Auction 64- Jewish and Israeli History and Culture
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Gouache on paper, mounted on board. Signed: Krausz.
The sketch depicts a young man on a blue background, holding a glass of juice. A number of posters advertising citrus fruits and citrus juice are known to have been designed by Krausz in the 1930s-40s and this sketch is most probably a sketch for one of these posters.
Approx. 23.5X20 cm. Good condition. Stains. Pieces of tape at margins of leaf. Matted.
Pencil and Pastel on paper. Signed.
Handwritten instructions to the printer appear on top of the leaf – "Vignette, 1/4 page". A different version of this drawing was printed in the end of the first part of the "Bible in Pictures" by Abel Pann ("Genesis, from the Creation until the Deluge". Jerusalem: Palestine Art Publishing Ltd., [ca. 1924]).
22.5X31 cm. Good condition. Stains and some creases. Pencil inscriptions on back of the leaf. Two pieces of adhesive tape are pasted on the back, at the top.
Oil on canvas. Signed and dated.
46X57 cm. Good-fair condition. Some cracks and blemishes to paint.
Watercolor on paper. Signed and dated. A piece of cardboard is pasted to the back of the painting's frame with the printed caption: "Wystawa Prac Kahanego Joachima" [Polish: "Exhibition of works by Joachim Kahane"]. An additional inscription by hand appears below the caption, in Polish.
Polish painter and sculptor Joachim Kahane studied architecture and painting in Lvov and in Vienna. In 1910 was one of the founders of the "Circle of Jewish Art Enthusiasts" in Lvov – a circle that aimed to promote and preserve Jewish art, and in the framework of this circle he organized exhibitions, drawing and sculpting lessons and lectures about Jewish Art History. In 1919 Kahane was appointed president of the circle, and two years later he moved to Lodz, where he worked as an art teacher in a Jewish school. In the 1920 and 1930s his works were displayed in a number of exhibitions in Poland. Over the years Kahane abandoned painting in favor of sculpting and created mainly metal reliefs. Numerous works created by him depicted biblical or Jewish themes. Kahane perished in the holocaust, in the Lodz Ghetto, in ca. 1943.
21.5X13 cm, framed: 31X22.5 cm. Good overall condition. Unexamined out of frame.
Oil on canvas. Signed.
Dina Matus (1895 - ca. 1940), painter and set designer, born in Lodz; a member of the "Yung-Yiddish" group. Matus studied art in Berlin, created paintings and prints and collaborated with the Yiddish theaters "Azazel" and "Ararat" in Lodz. The circumstances and date of her death are unknown. Presumably, she died in the Lodz Ghetto.
Approx. 48.5X38.5 cm. Fair-good condition. Blemishes to paint and to canvas. Pasting remnants on back of canvas.
A woman with a Bowl of Grapes, painting by Roman Kramsztyk (1885-1942).
Oil on canvas. Signed.
Roman Kramsztyk was born in Warsaw in 1885 to a wealthy Jewish family. His grandfather was the Reform rabbi Izaak Kramsztyk. He studied at Kraków Academy of Fine Arts (1903-1904) under the artist Józef Mehoffer, and at the Munich Academy of Fine Arts (1904-1908) under the artist Johann Caspar Herterich. From 1909 he lived intermittently in Paris and in Poland. Kramsztyk's works were displayed in many exhibitions in Poland and outside it, including in Paris, Berlin, Venice, London, New York, and Moscow. In 1914, his works were displayed in an exhibition of the New Secession in Berlin alongside works by Henri Matisse, Pierre-Auguste Renoir, and Max Liebermann. During the interwar period, he was active in artistic life in Poland and in Paris. In 1922, he was a cofounder of the Rytm Association of Polish Artists.
When World War II broke out, Kramsztyk was living in Poland, and in 1940 he was imprisoned in the Warsaw Ghetto. Even though he was offered an escape from the ghetto, he chose to remain there, devoting his time to painting, using his works to document the lives of the Jews in the ghettos and the atrocities of the Nazi occupation. Kramsztyk was murdered in 1942 during the deportations from the Warsaw Ghetto to Treblinka.
88X112 cm. Good condition.
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Rzadkie malarstwo Romana Kramsztyka
O artyście: Urodził się w 1885 roku w Warszawie. Jeden z wybitnych malarzy w Polsce; pochodzi od dobrze sytuowanej i wyróżniającej się rodziny. Jego ojciec był lekarzem dziecięcym.
Odbiera wyższe wykształcenie za granicą; eksponaty wystawiane są w "Zachęta" (w Instytucie Sztuki Plastycznej) w Warszawie już w 1909 r. iw Paryżu; 1912, w Barcelonie i w "Secesji" w Berlinie; 1913 w Krakowie odbywa się wielkie jednoosobowe widowisko; w 1914 r., tuż przed wybuchem I wojny światowej, wraz z Matisse'em, Renoirem, Maxem Liebermanem i Korynem pojawia się na wystawie "Nowa Secesja" w Berlinie. Po pierwszej wojnie światowej, studiuje malarstwo w Niemczech u profesora Hersteina. Między dwiema wojnami światowymi, żyje i pracuje w Polsce i Paryżu. Bierze udział w międzynarodowych wystawach w Londynie, Nowym Jorku i Moskwie oraz na Biennale w Wenecji. Podczas okupacji niemieckiej mieszka w getcie warszawskim, gdzie maluje sceny z życia i okropności pod rządami nazistów. Zamordowany przez żołnierza "komandosów Vlassova", w czasie "akcji" latem 1942 r.
Watercolor on paper. Signed and dated.
Malva Schalek was born in Prague to a wealthy Jewish family that was involved in the cultural and political life in the city. She studied art in Munich, and later on moved to Vienna, where she founded a studio and gained fame as a portrait painter. Following the annexation ("Anschluss") of Austria to Germany in 1938 Schalek moved to the town of Litoměřice, Czechoslovakia, and in 1942 was deported to the Theresienstadt Ghetto, where she created dozens of paintings depicting the daily life there. In 1944 Schalek was deported to Auschwitz, where she perished.
Approx. 20X15 cm. Attached to cardboard and a passé-par tout. Good condition. Minor blemishes.
Oil on canvas mounted on board. Signed.
25X20 cm. