Auction 80 - Part I - Jewish and Israeli History, Art and Culture
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The poster depicts Israel as a biblical mosaic, being built by the joint effort of ten figures (each figure wearing a different hat – a Tembel hat, a wool hat of the Palmach, a traditional headdress, an IDF beret, and more). Exposed on the mosaic is the number 10, the word "Assor" (Hebrew for decade) and the Hebrew letter Yod in blue.
The year of Israel's 10th anniversary was celebrated in a series of events, ceremonies and festivals. Over the year, the First Decade Exhibition which championed the achievements of the young state took place in Binyenei HaUma (International Convention Center), the ceremony of the Declaration of the State was reenacted, the first Bible Contest took place and more. The government even appointed a special committee, "The International Committee for the Events of the First Decade", which was entrusted with organizing the celebrations of Independence Day on a global scale. As part of its activity, the Committee distributed two versions of the Independence Day Poster, in Hebrew and in English (for international distribution). This is the English version.
Miriam Karoly (1925-1994), a graphic designer, sculptor and painter. Designed series of postage stamps, official coins and two official posters for the Israeli Independence Day.
65.5X98 cm. Good-fair condition. Creases. Tears to edges, some open. Expertly restored, with color touch-ups; linen-backed for display and preservation.
A color poster featuring two scrolls – "The Scroll of Independence" (on the upper left corner) and "The Scroll of the Decade" listing the achievements of the State of Israel in the decade of its existence: the growth of the population, the development of the educational system, commerce, agriculture, transportation, and more (an illustration that takes up most of the surface of the poster).
Approx. 63X97 cm. Good condition. Fold lines and creases. Minor stains. Small tears to edges. At the center, a stamp of the Be'er Sheva Municipality (payment of publication tax).
Official poster published for the eleventh Independence Day of the State of Israel. "Pastel" Press, the Governmental Printer, Jerusalem, 1954. Design: Miriam Karoly (signed in the plate).
An illustration of fireworks in the sky of Israel – vivid splashes of color against a dark purple background. In the right corner, there is a small open window through which a new Israeli family enters, drawn in blue and white, with a couple of ships in the background.
Approx. 70X100 cm. Creases. Tears and minor blemishes (mainly to margins). Mounted on thin paper for restoration and preservation.
Provenance: The Rimon Family Collection.
The Independence Day Poster of the State of Israel was a special poster published once a year for the Independence Day celebrations of the State of Israel. The posters were chosen by a special committee of artists and intellectuals (including Bezalel Schatz, Yitzchak Danziger, Dan ben Amotz and others), from proposals submitted anonymously by Israeli designers. The winners of the competition were declared a few weeks before Independence Day and the posters they had designed decorated the country that year. In the first decades of the State, the posters gained a unique status in Israeli culture and their design was considered an extraordinary achievement for an Israeli designer. The designers included Yohanan Simon, Pal Kor, the Shamir Brothers, David Tartakover, Jean David and others. The last Independence Day Poster was issued in 2018.
Six official posters published for the 15th to 20th Independence Day of the State of Israel. Published by the Governmental Printer (at the "A. Levin Epstein", "S. Monsohn" and "United Artists" printing houses), 1963-1968. All signed in the plate.
Six posters: • Poster for the 15th Independence Day designed by Paul Kor. • Poster for the 16th Independence Day designed by Kopel Gorbin. • Poster for the 17th Independence Day designed by Amram Prat. • Poster for the 18th Independence Day designed by Ran Tzizer. • Poster for the 19th Independence Day designed by Gideon Keich. • Poster for the 20th Independence Day designed by Kopel Gobrin.
Size and condition vary. Good overall condition.
Enclosed: a poster with the logo of the celebrations of the 20th Independence Day of the State of Israel (designed by the Shamir Brothers), printed in blue against a white background.
Provenance: The Rimon Family Collection.
The Independence Day Poster of the State of Israel was a special poster published once a year for the Independence Day celebrations of the State of Israel. The posters were chosen by a special committee of artists and intellectuals (including Bezalel Schatz, Yitzchak Danziger, Dan ben Amotz and others), from proposals submitted anonymously by Israeli designers. The winners of the competition were declared a few weeks before Independence Day and the posters they had designed decorated the country that year. In the first decades of the State, the posters gained a unique status in Israeli culture and their design was considered an extraordinary achievement for an Israeli designer. The designers included Yohanan Simon, Pal Kor, the Shamir Brothers, David Tartakover, Jean David and others. The last Independence Day Poster was issued in 2018.
The postcards portray, among others, the Fabric Synagogue, Timișoara (Romania); the Subotica Synagogue (Serbia); the Hradec Králové Synagogue (Czech Republic); the Old Synagogue, Essen (Germany); the Liepāja Synagogue (Latvia); the Grand Synagogue in Algeria; and more.
22 of the postcards are undivided. Approx. 40 used. Two duplicates. Condition varies. Good overall condition. Stains, creases and minor blemishes to some postcards.
Humorous postcards, with illustrations of figures depicting life in Warsaw and Eastern Europe, by painter and caricaturist Menachem Birnbaum (1893-1944; son of Dr. Nathan Birnbaum) and short humorous texts in Yiddish. All are signed in the plate.
Condition varies. Stains, mostly to verso. Blemishes to edges of all postcard, corrections in white paint.
The collection includes postcards published by Williamsburg Art Co. in New York, "Central" in Warsaw, "Z. Resnik" in Warsaw and New York, and more. One early card is printed on a transparency and mounted on a postcard. 9 postcards are undivided.
Size varies. Good overall condition. Some duplicates. Some postcards were used. Several of the items are printed cards and not postcards.
Official decoration that was awarded to members of the delegation of Kaiser Wilhelm II to Palestine and two items that were printed for the inauguration of the Church of the Redeemer in Jerusalem. Germany, 1898.
1. Jerusalemkreuz ("Jerusalem Cross") decoration, made of silver inlaid with red enamel (with a red ribbon). At its center, the Imperial Crown of the Prussian German Emperor and the legend "IR [Imperator Rex – "Emperor King"], WII". On verso, the date of the inauguration of the Church of the Redeemer – 31.10.1898 (in Roman characters).
The decoration was awarded to those who traveled with Kaiser Wilhelm II on his 1898 visit to Jerusalem – courtiers, guards and escorts. According to the memoirs of one of the members of the delegation, Mathilde von Keller (1853-1945), on the night of the inauguration of the Church of the Redeemer, the Kaiser visited the tents of the delegation members and personally gave them the decoration. This decoration was one of three decorations in Prussian Germany that were to be worn obligatory with ordinary dress uniform.
2. A print depicting the inauguration of the Church of the Redeemer, by painter and lithographer Ismael Gentz – a member of the Imperial delegation. Published by Gustav Schauer, Berlin. Mounted on card; inscribed by the artist: "With gratitude, Ismael Gentz" (German).
3. Urkunde über die Einweihung der evangelischen Erlöserkirche in Jerusalem und Ansprache Sr. Majestät des Kaisers und Königs, 31. Oktober 1898. Berlin: der Evangelischen Jerusalemstiftung, [ca. 1898]. German.
A booklet with a facsimile of the illuminated manuscript which was signed by Kaiser Wilhelm II and his wife, Augusta Victoria, on the day of the inauguration of the Church of the Redeemer, and with the text of the Kaiser's speech.
The inauguration of the Church of the Redeemer was the stated purpose of the visit of Kaiser Wilhelm II to Palestine. The church was built during the years 1893-1898, on land that was given as a gift by the Turkish Sultan to Wilhelm's father, Friedrich III, on the ruins of a crusader church from the 12th century. The bell tower of the church, then one of the tallest structures in the city, was planned according to sketches made by the Kaiser himself. On 31.10.1898, the inauguration ceremony was held in the presence of the Kaiser and his entourage and was commemorated on countless postcards, medals, souvenirs and photographs.
Size and condition vary. Good overall condition.
Enclosed: [Das Neue Testament nach der deutschen Uebersetzung D. Martin Luthers], The New Testament Translated by Martin Luther, German edition published as a souvenir from the Kaiser's visit to Palestine. Missing title page and several additional leaves. [Presumably, Berlin: Heinrich Grund, 1899]. The book includes dozens of plates with pictures of Holy sites in Palestine and a map of Palestine.
Through the months of October-November 1898, Kaiser Wilhelm II of Germany toured some of the major cities of the Ottoman Empire, including Beirut, Constantinople, Jerusalem, Haifa, and Jaffa. The visit to Palestine, in particular, was regarded as one of the most salient events in the annals of the Land of Israel in the 19th century.
Preparations for the Kaiser's visit to Palestine had already begun in the summer of 1898. These included a massive municipal clean-up, the improvement and overhaul of infrastructure, the laying of a telegraph line, and other operations. In time for the Kaiser's arrival in Jerusalem, a number of municipal roads were widened. The authorities went as far as breaching a gap in Jerusalem's Old City Wall, adjacent to Jaffa Gate, to enable the smooth passage of the Kaiser's opulent carriage. In addition, the city streets – most notably HaNevi'im Street, where a special tent camp for the Kaiser and his entourage was to be temporarily constructed – were adorned with the flags of Germany and the Ottoman Empire, and with makeshift gates of honor.
