Jakob Eisenscher was born in Czernowitz, Bukovina (then in the Austro-Hungarian Empire). He studied in the Academy of Fine Arts Vienna. As World War I broke in 1914 he was conscripted into the Austrian army; in 1915 he was taken captive by the Italians, spending the rest of the war in a Prisoner of War camp. Eisenscher returned to Czernowitz, then a center of Yiddish Avant-garde culture, and started experimenting in woodcuts on top of other media. Immigrating to Paris in the early 30s, he discovered Cubism, which deeply influenced him; he since defined himself an "expressionist cubist". In 1935 he immigrated to Palestine, settling in Tel-Aviv and earning a living as a photographer. Between 1953 and 1968 he taught in Bezalel. His later works are characterized by "semi-cubist, colourist painterly language" as art critic Gideon Ofrat puts it.
"Eisenscher translated the architectural elements which he observed into the architectural structures of his paintings, infusing them with colourism […] The landscape details were abstracted in favor of formal, colorful essences. Eisenscher avoided spontaneous lines and dramatic brush strokes; the poetry and music of his landscapes are conveyed primarily by the tones and formal rhythm". (Broader Horizons, 120 Years of Israeli Art, by Gideon Ofrat. The Vienna-Jerusalem Foundation for Israeli Art, 2013. p. 114).
25.5X22 cm, in a 40X33 cm frame. Fair condition. Creases. Brittle paper. Unexamined out of frame.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Sold for: $375
Including buyer's premium
Yechezkel Streichman (1906-1993), Study of a Face.
Watercolor on paper. Signed.
Yechezkel Streichman, born in Lithuania, immigrated to Palestine in 1924 and studied art at Bezalel. After graduation, he travelled to Paris, where he studied architecture, and during the years 1928-1931 studied art at the Academy of Arts in Florence. In 1936, he returned to Palestine and settled in Tel-Aviv. Streichman taught at the Avni Institute, formed the Studia Art School with Avigdor Stematsky and was one of the founders of the New Horizons movement. He was awarded the Dizengoff Prize for art three times. In 1990 he was awarded the Israel Prize for painting.
In the 1930s and 1940s, Streichman's work was influenced by Expressionism; during the 1950s, his work grew increasingly abstract. Streichman is considered one of the most prominent Israeli artists of abstract painting. Several leading Israeli artists were his students.
69X49.5 cm. Good condition. Creases and stains.
Provenance: The Uzi Agassi Collection.
Watercolor on paper. Signed.
Yechezkel Streichman, born in Lithuania, immigrated to Palestine in 1924 and studied art at Bezalel. After graduation, he travelled to Paris, where he studied architecture, and during the years 1928-1931 studied art at the Academy of Arts in Florence. In 1936, he returned to Palestine and settled in Tel-Aviv. Streichman taught at the Avni Institute, formed the Studia Art School with Avigdor Stematsky and was one of the founders of the New Horizons movement. He was awarded the Dizengoff Prize for art three times. In 1990 he was awarded the Israel Prize for painting.
In the 1930s and 1940s, Streichman's work was influenced by Expressionism; during the 1950s, his work grew increasingly abstract. Streichman is considered one of the most prominent Israeli artists of abstract painting. Several leading Israeli artists were his students.
69X49.5 cm. Good condition. Creases and stains.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $500
Unsold
Lea Nikel (1918-2005), Untitled, 1964.
Mixed media on paper. Signed and dated.
60.5X45.5 cm. Good condition. Minor blemishes to margins.?Lea Nikel (1918-2005) was born in Zhitomir, Ukraine and in 1920 immigrated with her family to Palestine. She took her first steps in painting at the age of 16 as the student of artist Chaim Gliksberg, later studying with Yechezkel Streichman and Avigdor Stematsky. During the years 1950-1961 she lived in Paris. At that time, she was introduced to Tachisme (a style of abstract painting characterized, among other things, by spontaneous brushwork, drips and blobs of paint) and her work went through a process of abstraction. In 1957, she underwent surgery to treat a brain hemorrhage that severely damaged her sight, but nonetheless continued painting. Nikel never associated herself with any art group or movement and did not change her unique style of abstract painting even when new styles became fashionable in Israel. She was awarded the Sandberg Prize for Israeli Art by the Israel Museum in 1972, the Dizengoff Prize in 1982 and the Israel Prize for painting in 1995 (together with Menashe Kadishman).
Provenance: The Uzi Agassi Collection.
Mixed media on paper. Signed and dated.
60.5X45.5 cm. Good condition. Minor blemishes to margins.?Lea Nikel (1918-2005) was born in Zhitomir, Ukraine and in 1920 immigrated with her family to Palestine. She took her first steps in painting at the age of 16 as the student of artist Chaim Gliksberg, later studying with Yechezkel Streichman and Avigdor Stematsky. During the years 1950-1961 she lived in Paris. At that time, she was introduced to Tachisme (a style of abstract painting characterized, among other things, by spontaneous brushwork, drips and blobs of paint) and her work went through a process of abstraction. In 1957, she underwent surgery to treat a brain hemorrhage that severely damaged her sight, but nonetheless continued painting. Nikel never associated herself with any art group or movement and did not change her unique style of abstract painting even when new styles became fashionable in Israel. She was awarded the Sandberg Prize for Israeli Art by the Israel Museum in 1972, the Dizengoff Prize in 1982 and the Israel Prize for painting in 1995 (together with Menashe Kadishman).
