Auction 71 - The Collection of Rabbi Prof. Daniel Sperber
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Ink and Tempera on vellum; gold leaf.
A leaf from a Latin Book of Hours manuscript. On one side, alongside the verse "O Lord, rebuke me not in thy anger, nor chasten me in thy hot displeasure" (Psalms 6, 2) appears an impressive miniature of King David praying, his crown and lyre placed before him. The miniature and text are surrounded by a decorative foliate and floral border on gold ground. On verso, the rest of Psalms 6, with initials decorated in blue, red and gold.
The Book of Hours is a Christian devotional book popular in the Middle Ages, which compiled various religious texts, including Psalms. During the 13-15 centuries, many manuscripts of the book were created, decorated and illustrated with colorful miniatures; the most famous among these is The Très Riches Heures du Duc de Berry (The Very Rich Hours of the Duke of Berry) which was created for John, Duke of Berry, in 1410 and is considered one of the most important illuminated manuscripts created in the 15th century.
[1] leaf, 18 cm. Good condition. Minor blemishes. The decorations alongside the illustration of King David (on the right side of the leaf and on its bottom) are faded. The leaf is matted (with two pieces of tape to edges) and framed.
"Travel Book through Holy Scripture", by German pastor, theologian and cartographer Heinrich Bünting (1545-1606) was first published in 1581 and was the most complete and comprehensive description of Biblical geography in its time. It was since printed in multiple editions and translated into many languages.
The book contains eight woodcuts: a woodcut showing Solomon's Temple and seven maps – map of the Old World (Africa, Asia and Europe); map of Palestine; map of northern Palestine, showing the territories of the Twelve Tribes of Israel; a map depicting the route of the Israelites in the desert; a map of Jerusalem; a map of Palestine according to the New Testament; and a map of the Mediterranean basin. One of the maps (the Clover Leaf Map) is missing.
[8] leaves, 1-2, 7-316 pp, [10] leaves; [3] leaves, 136 pp, [6] leaves, [3] leaves; 36, [1] pp. Missing: pp. 3-6 of first sequence and one map. 31.5 cm. Fair condition. Stains, some dark. Tears, some open. A tear to one map, reinforced with old tape. Long vertical tear to last leaf. Worming. Many ink notations throughout the book; ownership inscriptions (old). Label to inside front board. Back board and several leaves detached. Original wood and vellum binding, worn and damaged.
Die ganze Welt in einem Kleberblat, Welches ist der Stadt Hannover meines lieben Vaterlandes Wapen [The Whole World in a Clover Leaf, which is the Coat Of Arms of my Beloved Hometown of Hannover], hand-colored engraving. [Germany, late 16th century or 17th century].
A figurative map depicting the world in the form of a clover leaf. The three parts of the clover leaf represent the three continents of the Old World – Asia, Europe and Africa; a part of the New World – America – is seen in the bottom corner of the map. At the center of the trefoil, and therefore in the center of the world, is Jerusalem.
The map was first published in the book "Itinerarium Sacrae Scripturae" (Travel Book through Holy Scripture; 1581) by German cartographer Heinrich Bünting, and soon became one of the most recognized and beloved images of Jerusalem. America, whose discovery led to a transformation in cartographic representations of the world, is depicted in this map in the bottom corner, as a minor addition to the Old World.
The clover leaf design is a tribute to Bunting's hometown Hanover, the arms of which show a trefoil, as indicated in the title of the map.
In Jerusalem itself, the map became most popular when the new city started growing, partly due to the Universitas bookshop, which sold color reproductions of the map as souvenirs. In 2009, a large model of the map by artist Arman Darian was placed at the entrance to the City Hall of Jerusalem.
Engraved map: approx. 25.5X35.5 cm, in an approx. 58.5X69 cm double sided frame (showing both sides of the map). Good condition. Minor blemishes. Unexamined out of frame.
Map of Palestine oriented to the east, showing the territories of the Tribes. The shoreline stretches between Sidon and Gaza. Latin text on verso, p. 41.
Leaf: 39X48 cm. Good condition. Worming, professionally restored. A few pieces of paper on verso. Framed.
See Laor 612 – a later edition of an identical map.
The influential work of Catholic priest Christian van Adrichom (1533-1585), considered one of the most important works on the geography of Palestine in the Modern Era. The book, compiled over close to thirty years, was published posthumously, and for the following two hundred years served as the basis for maps by many cartographers.
The book contains twelve engraved plates: nine maps of the territories of the Tribes of Israel, a map of the Desert of Paran and two larger maps (folding) of particular significance – a map of Jerusalem (showing the gates and the central sites; the first map to depict the 14 stations of the Via Dolorosa), and a map of all Palestine (after which cartographers such as Thomas Fuller, Jan Jannson and Nicholas Visscher modeled their maps).
All twelve engraved plates in this copy are detached. The map of Jerusalem was taken from another edition of the book (dated 1682). Possibly, some of the other maps were also taken from other editions.
[6] leaves, 286 pp, [15] leaves + [12] engraved plates, approx. 39 cm. Good-fair condition (maps mostly in good condition). Stains. Several browned leaves. Creases. Small closed tears along the edges and small open tears to several leaves and maps. Signature to title page. Plates, binding and some leaves completely or partly detached. Vellum binding, slightly worn and damaged.
A map of Palestine showing both sides of the Jordan River (after Tilemann Stella), delineating the territories of the Twelve Tribes and the route of the Israelites from Egypt to Canaan. The shoreline runs from Beirut to the Nile Delta. The Dead Sea is crescent-shaped.
A cartouche at the top left corner reads: "Antiquissima huius terre appellatio fuit Canaan… Hodie eam terram Sanctam nuncupant" (Latin); surmounted by an additional small, blank cartouche (in later maps, a year or another inscription was printed in this space). Latin text on verso: "Palaestina vel Terra Sancta".
First edition. Two other editions were issued in 1579 and 1595.
Engraved map: 47X35 cm (printed on two conjoined sheets). Good condition. Browning to margins and verso. Open tears to margins of sheet (not affecting the map). A small tear to central vertical fold (between the two sheets).
Laor 539.
See following item.
A map of Palestine showing both sides of the Jordan River (after Tilemann Stella), delineating the territories of the Twelve Tribes and the route of the Israelites from Egypt to Canaan. The shoreline runs from Beirut to the Nile Delta. The Dead Sea is crescent-shaped.
A cartouche at the top left corner reads: "And thou shall remember all the way which the Lord thy G-d led thee these forty years in the wilderness…" (Deuteronomy 8:2; Latin); above the cartouche: "Deut. 8". Latin text on verso: "Palaestina".
Third edition. See previous item.
Engraved map: 45X33.5 cm (printed on two conjoined sheets), in an approx. 56X44.5 cm frame. Good condition. Minor stains on margins of sheets and on verso.
See Laor 541.
The map (after Tilemann Stella) depicts the land of Canaan and part of Egypt, from Dan in the north to the Nile Delta in the south. It illustrates the story of Abraham as recorded in Genesis and shows the territories of the various nations of Canaan. The Dead Sea is not depicted, the cities of Sodom, Gomorrah, Adma and Tzevoyim appearing instead. An inset map of the Middle East shows Abraham's route from Ur of the Chaldees to Nablus. Three scale bars representing three different measuring methods appear on the right bottom corner. Top and bottom verses from the book of Genesis (12, 1-2. Latin): "Get thee out of thy country and from thy kindred and from thy father's house to the land that I will show thee. And I will make of thee a great nation and I will bless thee and make thy name great and thou shall be a blessing".
Surrounding the map are 22 medallion vingettes depicting scenes from the life of Abraham, after illustrations by the Dutch artist Marten de Vos (1532-1603): the expulsion of Hagar and Ishmael and the binding of Isaac, the burial of Abraham and Sarah, and more.
Latin text on verso (with a title identical to that of the map).
Engraved map: approx. 35X46 cm (printed on two conjoined sheets), in an approx. 72X61 cm double sided frame (showing both sides of the map). Good condition. Unexamined out of frame.
Literature: The Land of Israel in Maps from Madaba to Satellite (Hebrew), edited by Ariel Tishbi. Jerusalem: Israel Museum, 2001. p. 98.
Laor 547.
A map of Palestine showing both sides of the Jordan River, delineating the territories of the Twelve Tribes. The shoreline runs from Sidon to Alexandria. Floral and fruit garland draped across top, with two putti holding a banner with a verse from Deuteronomy, chapter 8 (Latin): "For the Lord your G-d is bringing you to a good land, a land with brooks of water, fountains and depths, that emerge in valleys and mountains". Strapwork scale cartouche and a compass rose to bottom; Moses and Aaron depicted at bottom left corner; Jonas and the whale shown at bottom center.
French text on verso: "La Situation de la Terre de Promissionis".
Engraved map: approx. 49X37 cm (printed on two conjoined sheets), in a 63.5X51 cm frame. Good condition. Minor stains, mostly to margins. Small tears to edges (not affecting the map).
See Laor 24.
The map depicts Palestine, the Sinai Desert and the territories of the Twelve Tribes. Oriented to the east with the Mediterranean Sea at bottom and the Nile Delta to the right. The shoreline runs from Sidon to Alexandria. The map shows the route of the Israelites in the Sinai Desert; an ornate cartouche at lower right corner lists the 41 stations of the Israelites in the desert. Ships hauling the Lebanon cedars sent by Hiram King of Tyre to King Solomon for the building of the Temple and the story of Jonah depicted along the shoreline. A barn and grazing farm animals, depicted at lower left corner, symbolize the fertility of Palestine.
The map, by the Dutch proselyte Abraham bar Jacob (after Christian van Adrichom), was first printed in the 1695 Amsterdam Passover Haggadah. The date of its printing was encoded in the title by emphasizing certain letter in the Hebrew word "Techezena". In later editions, the year of printing was adjusted by emphasizing additional letters.
Engraved map: 47.5X25.5 cm. Matted and framed. Good condition.
See Laor 876.
A map of Palestine showing both sides of the Jordan River, drawn by hand and colored with watercolors. Depicts the territories of the Twelve Tribes and the route of Abraham's journey from Ur of the Chaldees (ending in Cairo). Small illustrations depict Noah's Ark on Mount Ararat, the Garden of Eden in Mesopotamia, the Mount of Olives and other important sites. A crescent-shaped Dead Sea is drawn on the bottom of the map.
A Latin inscription on bottom reads "Egitto Labor et Opera Sacerdotis Sanctis Olivieri Viturclanesis" (presumably, the artist's signature).
Thick paper, approx. 53X77 cm. Good condition. Stains and minor blemishes. A small tear to verso, repaired with thin paper. A piece of paper mounted to verso (presumably, cut from another hand-drawn map or draft for a map).
A woodcut depicting the destruction of Jerusalem and the First Temple by Babylonian general Nabuzaradan in the year 586 BCE.
On verso, woodcuts depicting King Zedekiah, blinded and led into Babylonian captivity, and the kings and prophets of Judah: Jeconiah, Zerubbabel, Haggai, Malachi and others.
The "Nuremberg Chronicle" comprised a history of the world from creation up to the author's time, based on the Bible and on various other sources. The book, first printed in Anton Koberger's printing house in Nuremberg in 1493, is considered one of the best-documented incunabula. It was one of the first books to integrate illustrations and text and is famous to this day, mainly for its numerous woodcuts. The woodcuts were provided by the workshop of Michael Wolgemut, one of Nuremberg's leading artists at the time (in whose workshop Albrecht Dürer was apprenticed between 1486-9).
Leaf: approx. 42.5X59 cm. Matted (with adhesive tape to upper edge) and framed. Frame: 74X60 cm. Good condition. Small tears along vertical fold line (reinforced with two strips of paper mounted on verso).
Laor 1125.