Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
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Displaying 409 - 420 of 433
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $2,000
Unsold
Esther scroll in small silver parcel-gilt filigree case. [Eretz Israel?, ca. second half of 20th century].
Ink on (treated) parchment; silver; filigree; gilt.
Oriental script (Iraqi style), 14 lines per column. "Hamelech" scroll [most columns begin with the word "hamelech"].
The case is decorated with a Star of David enclosing a flower, surrounded by scrolling patterns. A green metal sheet backs the filigree lattice. The case is topped with a Torah crown encompassed with an open crown; likewise made of dense filigree. The sphere surmounting the crown, the open crown, the base of the case and the thumb-piece are all gilt.
The case is stored in a tin casing, covered with brocade and metallic ribbons.
Height (including the handle): 20 cm. Good condition. Few stains. Worn gilt-plating. Height of parchment: 5.5 cm. Good condition.
Ink on (treated) parchment; silver; filigree; gilt.
Oriental script (Iraqi style), 14 lines per column. "Hamelech" scroll [most columns begin with the word "hamelech"].
The case is decorated with a Star of David enclosing a flower, surrounded by scrolling patterns. A green metal sheet backs the filigree lattice. The case is topped with a Torah crown encompassed with an open crown; likewise made of dense filigree. The sphere surmounting the crown, the open crown, the base of the case and the thumb-piece are all gilt.
The case is stored in a tin casing, covered with brocade and metallic ribbons.
Height (including the handle): 20 cm. Good condition. Few stains. Worn gilt-plating. Height of parchment: 5.5 cm. Good condition.
Category
Torah Scrolls and Esther Scrolls
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $300
Sold for: $425
Including buyer's premium
Illustrated Esther scroll; reproduction of a scroll with elaborately illustrated engraved borders, presumably printed in Amsterdam in the 18th century. [Place of printing not indicated, 20th century].
Ink on parchment; printed illustrations; watercolor.
Scroll with printed illustrations, hand-colored, after a scroll with engraved illustrations printed in Amsterdam in the early 18th century. This style of illustrated scrolls was very popular in European communities, and they were printed in many variants.
The Megillah blessings are surrounded by nine narrative scenes from the Book of Esther. The text columns are separated by wreathed ornamented pillars and putti in a neo-classical style. A series of four elaborate landscapes are presented in cartouches above the text columns, and detailed narrative scenes of the Purim story unfold along the lower border; including a scene depicting Haman shooting an arrow at the zodiac - representing the lots he cast to determine which month should be selected for the destruction of the Jewish people. As is prevalent in these scrolls, the names of the ten sons of Haman are accompanied by a corresponding illustration.
Height: 19.5 cm. Good condition. Printing defects.
For a similar scroll see: The Stieglitz Collection - Masterpieces of Jewish Art, by Chaya Benjamin. The Israel Museum, Jerusalem, 1987.
Ink on parchment; printed illustrations; watercolor.
Scroll with printed illustrations, hand-colored, after a scroll with engraved illustrations printed in Amsterdam in the early 18th century. This style of illustrated scrolls was very popular in European communities, and they were printed in many variants.
The Megillah blessings are surrounded by nine narrative scenes from the Book of Esther. The text columns are separated by wreathed ornamented pillars and putti in a neo-classical style. A series of four elaborate landscapes are presented in cartouches above the text columns, and detailed narrative scenes of the Purim story unfold along the lower border; including a scene depicting Haman shooting an arrow at the zodiac - representing the lots he cast to determine which month should be selected for the destruction of the Jewish people. As is prevalent in these scrolls, the names of the ten sons of Haman are accompanied by a corresponding illustration.
Height: 19.5 cm. Good condition. Printing defects.
For a similar scroll see: The Stieglitz Collection - Masterpieces of Jewish Art, by Chaya Benjamin. The Israel Museum, Jerusalem, 1987.
Category
Torah Scrolls and Esther Scrolls
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $300
Unsold
Esther scroll. [North Africa, 19th century?].
Small format scroll. Inscribed on goatskin parchment. The original text was later re-inked throughout, in a typical North-African script. The original script can be seen in several places, and it appears to be relatively early. The spacing between sections follows the opinion of the Rambam.
The scroll is wound on a folk carved wooden roller.
On the first membrane, before the beginning of the scroll, an inscription in square script: "…the scroll of Queen Esther, merit of Mordechai and Esther…". On the last membrane, at the end of the scroll - ownership inscription in Ladino, followed by another ownership inscription, with a calligraphic signature: "Esther scroll of Moshe Zennou".
10.5 cm. Fair condition. Stains. Faded ink. Damage to wooden handle.
Small format scroll. Inscribed on goatskin parchment. The original text was later re-inked throughout, in a typical North-African script. The original script can be seen in several places, and it appears to be relatively early. The spacing between sections follows the opinion of the Rambam.
The scroll is wound on a folk carved wooden roller.
On the first membrane, before the beginning of the scroll, an inscription in square script: "…the scroll of Queen Esther, merit of Mordechai and Esther…". On the last membrane, at the end of the scroll - ownership inscription in Ladino, followed by another ownership inscription, with a calligraphic signature: "Esther scroll of Moshe Zennou".
10.5 cm. Fair condition. Stains. Faded ink. Damage to wooden handle.
Category
Torah Scrolls and Esther Scrolls
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $500
Unsold
Torah rollers. Morocco [presumably Fes area, early 20th century].
Carved and painted wood; engraved silver.
The upper part of the rollers is made of carved wood shaped as a hand holding a wooden shaft. The wrist is surrounded by a frill cuff, above a wide gadrooned band with spiral silver strips. The band is bordered with narrow, engraved silver rings, with foliate designs. An inscription is engraved on the top rings (identical on both rollers): "Simcha daughter of Yosef Attar".
Stepped base at the lower part of the rollers.
Height: 112.5 cm. Fair-good condition. Breaks and defects to wood. Faded color. The top part is detached from the shaft.
Carved and painted wood; engraved silver.
The upper part of the rollers is made of carved wood shaped as a hand holding a wooden shaft. The wrist is surrounded by a frill cuff, above a wide gadrooned band with spiral silver strips. The band is bordered with narrow, engraved silver rings, with foliate designs. An inscription is engraved on the top rings (identical on both rollers): "Simcha daughter of Yosef Attar".
Stepped base at the lower part of the rollers.
Height: 112.5 cm. Fair-good condition. Breaks and defects to wood. Faded color. The top part is detached from the shaft.
Category
Torah Scrolls and Esther Scrolls
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $400
Unsold
Two pairs of silver finials, rare design. [Yemen, late 19th century or early 20th century].
Cast, engraved and soldered silver; granulation.
1. Small finials; octagonal body with cylindrical shaft, surmounted by a dome, topped in turn by a spherical knop with a conical finial. Facets engraved with geometric and vegetal patterns. Each facet is set with a ring on which hang two chains ending with bells. Ornate bands and granulation to seams.
Height: Approx. 24 cm. Fair-good condition. Bends. Breaks and losses. Lacking chains and bells.
2. Diamond-shaped body with cylindrical shaft, topped by a gadrooned spherical knop surmounted by a granulated finial. Body engraved with horizontal strips of vegetal and geometric patterns. Two rows of rings with suspended chains ending in bells set on knop and body.
Height: Approx. 23 cm. Good-fair condition. Bends. Breaks and losses. Lacking chains, decorations and bells.
Cast, engraved and soldered silver; granulation.
1. Small finials; octagonal body with cylindrical shaft, surmounted by a dome, topped in turn by a spherical knop with a conical finial. Facets engraved with geometric and vegetal patterns. Each facet is set with a ring on which hang two chains ending with bells. Ornate bands and granulation to seams.
Height: Approx. 24 cm. Fair-good condition. Bends. Breaks and losses. Lacking chains and bells.
2. Diamond-shaped body with cylindrical shaft, topped by a gadrooned spherical knop surmounted by a granulated finial. Body engraved with horizontal strips of vegetal and geometric patterns. Two rows of rings with suspended chains ending in bells set on knop and body.
Height: Approx. 23 cm. Good-fair condition. Bends. Breaks and losses. Lacking chains, decorations and bells.
Category
Torah Scrolls and Esther Scrolls
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $2,000
Unsold
Embroidered velvet cover for the reader's desk, donated by Gabriel Adutt to the synagogue built by his father. [Vienna?], 1853.
Velvet; metallic and polychrome embroidery on cardboard cutouts; metal appliqué; metallic fringe.
Olive velvet cover, with metallic and polychrome embroidery in foliate, floral and star patterns, bordered with metallic fringe. At the center of the cloth, an embroidered dedication attesting that the cover was donated to the synagogue of the father of the donor, Gabriel Adutt: "With help of G-d / Here for the synagogue which my father built with joy / I brought a gift for the cover of the Teiva / To be a son who brings joy to his father I wished / Since I know how much he desires to beautify mitzvot / From his son Gabriel Adutt / 1853".
The inscription is surrounded by a fine border, topped with a Torah crown made of velvet and fabric ribbons, metal appliqué, silver embroidery and sequins.
The Adutt family, of which several members were named Gabriel, was one of the prominent families of the Sephardi community in Vienna. Renowned members of the family bearing this name include Refael Gabriel Adutt (d. 1859), and Gabriel (ben) Chaim Adutt (1833-1904).
The first Sephardi Jews to settle in Vienna are mentioned in written sources already in the 17th century. In 1718, the Treaty of Passarowitz was signed between the Ottoman Empire, the Habsburg Monarchy and the Republic of Venice. The peace treaty granted the citizens of the countries included in the treaty unrestricted movement and the right to trade, throughout the territory of these countries. Thus, Jews from the Ottoman Empire were allowed to trade and sojourn throughout the Habsburg Kingdom, although Austrian Jews were not allowed to live in Vienna. Some Austrian Jews therefore even immigrated to Turkey, to obtain Ottoman documents, and later enjoy better conditions upon their return to Vienna. Thus, the number of "Turkish" Jews in the city rose, most of whom were indeed Sephardi. Towards the end of the 18th century, the authorities officially recognized the "Turkish" Sephardi community in Vienna, in a document from 1778 known as "Punkten" (Points), and in 1796, they were allowed to become citizens of the Habsburg kingdom.
Approx. 116X74 cm (including fringe). Fair-good condition. Tears and open tears, mostly to lining. Stains and rubbed areas to velvet. Fraying. Unskilled repairs. Damaged and missing decorations; bends to metal parts.
Velvet; metallic and polychrome embroidery on cardboard cutouts; metal appliqué; metallic fringe.
Olive velvet cover, with metallic and polychrome embroidery in foliate, floral and star patterns, bordered with metallic fringe. At the center of the cloth, an embroidered dedication attesting that the cover was donated to the synagogue of the father of the donor, Gabriel Adutt: "With help of G-d / Here for the synagogue which my father built with joy / I brought a gift for the cover of the Teiva / To be a son who brings joy to his father I wished / Since I know how much he desires to beautify mitzvot / From his son Gabriel Adutt / 1853".
The inscription is surrounded by a fine border, topped with a Torah crown made of velvet and fabric ribbons, metal appliqué, silver embroidery and sequins.
The Adutt family, of which several members were named Gabriel, was one of the prominent families of the Sephardi community in Vienna. Renowned members of the family bearing this name include Refael Gabriel Adutt (d. 1859), and Gabriel (ben) Chaim Adutt (1833-1904).
The first Sephardi Jews to settle in Vienna are mentioned in written sources already in the 17th century. In 1718, the Treaty of Passarowitz was signed between the Ottoman Empire, the Habsburg Monarchy and the Republic of Venice. The peace treaty granted the citizens of the countries included in the treaty unrestricted movement and the right to trade, throughout the territory of these countries. Thus, Jews from the Ottoman Empire were allowed to trade and sojourn throughout the Habsburg Kingdom, although Austrian Jews were not allowed to live in Vienna. Some Austrian Jews therefore even immigrated to Turkey, to obtain Ottoman documents, and later enjoy better conditions upon their return to Vienna. Thus, the number of "Turkish" Jews in the city rose, most of whom were indeed Sephardi. Towards the end of the 18th century, the authorities officially recognized the "Turkish" Sephardi community in Vienna, in a document from 1778 known as "Punkten" (Points), and in 1796, they were allowed to become citizens of the Habsburg kingdom.
Approx. 116X74 cm (including fringe). Fair-good condition. Tears and open tears, mostly to lining. Stains and rubbed areas to velvet. Fraying. Unskilled repairs. Damaged and missing decorations; bends to metal parts.
Category
Objects and Jewish Ceremonial Art
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $400
Unsold
Ornamented brass plaque depicting the site of the Temple, with decorations, various inscriptions and verses, including the inscriptions: "Mordechai Twersky - Numerical value - As in water, face answers to a face, so is the heart of man to a man", produced by Rebbe Mottele Twersky of Rachmastrivka. Jerusalem, [early 20th century, before 1920].
Gilt and etched brass.
An oval medallion depicting the site of the Temple is set at the center of the plaque with the verse: "And you shall see and remember", and the inscription: "Mordechai Twersky - Numerical value - As in water, face answers to a face, so is the heart of man to a man" (based on Mishlei 27:19, with the addition of two letters to complete the numerical value to 735 - corresponding with the name: "Mordechai Twersky"). The medallion is surrounded by an ornate foliate border, and is placed within another elliptical medallion, inscribed: "Rabbiner Mordche Twersky Jerusalem, Palestine", itself framed by an additional square foliate border.
Rebbe Mordechai (R. Mottele) Twersky (1840-1920). Eldest son of the first Rachmastrivka Rebbe, R. Yochanan Twersky, and son-in-law of his uncle Rebbe David of Tolna. In his first marriage, he was the son-in-law of R. Chanina Lipa Shapira of Zhitomir-Slavita. Already in his father's lifetime, a group of Chassidim began frequenting his court, and after the passing of his father in 1895, he served as rebbe of Rachmastrivka together with his brother (initiating the Rachmastrivka tradition of two brothers serving as rebbes, leading the tish and receiving Chassidim - together). In 1906, he immigrated to Jerusalem, where he was one of the most prominent rebbes in the holy city. He was renowned for his exceptional holiness, and as benefiting from Divine Inspiration. He ate very little, yet his face glowed and shone. On Chol HaMoed Pesach 1920, he was injured by Arab rioters on his way to the Western Wall, and passed away several weeks later.
He was a skilled craftsman, and produced silver and copper engraved masterpieces (Encyclopedia L'Chassidut, III, p. 208). The Rebbe's Beit Midrash Beit Mordechai was in the courtyard of the Chayei Olam yeshiva in Jerusalem. An illustrated Shiviti plaque created by the Rebbe hung before the prayer pulpit in his Beit Midrash (see Sh. Zecharia, Yerushalayim HaBilti Nodaat, pp. 94-96. Sh. Zecharia also relates that the renowned artist Hermann Struck would visit the rebbe, to study his artwork and methods). R. Mottele's sukkah boards featured engraved decorations, and "kabbalists testified that these decorations contained kabbalistic combinations of letters and Heavenly Yichudim…" (Yerushalayim shel Maala, II, p. 137. The book reports that the sukkah boards themselves were inherited from his illustrious ancestors). According to a folk tale, R. Mottele himself burnt these boards to save the life of a sick child. The event took place in 1915, during WWI, when there was an extreme shortage of firewood. The Rebbe then allegedly used the sukkah boards for heating water to bath a sick child (Yerushalayim shel Maala, ibid, pp. 136-155).
His son R. Moshe Twersky served as rebbe in Odessa, and his second son Rebbe Pinchas Twersky Rabbi of Ustila (ca. 1880-perished in the Holocaust 1943) - known as R. Piniele Ustiler, was a foremost rebbe in Galicia-Volhyn, and the illustrious son-in-law of R. Yissadar Dov Rokeach of Belz (the Maharid).
Approx. 8X10 cm. Good-fair condition. Marginal break. Minor defects. Bends. Corrosion. Gilding faded.
Gilt and etched brass.
An oval medallion depicting the site of the Temple is set at the center of the plaque with the verse: "And you shall see and remember", and the inscription: "Mordechai Twersky - Numerical value - As in water, face answers to a face, so is the heart of man to a man" (based on Mishlei 27:19, with the addition of two letters to complete the numerical value to 735 - corresponding with the name: "Mordechai Twersky"). The medallion is surrounded by an ornate foliate border, and is placed within another elliptical medallion, inscribed: "Rabbiner Mordche Twersky Jerusalem, Palestine", itself framed by an additional square foliate border.
Rebbe Mordechai (R. Mottele) Twersky (1840-1920). Eldest son of the first Rachmastrivka Rebbe, R. Yochanan Twersky, and son-in-law of his uncle Rebbe David of Tolna. In his first marriage, he was the son-in-law of R. Chanina Lipa Shapira of Zhitomir-Slavita. Already in his father's lifetime, a group of Chassidim began frequenting his court, and after the passing of his father in 1895, he served as rebbe of Rachmastrivka together with his brother (initiating the Rachmastrivka tradition of two brothers serving as rebbes, leading the tish and receiving Chassidim - together). In 1906, he immigrated to Jerusalem, where he was one of the most prominent rebbes in the holy city. He was renowned for his exceptional holiness, and as benefiting from Divine Inspiration. He ate very little, yet his face glowed and shone. On Chol HaMoed Pesach 1920, he was injured by Arab rioters on his way to the Western Wall, and passed away several weeks later.
He was a skilled craftsman, and produced silver and copper engraved masterpieces (Encyclopedia L'Chassidut, III, p. 208). The Rebbe's Beit Midrash Beit Mordechai was in the courtyard of the Chayei Olam yeshiva in Jerusalem. An illustrated Shiviti plaque created by the Rebbe hung before the prayer pulpit in his Beit Midrash (see Sh. Zecharia, Yerushalayim HaBilti Nodaat, pp. 94-96. Sh. Zecharia also relates that the renowned artist Hermann Struck would visit the rebbe, to study his artwork and methods). R. Mottele's sukkah boards featured engraved decorations, and "kabbalists testified that these decorations contained kabbalistic combinations of letters and Heavenly Yichudim…" (Yerushalayim shel Maala, II, p. 137. The book reports that the sukkah boards themselves were inherited from his illustrious ancestors). According to a folk tale, R. Mottele himself burnt these boards to save the life of a sick child. The event took place in 1915, during WWI, when there was an extreme shortage of firewood. The Rebbe then allegedly used the sukkah boards for heating water to bath a sick child (Yerushalayim shel Maala, ibid, pp. 136-155).
His son R. Moshe Twersky served as rebbe in Odessa, and his second son Rebbe Pinchas Twersky Rabbi of Ustila (ca. 1880-perished in the Holocaust 1943) - known as R. Piniele Ustiler, was a foremost rebbe in Galicia-Volhyn, and the illustrious son-in-law of R. Yissadar Dov Rokeach of Belz (the Maharid).
Approx. 8X10 cm. Good-fair condition. Marginal break. Minor defects. Bends. Corrosion. Gilding faded.
Category
Objects and Jewish Ceremonial Art
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $700
Unsold
Bohemian flashed ruby glass beaker, ornamented in white and gold, engraved with the facade of the Altneuschul in Prague. [Czechoslovakia(?), 19th century].
Small beaker, ornamented with a pomegranate flanked by birds. The façade of the Altneuschul synagogue in Prague appears in the center of the pomegranate under the legend "Altneuschul Synagogue in Prague".
The Gothic Altneuschul in Prague was built in 1270. This synagogue is the oldest synagogue in Europe still in use. The original name of the synagogue was "Neu Shul" (new synagogue), however, with passing time the name changed to Altneuschul (old-new synagogue). Reputedly, the source of the name is the Hebrew expression "Al Tnai" (conditionally), behind which lies a legend about stones of the Beit HaMikdash which were placed in the synagogue building on the condition that upon the arrival of the Messiah, they will be returned to their original place. The Maharal of Prague prayed in this synagogue and instituted unique customs. According to legend, the Golem of Prague that was created by the Maharal was buried in the geniza in the attic of this synagogue after its living spirit was removed.
Height: 8 cm. Diameter: 5.5 cm. Good condition. Minor damage to glass and to color.
Small beaker, ornamented with a pomegranate flanked by birds. The façade of the Altneuschul synagogue in Prague appears in the center of the pomegranate under the legend "Altneuschul Synagogue in Prague".
The Gothic Altneuschul in Prague was built in 1270. This synagogue is the oldest synagogue in Europe still in use. The original name of the synagogue was "Neu Shul" (new synagogue), however, with passing time the name changed to Altneuschul (old-new synagogue). Reputedly, the source of the name is the Hebrew expression "Al Tnai" (conditionally), behind which lies a legend about stones of the Beit HaMikdash which were placed in the synagogue building on the condition that upon the arrival of the Messiah, they will be returned to their original place. The Maharal of Prague prayed in this synagogue and instituted unique customs. According to legend, the Golem of Prague that was created by the Maharal was buried in the geniza in the attic of this synagogue after its living spirit was removed.
Height: 8 cm. Diameter: 5.5 cm. Good condition. Minor damage to glass and to color.
Category
Objects and Jewish Ceremonial Art
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $1,500
Unsold
Large pewter dish depicting the Tablets of Law, Moshe and Aharon, bearing a dedication from 1854. Italy, [first half of the 19th century].