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $500
Unsold
Lea Nikel (1918-2005), Untitled, 1955.
Mixed media on paper. Signed and dated.
Lea Nikel (1918-2005) was born in Zhitomir, Ukraine and in 1920 immigrated with her family to Palestine. She took her first steps in painting at the age of 16 as the student of artist Chaim Gliksberg, later studying with Yechezkel Streichman and Avigdor Stematsky. During the years 1950-1961 she lived in Paris. At that time, she was introduced to Tachisme (a style of abstract painting characterized, among other things, by spontaneous brushwork, drips and blobs of paint) and her work went through a process of abstraction. In 1957, she underwent surgery to treat a brain hemorrhage that severely damaged her sight, but nonetheless continued painting. Nikel never associated herself with any art group or movement and did not change her unique style of abstract painting even when new styles became fashionable in Israel. She was awarded the Sandberg Prize for Israeli Art by the Israel Museum in 1972, the Dizengoff Prize in 1982 and the Israel Prize for painting in 1995 (together with Menashe Kadishman).
49X65 cm. Good-fair condition. Tears, some restored.
Provenance: The Uzi Agassi Collection.
Mixed media on paper. Signed and dated.
Lea Nikel (1918-2005) was born in Zhitomir, Ukraine and in 1920 immigrated with her family to Palestine. She took her first steps in painting at the age of 16 as the student of artist Chaim Gliksberg, later studying with Yechezkel Streichman and Avigdor Stematsky. During the years 1950-1961 she lived in Paris. At that time, she was introduced to Tachisme (a style of abstract painting characterized, among other things, by spontaneous brushwork, drips and blobs of paint) and her work went through a process of abstraction. In 1957, she underwent surgery to treat a brain hemorrhage that severely damaged her sight, but nonetheless continued painting. Nikel never associated herself with any art group or movement and did not change her unique style of abstract painting even when new styles became fashionable in Israel. She was awarded the Sandberg Prize for Israeli Art by the Israel Museum in 1972, the Dizengoff Prize in 1982 and the Israel Prize for painting in 1995 (together with Menashe Kadishman).
49X65 cm. Good-fair condition. Tears, some restored.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Unsold
Michael Druks (b. 1940), untitled, 1967.
Ink on paper. Signed and dated.
50X70 cm. Good condition. Stains and minor blemishes.
Provenance: The Uzi Agassi Collection.
Ink on paper. Signed and dated.
50X70 cm. Good condition. Stains and minor blemishes.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Unsold
Michael Druks (b. 1940), untitled, 1967.
Ink on paper. Signed and dated.
67.5X46 cm. Good condition. Stains. A few small holes and blemishes to margins.
Provenance: The Uzi Agassi Collection.
Ink on paper. Signed and dated.
67.5X46 cm. Good condition. Stains. A few small holes and blemishes to margins.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Unsold
Yair Garbuz (b. 1945), Untitled, 1987.
Mixed media on paper. Signed and dated.
48X47 cm. Good condition.
Provenance: The Uzi Agassi Collection.
Mixed media on paper. Signed and dated.
48X47 cm. Good condition.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $800
Unsold
Pinchas Cohen Gan (b. 1942), from the series "Confrontations of Formula and Painting", 1982.
Acrylic and pencil on paper. Signed and dated.
100X70 cm. Fair-good condition. Considerable foxing to lower part of the work. Several small tears and holes to margins.
Provenance: The Uzi Agassi Collection.
גבע (נ. 1951) – דיר-אל-אסד, 1984 – דיפטיך
ציבי גבע (נ. 1951), דיר-אל-אסד, 1984. דיפטיך.
טכניקה מעורבת על קרטון דק. חתום ומתוארך.
70X200 ס"מ. מצב טוב. מספר קרעים ופגמים קלים.
מקור: אוסף עוזי אגסי.
Acrylic and pencil on paper. Signed and dated.
100X70 cm. Fair-good condition. Considerable foxing to lower part of the work. Several small tears and holes to margins.
Provenance: The Uzi Agassi Collection.
גבע (נ. 1951) – דיר-אל-אסד, 1984 – דיפטיך
ציבי גבע (נ. 1951), דיר-אל-אסד, 1984. דיפטיך.
טכניקה מעורבת על קרטון דק. חתום ומתוארך.
70X200 ס"מ. מצב טוב. מספר קרעים ופגמים קלים.
מקור: אוסף עוזי אגסי.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $2,000
Unsold
Tsibi Geva (b. 1951), Deir al-Asad, 1984. Diptych.
Mixed media on thin cardboard. Signed and dated.
200X70 cm. Good condition. Several tears and minor blemishes.
Provenance: The Uzi Agassi Collection.
Mixed media on thin cardboard. Signed and dated.
200X70 cm. Good condition. Several tears and minor blemishes.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $2,000
Unsold
Tsibi Geva (b. 1951), Umm al-Fahm, 1984. Diptych.
Mixed media on thin cardboard. Signed and dated.
200X70 cm. Good condition. Small holes and minor blemishes.
Provenance: The Uzi Agassi Collection.
Mixed media on thin cardboard. Signed and dated.
200X70 cm. Good condition. Small holes and minor blemishes.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue