Auction 84 - Jewish and Israeli History, Culture and Art
Including: Items from the Estate of Ruth Dayan, Old Master Works, Israeli Art and Numismatics
December 21, 2021
- (-) Remove gard filter gard
- (-) Remove poetri filter poetri
- and (10) Apply and filter
- avant (10) Apply avant filter
- avant-gard (10) Apply avant-gard filter
- avantgard (10) Apply avantgard filter
- book (10) Apply book filter
- books, (10) Apply books, filter
- illustr (10) Apply illustr filter
- literatur (10) Apply literatur filter
Displaying 1 - 10 of 10
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $150
Sold for: $575
Including buyer's premium
David Bergelson, Mayse-Bikhl, mit litografyes un holtshniten fun Lasar Segall. Berlin: Wostok, 1923. Yiddish. Tales by David Berglsohn, with illustrations by Lasar Segall, a Jewish painter, engraver and sculptor, born in Vilnius. Berglsohn (1884-1952), Yiddish playwright and author, was executed in the Night of the Murdered Poets in 1952.
[2] ff., 7-48 pp. + [8] plates (illustrations), 26 cm. Good condition. Stains and minor blemishes. Stains and some blemishes to binding.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $150
Sold for: $188
Including buyer's premium
VUSPP Almanac, Alukrainishe Assotziatzie Fun Proletarishe Schreiber – Yiddishe Sektzie [All-Ukrainian Association of Proletarian Writers – Jewish Section]. Kharkiv: Tzenterfarlag, 1929. Yiddish.
Literary anthology published by the Jewish Section of the All-Ukrainian Association of Proletarian Writers, established in 1927. Includes works by 21 Jewish authors and poets, with accompanying woodcuts and linocuts by artists Ber/Boris Blank (1897-1957) and Moisei Fradkin (1904-1974) – both graduates of the same class of the Kharkiv Institute of Art. The VUSPP, the All-Ukrainian Association of Proletarian Writers, was established in Ukraine in 1927 with the stated objective of fighting bourgeoise nationalist literature and establishing a school of literary socialist realism in Ukraine. The organization's true goal was to fight the existing literary associations in which the Communist party identified dangerous nationalist and anti-proletarian tendencies. The VUSPP consisted of a Russian section and a Jewish one; under its watch, several literary journals dealing with implementing the political program, which was dictated by the party, were published – under strict aesthetic requirements. In 1932, the VUSPP was disbanded. During the Great Purges of 1937-1938, most of the organization's ex-members were arrested, banished to the Gulag or executed.
363, [3] pp., 22.5 cm. Good condition. Some stains. Inked stamps to several leaves. Pen notations to inside front board and front flyleaf. A piece of paper mounted to upper title page. Worming and some small tears. Strips of tape for reinforcement to inner front seam. Original card binding, with stains and minor worming; small tears to edges. The illustrated paper cover is missing.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $200
Sold for: $250
Including buyer's premium
Ginen-geveb, by David Hofstein. Kiev: Melukhe-farlag (on title page: Kultur-lige, Kiev, Kleyne Bibliotek 'Lirik'), 1921. Yiddish. Ginen-geveb, book of poems by David Hofstein. Front cover illustration by Joseph Chaikov.
David Hofstein (1889-1952), Jewish-Ukranian poet and author; leading member of the "Kiev Group" during the golden age of Yiddish literature in Soviet Russia, and one of thirteen Jewish intellectuals killed during the "Night of the Murdered Poets", on the order of Stalin. Hofstein wrote in Yiddish and Hebrew, and was thoroughly engaged in promoting Jewish cultural activities in Russia. In the early 1920s he was among the founders of the "Lirik" series of poetry books, which included the present volume. Hofstein was forced to leave the USSR after being persecuted by the Yevsektsiya (the Jewish section of the Communist Party of the Soviet Union) for his cultural activities. He spent several years in Berlin and immigrated to Palestine, where he resided for about a year; in the second half of the 1920s he returned to the USSR and settled in Kiev. Adhering to the "official party line", his writing gained some recognition from the regime. In September 1948 he was arrested by the secret police, charged for Jewish nationalism, espionage and other false accusations. This arrest came as part of a general increase in antisemitism in Stalinist Soviet Russia. On the night of August 12th, 1952, he was executed, during what came to be known as the "Night of the Murdered Poets". Hofstein was posthumously rehabilitated in 1958.
16 pp., 14 cm. Good condition. Creases. Minor damages. Cover slightly worn and stained. Signature on front cover and p. 3.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $100
Sold for: $375
Including buyer's premium
Di Kupe [The Heap], by Peretz Markish. Warsaw: Kultur Lige, 1921. First edition. Cover design by Henryk Berlewi.
