Auction 15 - Jewish and Israeli History and Culture
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Displaying 181 - 192 of 639
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $450
Unsold
Rimon, weekly magazine with photographs, edited by Shlomo Tanai. 1956-1957. Issues 1-26 (from 1.8.1956-26.6.1957).
The magazine was first published in 1956. It was founded and financed by Isser Harel, Head of the Security Services, with the aim of competing with the popular "HaOlam Hazeh" weekly that frequently attacked the Security Services and called for granting rights to the Palestinian people. The journal got information from the Security Services, and directly attacked "HaOlam Hazaeh" and its editor, Uri Avneri. 34.5cm. Good condition.
The magazine was first published in 1956. It was founded and financed by Isser Harel, Head of the Security Services, with the aim of competing with the popular "HaOlam Hazeh" weekly that frequently attacked the Security Services and called for granting rights to the Palestinian people. The journal got information from the Security Services, and directly attacked "HaOlam Hazaeh" and its editor, Uri Avneri. 34.5cm. Good condition.
Category
Israel, 1960s-70s-80s culture
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $100
Unsold
Aloni and David Paz. September-November 1969, the first four issues.
Lahiton began in 1969 as a bi-monthly magazine about music and entertainment consisting of critique, news, gossip, pictures and posters. After a year, it became a weekly and enjoyed great popularity in the 1970s. Some of the headlines: "Who Recognizes Churchill in Underwear", "25 Israeli Singers Want: Golda and Nasser Give Peace a Chance", "All About Underground Music", "Elvis in Israel?", etc. 27cm, good condition.
From Dr. Israel Mehlman's collection.
Lahiton began in 1969 as a bi-monthly magazine about music and entertainment consisting of critique, news, gossip, pictures and posters. After a year, it became a weekly and enjoyed great popularity in the 1970s. Some of the headlines: "Who Recognizes Churchill in Underwear", "25 Israeli Singers Want: Golda and Nasser Give Peace a Chance", "All About Underground Music", "Elvis in Israel?", etc. 27cm, good condition.
From Dr. Israel Mehlman's collection.
Category
Israel, 1960s-70s-80s culture
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $120
Unsold
Three books by Dan Omer:
1. Baderech. Jerusalem: Golgotha, 1966. Very good condition.
2. Layla Aroch, poems. Jerusalem: Ogdan, 1963. Ex-library copy.
3. Poemot Documentariyot 1965-1967, works that have not been censored. Jerusalem: Golgotha, 1967. With original promotional-cover: "The new book by Dan Omer, author of 'BaDerech', a book which has been confiscated by the censor, while the trial continues behind closed doors". Very good condition.
Omer (1940-1984) – poet, translator, literary critic, editor and publisher, was influenced by the American "Beat Generation" poets. His book "BaDerech" (describing a pornographic relationship between an Israeli young man and a German girl during a boat cruise) was inspired by Jack Kerouac's work "On the Road," and its publication lead to a law suit by the censor claiming that the book included obscene passages published against the law. Omer was sentenced to prison and a fine. During the Six Day War Omer served as a military paramedic, and later joined the "Mazpen" movement. He was one of the first who called for withdrawal from the occupied territories.
1. Baderech. Jerusalem: Golgotha, 1966. Very good condition.
2. Layla Aroch, poems. Jerusalem: Ogdan, 1963. Ex-library copy.
3. Poemot Documentariyot 1965-1967, works that have not been censored. Jerusalem: Golgotha, 1967. With original promotional-cover: "The new book by Dan Omer, author of 'BaDerech', a book which has been confiscated by the censor, while the trial continues behind closed doors". Very good condition.
Omer (1940-1984) – poet, translator, literary critic, editor and publisher, was influenced by the American "Beat Generation" poets. His book "BaDerech" (describing a pornographic relationship between an Israeli young man and a German girl during a boat cruise) was inspired by Jack Kerouac's work "On the Road," and its publication lead to a law suit by the censor claiming that the book included obscene passages published against the law. Omer was sentenced to prison and a fine. During the Six Day War Omer served as a military paramedic, and later joined the "Mazpen" movement. He was one of the first who called for withdrawal from the occupied territories.
Category
Israel, 1960s-70s-80s culture
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $250
Unsold
Kiltartan, edited by Maxim Gilan and Nahum Kein. "Beit Peula Kiltartan" publishing, Tel Aviv, 1964.
A one-time literary-artistic anthology with the participation of Meir Vizeltir, Yosef Mundi, Yair Horowitz and other writers. Poems by Yona Volach (when she was 20 years old), an interview with sculptor Yitzchak Danziger, letters to Nathan Zach, editor of the periodical "Yochani" and to Gabriel Moked, editor of "Achshav"' and a letter recommending the poet Ezra Pound as a candidate for the Nobel Prize. The anthology was published in a limited edition of a few hundred copies, bound in a cardboard folder cut by hand, with a wax-seal. Numbered by hand by Maxim Gilan, the editor. [49]pp, 35cm. Good condition. Moth-damages at borders of first leaves.
A one-time literary-artistic anthology with the participation of Meir Vizeltir, Yosef Mundi, Yair Horowitz and other writers. Poems by Yona Volach (when she was 20 years old), an interview with sculptor Yitzchak Danziger, letters to Nathan Zach, editor of the periodical "Yochani" and to Gabriel Moked, editor of "Achshav"' and a letter recommending the poet Ezra Pound as a candidate for the Nobel Prize. The anthology was published in a limited edition of a few hundred copies, bound in a cardboard folder cut by hand, with a wax-seal. Numbered by hand by Maxim Gilan, the editor. [49]pp, 35cm. Good condition. Moth-damages at borders of first leaves.
Category
Israel, 1960s-70s-80s culture
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $150
Unsold
(The Democratic Front for Peace and Equality), 1977
"Vote Vav – the Black Panthers of Chadash. Jerusalem: HaMekor Printing Press, [1977]. An election poster that was printed before the elections for the ninth Knesset in 1977, when Charlie Biton and the Black Panthers together with additional left-wing circles, joined to form the new party Chadash. The elections of 1977 were one of the most important and influential elections in the history of The State of Israel. The Chadash Party received five mandates in these elections, its greatest all-time achievement. 48x70cm. Very good condition, folded.
"Vote Vav – the Black Panthers of Chadash. Jerusalem: HaMekor Printing Press, [1977]. An election poster that was printed before the elections for the ninth Knesset in 1977, when Charlie Biton and the Black Panthers together with additional left-wing circles, joined to form the new party Chadash. The elections of 1977 were one of the most important and influential elections in the history of The State of Israel. The Chadash Party received five mandates in these elections, its greatest all-time achievement. 48x70cm. Very good condition, folded.
Category
Israel, 1960s-70s-80s culture
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $100
Unsold
""We are fed-up!!! We shall suffer no more!!! The Government went bankrupt! Enough!!!" proclamation by Ya'akov Elbaz, the "Black Panthers", Jerusalem, 1971.
The headquarters of the "Black Panthers" invites everybody to a protest demonstration in Malchei Israel Square in Tel Aviv on December 15, 1971.
"Ha'aretz" newspaper revealed in 2007 that Ya'akov Elbaz, one of the "Black Panthers" movement's leaders, was actually a paid police informant within the "Black Panthers" movement, and in parallel was one of those pushing the movement towards increasingly violent and provocative struggles. Leaf, 28cm. Good condition. A few stains, folding-marks.
The headquarters of the "Black Panthers" invites everybody to a protest demonstration in Malchei Israel Square in Tel Aviv on December 15, 1971.
"Ha'aretz" newspaper revealed in 2007 that Ya'akov Elbaz, one of the "Black Panthers" movement's leaders, was actually a paid police informant within the "Black Panthers" movement, and in parallel was one of those pushing the movement towards increasingly violent and provocative struggles. Leaf, 28cm. Good condition. A few stains, folding-marks.
Category
Israel, 1960s-70s-80s culture
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $500
Unsold
Meir Ariel (1942-1999), original drawing, charcoal on paper, [mid 1990s]. Original charcoal drawing in black and grey, for Ariel's fifth album "Charcoal Drawings", produced in 1995 by "Ariel Productions". This drawing was probably supposed to appear on the cover of the album but eventually was replaced by a similar drawing in which the portrait is of a man with thick lips, smiling. In the upper part of the drawing is the title "Rishumei Pecham" (Charcoal Drawings) in square letters, and in the lower part a signature, "Meir Ariel".