Pewter (stamped "FIN PT"; "Fili Milianetti Alessandria"), engraved and embossed.
Large pewter dish, depicting the Tablets of Law, surmounted by a Torah crown and flanked by the figues of Moshe and Aharon. A name is engraved at the bottom of the decoration: "Mordechai Yaakov Finzi"; dated 1854. Repeating leaf pattern to entire surface of the dish and the rim.
Diameter: 52.5. Good condition. Scratches.
Pewter (stamped "FIN PT"; "Fili Milianetti Alessandria"), engraved and embossed.
Large pewter dish, depicting the Tablets of Law, surmounted by a Torah crown and flanked by the figues of Moshe and Aharon. A name is engraved at the bottom of the decoration: "Mordechai Yaakov Finzi"; dated 1854. Repeating leaf pattern to entire surface of the dish and the rim.
Diameter: 52.5. Good condition. Scratches.
Category
Objects and Jewish Ceremonial Art
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $500
Unsold
Stenciled cutout on parchment. [Central Europe, 19th century?].
Non- symmetrical heart-shaped parchment cutout. Divided into three strips: the bottom strip with geometrical patterns, the middle strip with a deer among trees headed by a late unidentified Hebrew inscription ("tohalak") and the top strip with a crown.
Both the crown and the deer are common motifs in Jewish iconography and have symbolic meaning. The deer is reminiscent of the gazelle in the dictum found in Pirkei Avot "…fleet as a gazelle to do the will of your Father in heaven" and the crown is the "Torah crown", symbolic of the elevated status of Torah in Jewish life.
9X11 cm. Good condition. Stains.
Non- symmetrical heart-shaped parchment cutout. Divided into three strips: the bottom strip with geometrical patterns, the middle strip with a deer among trees headed by a late unidentified Hebrew inscription ("tohalak") and the top strip with a crown.
Both the crown and the deer are common motifs in Jewish iconography and have symbolic meaning. The deer is reminiscent of the gazelle in the dictum found in Pirkei Avot "…fleet as a gazelle to do the will of your Father in heaven" and the crown is the "Torah crown", symbolic of the elevated status of Torah in Jewish life.
9X11 cm. Good condition. Stains.
Category
Objects and Jewish Ceremonial Art
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $500
Unsold
Gold ring set with a gemstone adorned with an image of the Western Wall and the inscription "Jerusalem".
Gold (9 karat, English hallmarks, Birmingham 1978); engraved stone.
Oval stone, engraved with the common depiction of the Western Wall and three cypress trees, the Dome of the Rock and the Al-Aqsa Mosque. Inscribed: "Jerusalem". Set in a gold ring.
Gemstone: 2X15 cm. Good condition, superficial chipping to surface.
Gold (9 karat, English hallmarks, Birmingham 1978); engraved stone.
Oval stone, engraved with the common depiction of the Western Wall and three cypress trees, the Dome of the Rock and the Al-Aqsa Mosque. Inscribed: "Jerusalem". Set in a gold ring.
Gemstone: 2X15 cm. Good condition, superficial chipping to surface.
Category
Objects and Jewish Ceremonial Art
Catalogue
Auction 67 - Judaica - Books, Manuscripts, Rabbinical Letters, Ceremonial Art
September 18, 2019
Opening: $500
Unsold
Hanging silver lamp. [Europe, mid-20th century].
Lamp with central baluster stem, topped by a bird with a suspension loop and chain fixed to its back. Six scroll arms holding fonts and two sets of stylized reflectors.
This type of lamp, made of cast brass, was common in 19th century East European synagogues. The eagle perched atop the lamp was a gesture made to please the government and the eagle's shape, especially its number of heads, varied depending on the location and the ever-changing borders.
Length (including suspension chain): approx. 58 cm. Good condition. Loose joints. Minor bends. Some glued parts (can be dissembled).
Lamp with central baluster stem, topped by a bird with a suspension loop and chain fixed to its back. Six scroll arms holding fonts and two sets of stylized reflectors.
This type of lamp, made of cast brass, was common in 19th century East European synagogues. The eagle perched atop the lamp was a gesture made to please the government and the eagle's shape, especially its number of heads, varied depending on the location and the ever-changing borders.
Length (including suspension chain): approx. 58 cm. Good condition. Loose joints. Minor bends. Some glued parts (can be dissembled).
Category
Objects and Jewish Ceremonial Art
Catalogue