The highlight of the Kaiser's visit to Jerusalem was the opening ceremony of the Lutheran Church of the Redeemer. But he also visited the German Colony, the Mt. of Olives, the Christian Quarter of the Old City, City Hall, and other sites. From a Jewish standpoint, perhaps the most historically important event in the Kaiser's itinerary was his meeting with Theodor Herzl.
Throughout his visit, Wilhelm was accompanied by his wife, the Empress Augusta Victoria, and a small entourage. The Kaiser rode either on horseback or in the imperial carriage. Following in the footsteps of his immediate entourage in Jerusalem was a parade of lesser-ranked officials, accompanied by cavalry regiments and "kawas" officials – ceremonial Ottoman-Empire bodyguards. Large crowds of people thronged to Jerusalem to witness the occasion. Many were willing to pay money for the privilege of occupying vantage points on rooftops and balconies overlooking the planned route of the procession.
Collection of postcards, cards and medals issued for the visit of Kaiser Wilhelm II to Palestine and a copy of the book "Die Kaiserfahrt durchs Heilige Land" [The Kaiser's Journey through the Holy Land] by Ludwig Schneller, the delegation's guide in Jerusalem. Jerusalem and various places in Germany, 1898 to early 20th century. German.
• Approx. 55 postcards. Printed by various publishers in Germany and Jerusalem: H. Vogel (Leipzig), Knackstedt & Nather (Hamburg), Silberman & co. (Jerusalem) and others. Most of them bear portraits of the Kaiser, illustrations, pictures and gilt ornaments. Undivided. Some were mailed.
• Six small cards with pictures from the Kaiser's visit, which were enclosed with Stollwerck Chokolate chocolate bars (the company published card series depicting various themes – birds, soldiers, scientists – to be collected and arranged in albums; after the Kaiser's visit to Palestine, it published a special series of photographic cards with silver frames and captions on verso).
• Four medals. Three silver medals with the Kaiser's portrait (two depict the Church of the Redeemer on reverse; the third medal depicts the imperial ship) and a medal with a German legend: " From Jerusalem shall emanate the light [that brightens] the world, by the glow of the light did our German nation gain its strength. Neither power, nor acclaim, nor honor, nor worldly material benefits do we seek here…" (presumably circulated to allay concerns that Germany was aiming to take control of the Port of Haifa), 1898.
• Die Kaiserfahrt durchs Heilige Land [The Imperial Journey through the Holy Land] by Ludwig Schneller (director of the Schneller orphanage, who was the Imperial delegation's guide in Jerusalem). Leipzig: H.G. Wallmann, 1899. German. Accompanied by numerous pictures and illustrations. Color lithographic illustration mounted on cover. One leaf missing.
Size and condition vary. Good overall condition. The postcards and cards are placed in two albums with illustrated olive-wood bindings.
Through the months of October-November 1898, Kaiser Wilhelm II of Germany toured some of the major cities of the Ottoman Empire, including Beirut, Constantinople, Jerusalem, Haifa, and Jaffa. The visit to Palestine, in particular, was regarded as one of the most salient events in the annals of the Land of Israel in the 19th century.
Preparations for the Kaiser's visit to Palestine had already begun in the summer of 1898. These included a massive municipal clean-up, the improvement and overhaul of infrastructure, the laying of a telegraph line, and other operations. In time for the Kaiser's arrival in Jerusalem, a number of municipal roads were widened. The authorities went as far as breaching a gap in Jerusalem's Old City Wall, adjacent to Jaffa Gate, to enable the smooth passage of the Kaiser's opulent carriage. In addition, the city streets – most notably HaNevi'im Street, where a special tent camp for the Kaiser and his entourage was to be temporarily constructed – were adorned with the flags of Germany and the Ottoman Empire, and with makeshift gates of honor.
The highlight of the Kaiser's visit to Jerusalem was the opening ceremony of the Lutheran Church of the Redeemer. But he also visited the German Colony, the Mt. of Olives, the Christian Quarter of the Old City, City Hall, and other sites. From a Jewish standpoint, perhaps the most historically important event in the Kaiser's itinerary was his meeting with Theodor Herzl.
Throughout his visit, Wilhelm was accompanied by his wife, the Empress Augusta Victoria, and a small entourage. The Kaiser rode either on horseback or in the imperial carriage. Following in the footsteps of his immediate entourage in Jerusalem was a parade of lesser-ranked officials, accompanied by cavalry regiments and "kawas" officials – ceremonial Ottoman-Empire bodyguards. Large crowds of people thronged to Jerusalem to witness the occasion. Many were willing to pay money for the privilege of occupying vantage points on rooftops and balconies overlooking the planned route of the procession.