A poem dedicated to the victims of the Ukrainian pogroms during the years 1917-1920 (The Petliura Riots). The composition on the front cover, by artist Henryk Berlewi, plays on the poem's title, visually evoking "a heap" (Di Kupe). An identical composition was printed on the title page.
The Jewish-Polish artist Henryk Berlewi (1894-1967) was one of the leading constructivist artists in Poland in the 1920s. He studied art in Warsaw, Antwerp and Paris. During the years 1919-1921, he worked with the artistic and literary avant-garde group Yung Yidish. Berlewi designed and illustrated books; he is especially known for his illustrations for books by poets Uri Zvi Greenberg and Peretz Markish. Berlewi published a theoretical essay titled "Mechano-Faktura" in which he introduced the theoretical basis for his artistic work, namely, using mechanical means to create texture. The "Mechano-Faktura", which is based on arrangements of lines and simple geometric forms, using the colors black, white and red, rejects the illusion of space in favor of two-dimensionality. In late 1920s, Berlewi moved to Paris, where he mainly focused on portrait painting. After World War II, his works were displayed in several major exhibitions in Paris, as well as in Berlin, Warsaw, Zurich and New York.
32 pp., approx. 33.5 cm. Fair condition. Much foxing. Some small tears. Signature to title page. Handwritten notations alongside text. Card binding, with the original cover laid down (wear to cover and tears to edges). Blemished binding, with tears, partly detached. Missing spine.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $300
Sold for: $1,125
Including buyer's premium
Legion, poem by Gabriel Talphir. Warsaw: Pratzim, [1925]. Hebrew.
The debut book of poet Gabriel Talphir; an impressive futurist long poem depicting a vision of Hebrew legions conquering Palestine. Cover design by Henryk Berlewi (signed in the plate: "H. Berlewi"). Errata sheet tipped in to inside front cover.
The Jewish-Polish artist Henryk Berlewi (1894-1967) was one of the leading constructivist artists in Poland in the 1920s. He studied art in Warsaw, Antwerp and Paris. During the years 1919-1921, he worked with the artistic and literary avant-garde group Yung Yidish. Berlewi designed and illustrated books; he is especially known for his illustrations for books by poets Uri Zvi Greenberg and Peretz Markish. Berlewi published a theoretical essay titled "Mechano-Faktura" in which he introduced the theoretical basis for his artistic work, namely, using mechanical means to create texture. The "Mechano-Faktura", which is based on arrangements of lines and simple geometric forms, using the colors black, white and red, rejects the illusion of space in favor of two-dimensionality. In late 1920s, Berlewi moved to Paris, where he mainly focused on portrait painting. After World War II, his works were displayed in several major exhibitions in Paris, as well as in Berlin, Warsaw, Zurich and New York.
80 pp. approx. 27.5 cm. Good-fair condition. Stains, mostly minor. Tears to edges of some leaves. Inked stamps. Several leaves partly detached. Minor creases and stains to cover. Tears to spine (parts of spine missing; cover partly detached). Pencil scribbles to back cover.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $200
Sold for: $525
Including buyer's premium
Catalog number 5. Moscow: Shul un Buch, 1927. Yiddish. Additional Russian title page.
Catalog of books published by Shul un Buch, divided into categories: textbooks, political literature, prose and literary criticism, plays, anthologies and journals, children's books and more. With photographs of book covers, some designed in the Russian Avant Garde style. Advertisements at the end.
37, [11] pp., approx. 20 cm. Good condition. Creases and minor stains.
One copy only in OCLC.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $100
Sold for: $200
Including buyer's premium
Four Russian editions of the poem "The Twleve" (Двенадцать) by poet Alexander Blok (1880-1921). Berlin, Sofia and Simferopol, ca. 1918-1922. Illustrations by Yury Annenkov, Wassili Masjutin and Ivan Milev.
The poem "The Twelve", describing a march of twelve revolutionary soldiers in the streets of Petrograd during a storm, was written by Alexander Blok in January 1918, several months after the Bolshevik Revolution. The poem, nowadays considered one of the best-known works of Russian poetry, was subjected to much criticism when first published. It is told that after its writing Blok felt his literary career had come to an end.
1. "The Twelve". Berlin: Алконост (Alkonost), 1918. Third edition (of three editions printed in the year the poem was written).