Meir Ariel's fifth album, "Rishumei Pecham", is a complex and personal concept album that conveys a very gloomy atmosphere, expressing the futility of man versus nature, together with a protest against the capitalist race and technological enslavement. Leaf, 30 cm. Very good condition. A few charcoal smears.
Meir Ariel's fifth album, "Rishumei Pecham", is a complex and personal concept album that conveys a very gloomy atmosphere, expressing the futility of man versus nature, together with a protest against the capitalist race and technological enslavement. Leaf, 30 cm. Very good condition. A few charcoal smears.
Category
Meir Ariel
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $700
Sold for: $3,250
Including buyer's premium
"Shir im Haruzim veKetzev"/"BeSof kol Mishpat BeIvrit Yoshev Aravi im Nargila", original manuscripts, early version of the song "Shir "Ke'ev", by Meir Ariel. [mid-late 1970s].
"Shir Ke'ev" is the opening song of Meir Ariel's first album, "Shirey Chag Moed veNofel" (1978) and was the first single released for radio broadcast. The song tells the story of two men, an Arab and a Jew, competing for the love of a woman, from the perspective of the Jew. The final version contains insights and poetic verses that do not appear in the manuscript, which focuses on the love-triangle only.
An illustration of an Arab smoking a Nargila appears on the first manuscript, next to the title "Besof kol mishpat beIvrit yoshev aravi im Nargila". Additional illustrations by Meir Ariel on the margins of the leaves. The manuscript version is very different than the final version, including verses that appear here but were never sung.
The highlight of the manuscript is the ending of the song, where several versions appear, all different from the final one.
On the reverse of the second version, appears a draft of an additional song, "Shir mayim rabim written for Ariel Zilber". This version is totally different from the song "Shir mayim rabim" in the album "Modeh ani". [4], [4] leaves, 30cm. Good condition. Several stains.
"Shir Ke'ev" is the opening song of Meir Ariel's first album, "Shirey Chag Moed veNofel" (1978) and was the first single released for radio broadcast. The song tells the story of two men, an Arab and a Jew, competing for the love of a woman, from the perspective of the Jew. The final version contains insights and poetic verses that do not appear in the manuscript, which focuses on the love-triangle only.
An illustration of an Arab smoking a Nargila appears on the first manuscript, next to the title "Besof kol mishpat beIvrit yoshev aravi im Nargila". Additional illustrations by Meir Ariel on the margins of the leaves. The manuscript version is very different than the final version, including verses that appear here but were never sung.
The highlight of the manuscript is the ending of the song, where several versions appear, all different from the final one.
On the reverse of the second version, appears a draft of an additional song, "Shir mayim rabim written for Ariel Zilber". This version is totally different from the song "Shir mayim rabim" in the album "Modeh ani". [4], [4] leaves, 30cm. Good condition. Several stains.
Category
Meir Ariel
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $1,000
Sold for: $1,250
Including buyer's premium
A Protest Song Wannabe, two different versions, original manuscripts by Meir Ariel, [mid 1970s and first half of the 80s].
"A Protest Song Wannabe" is the sixth song of the album "…VeGaluy Einayim", Meir Ariel's second LP (1984). The content of the 9-minute long song is complex and dramatic. Due to the unique lyrics, and in spite of its length, the song became very popular amongst Meir Ariel's fans. The manuscript contains two versions of the song and some other texts:
1. Handwritten notebook, probably from the mid 70s, with the first, early version of "A Protest Song Wannabe", which became famous only a decade later. Following this song, is a leaf titled "Terminal – Corrections" with corrections to the song "Terminal Luminalet", and at the end – three leaves with handwritten drafts, of "Teoret HaTaburet". Attached is a typewritten leaf with part of "A Protest Song Wannabe", with handwritten corrections. [12] leaves, 19cm. Good condition.
2. Draft of a song handwritten by Meir Ariel, with corrections and additions. [5] leaves, 30cm. Good condition, several stains.
The manuscripts contain sentences and even complete stanzas than have been deleted and omitted from the final version, alongside minor corrections.