Kaiserfahrt nach palästina, ein Gesellschaftsspiel [Imperial Trip to Palestine, a Board Game]. Manufacturer: Adolph Engel, [Berlin, 1898]. German.
A German board game, enabling to take an imaginary trip to Palestine with the German Kaiser. Manufactured at the Adolph Engel factory for toys and postcards, after the return of Kaiser Wilhelm II from his historical visit to Palestine, in 1898.
The game is played on a board with two color maps (one of the Mediterranean Basin and the second of Palestine) with seventy squares on them – the stations of the imperial trip on land and sea. The players are equipped with paper coins with the portrait of the Greek deity Hermes - the patron of travelers, and their movement is determined by a wheel with a rotating needle. Some of the squares present dangers to the players (based on events that took place during the imperial trip) and for every important city there is a card with a picture of the city and a short, rhymed poem. On square no. 49 - the city of Jerusalem, the players are required to move to a special board, decorated with stars and the Jerusalem Cross, on which there are thirteen pictures within medallions and frames – sites which the Emperor had visited (Jaffa Gate, Damascus Gate, Dome of the Rock, the Western Wall, and more; the first player to reach the city, gets a special paper decoration from the Emperor).
Enclosed with the game is an instruction leaf (German), a cloth bag for the coins, five regular game pawns and one crowned pawn (for the player who received the role of 'Marshal of the Imperial Trip"). Placed in an original case divided into five wooden compartments, with a color lid with pictures of various sites from the trip and the manufacturer's logo (combining the letters AEB).
Missing one pawn.
Case: 38.5X38.5 cm. Large board: 34X69 cm. Small board: 23X34 cm. Props of varying size. Good condition. Stains on the boards, the cards and the instruction leaf. Blemishes to props. The case is worn and damaged, with detached wooden partitions. The top of the lid is partly detached from its sides (reinforced with strings that have been thread into holes in the corners).
Through the months of October-November 1898, Kaiser Wilhelm II of Germany toured some of the major cities of the Ottoman Empire, including Beirut, Constantinople, Jerusalem, Haifa, and Jaffa. The visit to Palestine, in particular, was regarded as one of the most salient events in the annals of the Land of Israel in the 19th century.
Preparations for the Kaiser's visit to Palestine had already begun in the summer of 1898. These included a massive municipal clean-up, the improvement and overhaul of infrastructure, the laying of a telegraph line, and other operations. In time for the Kaiser's arrival in Jerusalem, a number of municipal roads were widened. The authorities went as far as breaching a gap in Jerusalem's Old City Wall, adjacent to Jaffa Gate, to enable the smooth passage of the Kaiser's opulent carriage. In addition, the city streets – most notably HaNevi'im Street, where a special tent camp for the Kaiser and his entourage was to be temporarily constructed – were adorned with the flags of Germany and the Ottoman Empire, and with makeshift gates of honor.
The highlight of the Kaiser's visit to Jerusalem was the opening ceremony of the Lutheran Church of the Redeemer. But he also visited the German Colony, the Mt. of Olives, the Christian Quarter of the Old City, City Hall, and other sites. From a Jewish standpoint, perhaps the most historically important event in the Kaiser's itinerary was his meeting with Theodor Herzl.
Throughout his visit, Wilhelm was accompanied by his wife, the Empress Augusta Victoria, and a small entourage. The Kaiser rode either on horseback or in the imperial carriage. Following in the footsteps of his immediate entourage in Jerusalem was a parade of lesser-ranked officials, accompanied by cavalry regiments and "kawas" officials – ceremonial Ottoman-Empire bodyguards. Large crowds of people thronged to Jerusalem to witness the occasion. Many were willing to pay money for the privilege of occupying vantage points on rooftops and balconies overlooking the planned route of the procession.
Oil on canvas, mounted on cardboard. Captioned: "Omar Moschee", "Oelberg". Captioned and dated on verso: "Jerusalem mit Oelberg, Orient Reise 1898" ("Jerusalem with the Mount of Olives, Trip to the Orient 1898").
27X41 cm, in a 46X59 cm frame. Blemishes and minor stains. Blemishes to frame.
Four-tiered wooden sewing box, with seven fabric-covered separate compartments; six pivot compartments. Lid decorated with a relief image of the Western Wall, with a polychrome marquetry frame.
13X20X17 cm. Good condition. Minor blemishes.