With illustrations by Russian artist Yury Annenkov (1889-1974), which are considered his best-known works. 61, [3] pp + [1] leaf (reproduction of a portrait of Alexander Blok by Konstantin Somov; from another book), 31 cm. Rebound in hard cover, lacking original cover. Fair condition. Stains. Closed and open tears, some large and some reinforced with paper and tape. Damaged binding, loose. 2. "The Twelve". Sofia, Bulgaria: "Russian-Bulgarian Publishing" (Российско-Болгарское книгоиздательство), [1920]. Cover design by artist Ivan Milev (1897-1927), a prominent representative of Bulgarian Modernism. 36 pp, 22 cm. Fair-good condition. Detached cover and leaves (lacking spine). Stains throughout the booklet; numerous stains to cover. Tears to edges of several leaves and edges of cover. Minor creases. 3. "The Twelve". Simferopol, 1921. Without illustrations. 15, [1] pp (including cover), 21 cm. Good-fair condition. Dampstains. Creases and several small tears to edges. 4. "The Twelve". Berlin: Нева (Neva), [1922?]. Front cover illustration and four illustrations inside the book by artist Wassili Masjutin (1884-1955). Masjutin was born in Riga, studied art in Moscow and specialized in printmaking. Since 1921, he lived in Berlin, where he worked as a painter, sculptor, graphic designer and book illustrator. [3] leaves, 22 pp, [2] leaves + [4] plates (illustrations), 24 cm. Good-fair condition. Stains. Open tears to edges of cover and spine.
Enclosed is an additional copy of the poem published by Neva (no. 4), with back cover lacking.
Provenance: The collection of Uzi Agassi.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $100
Sold for: $325
Including buyer's premium
Портреты [Portrety / Portraits], by Yury Annenkov (Юрий Павлович Анненков). Peterburg (Saint Petersburg): "Petropolis", 1922. Russian and some French. Copy no. 97 from an edition of 900 copies.
Album of portraits by Annenkov (1889-1974), a Russian artist, mostly known for his book illustrations and portraits. The book contains color and black and white reproductions of portraits of key figures in Russian art of his time, which were drawn during the years 1906-1921, including portraits of artists, writers and poets such as Altman, Chukovsky, Pasternak, Gorky, Zamyatin, Remizov, Blok, Akhmatova and others. The portraits are accompanied by articles by Yevgeny Zamyatin, Mikhail Kuzmin and Mikhail Babentchikoff.
169, [2] pp., 33 cm. Fair condition: from the original constructivist style dust-jacket, only a cut piece remained (approx. 28X23 cm.), trimmed on the edge of the illustration and the text, with stains. The cover is torn, missing the spine and almost completely detached, with tears to margins and missing pieces. Most of the leaves and illustrations are in good condition. Stains and minor blemishes. Some loose or detached leaves and plates. Pen notation on inside back cover. Pen inscription and inked stamp on title page.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $300
Sold for: $375
Including buyer's premium
Four volumes of poetry by Alexander Kusikov and other Imaginist poets. Moscow and Kiev, ca. 1920. Russian. Illustrations by Boris Erdman and Georgi Yakulov. One of the books is inscribed by Kusikov.
1. Жемчужный коврик [A Pearl Rug], by Alexander Kusikov, Konstantin Balmont and Antony Sluchanovsky. [Moscow, ca. 1920]. Front cover illustration by Boris Erdman (Борис Эрдман, 1899-1960), a stage designer and graphic artist, member of the Imaginists. On the first (blank) page is a Russian inscription handwritten by Alexander Kusikov (Александр Кусиков, 1896-1977), a prominent voice of the Imaginist movement in Russian poetry. 2. Коевангелиеран [Koevangelieran], by Alexander Kusikov. Moscow, 1920. Illustrations by Boris Erdman on the front cover and throughout the booklet. 3. В никуда [Going Nowhere], by Alexander Kusikov. Moscow: "Имажинисты" (Imaginists), 1920. The logo of the publishing house was designed by Boris Erdman. The illustration on the front cover and the author's portrait (p. 9) were created by Georgi Yakulov (Георгий Якулов, 1884-1928). 4. Коробейники счастья [Peddlers of Happiness], by Alexnader Kusikov and Vadim Shershenevich. Kiev, 1920. Front cover illustration by Boris Erdman. Russian handwritten notes and markings on several pages.
Size and condition vary.
Provenance: The Uzi Agassi Collection.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue
Auction 84 - Jewish and Israeli History, Culture and Art
December 21, 2021
Opening: $500
Sold for: $4,250
Including buyer's premium
Dmitry Semenovich Stelletsky (1875-1947), Four Angels / exhibition poster.
Two works on a single sheet of paper. Watercolor and gouache on paper. Side A: Four Angels, [ca. 1925]. Preparatory sketch/painting for the ceiling mural of Paris's Saint Serge de Radonège Russian Orthodox Church, for which Dmitry Stelletsky was responsible. Signed (Cyrillic). Titled in pencil (French). Painting truncated. Apparently, it originally extended over several sheets of paper. Side B: Preparatory sketch for a promotional poster advertising an exhibition. Inscribed (French): "15 juin 15 julliet: EXPOSITION." No details given regarding the actual exhibition or its name.
65X50 cm. Fair-poor condition. Stains. Tears, including open tears. Traces of adhesive tape.
Category
Literature and Poetry – Illustrated Books, Avant-garde
Catalogue