"A Protest Song Wannabe" is the sixth song of the album "…VeGaluy Einayim", Meir Ariel's second LP (1984). The content of the 9-minute long song is complex and dramatic. Due to the unique lyrics, and in spite of its length, the song became very popular amongst Meir Ariel's fans. The manuscript contains two versions of the song and some other texts:
1. Handwritten notebook, probably from the mid 70s, with the first, early version of "A Protest Song Wannabe", which became famous only a decade later. Following this song, is a leaf titled "Terminal – Corrections" with corrections to the song "Terminal Luminalet", and at the end – three leaves with handwritten drafts, of "Teoret HaTaburet". Attached is a typewritten leaf with part of "A Protest Song Wannabe", with handwritten corrections. [12] leaves, 19cm. Good condition.
2. Draft of a song handwritten by Meir Ariel, with corrections and additions. [5] leaves, 30cm. Good condition, several stains.
The manuscripts contain sentences and even complete stanzas than have been deleted and omitted from the final version, alongside minor corrections.
Category
Meir Ariel
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $500
Sold for: $1,500
Including buyer's premium
Holech Batel, draft handwritten by Meir Ariel, [first half of 1970s]. "Holech Batel" is the fourth song in the album "Sof Onat HaTapuzim" (1976), the monumental, sole album by the Israeli rock band "Tamuz". The song had two melodies: one composed by Meir Ariel and the other by Ariel Zilber. This manuscript includes Meir Ariel's version and not the "Tamuz" one, with minor changes.
Meir Ariel added illustrations on the leaf and suggested chorus lines. On the reverse, under the title "Shtuyot" (Nonsense) appears a section of an additional song. Notebook leaf, 22.5cm, with handwriting on both sides. Good condition. Several stains at borders.
Opening price: $500
Meir Ariel added illustrations on the leaf and suggested chorus lines. On the reverse, under the title "Shtuyot" (Nonsense) appears a section of an additional song. Notebook leaf, 22.5cm, with handwriting on both sides. Good condition. Several stains at borders.
Opening price: $500
Category
Meir Ariel
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $450
Unsold
Five volumes of the magazines "Kolno'a – Weekly Magazine for Cinema, Theatre and Art" and "Olam HaKolno'a – Weekly Illustrated Magazine for Cinema and Art".
1. "Kolno'a" – 11th year (1949), issues 1-6, 11-16, 18-24, 26-52.
2-5. "Olam HaKolno'a" – volumes 2-5 (1952-3), issues 26-125.
Total of 146 issues, condition varies.
1. "Kolno'a" – 11th year (1949), issues 1-6, 11-16, 18-24, 26-52.
2-5. "Olam HaKolno'a" – volumes 2-5 (1952-3), issues 26-125.
Total of 146 issues, condition varies.
Category
Music and Cinema
Catalogue
Auction 15 - Jewish and Israeli History and Culture
June 1, 2011
Opening: $300
Unsold
Promotional-poster for the film "Hill 24 Does Not Answer", directed by the British director Thorold Dickinson, "Forum Film", [1955].
"The monumental unforgettable Israeli creation about the War of Independence, with Haya Hararit, who won a prize at the Cannes Film Festival for her acting in this film".
Hill 24 was the biggest film produced in Israel prior to 1955, in regards to its budget, its technical methods and the cast. It represented Israel in the Cannes Film Festival. The film tells the story of UN observers arriving at Hill 24 after a battle that took place there, to decide whether the hill will stay in the hands of Israel or the Arabs. The observers find four dead soldiers on the hill, and because one of them was holding an Israeli flag they declare that the hill belongs to Israel. Later in the film, the plot splits into four stories. The music was composed by Paul Ben Haim (see item no. 605). Other actors: Shoshana Damari, Yosef Yadin and Arik Lavie.
100x70cm. Good condition. Mounted on linen.
"The monumental unforgettable Israeli creation about the War of Independence, with Haya Hararit, who won a prize at the Cannes Film Festival for her acting in this film".
Hill 24 was the biggest film produced in Israel prior to 1955, in regards to its budget, its technical methods and the cast. It represented Israel in the Cannes Film Festival. The film tells the story of UN observers arriving at Hill 24 after a battle that took place there, to decide whether the hill will stay in the hands of Israel or the Arabs. The observers find four dead soldiers on the hill, and because one of them was holding an Israeli flag they declare that the hill belongs to Israel. Later in the film, the plot splits into four stories. The music was composed by Paul Ben Haim (see item no. 605). Other actors: Shoshana Damari, Yosef Yadin and Arik Lavie.
100x70cm. Good condition. Mounted on linen.
Category
Music and Cinema
Catalogue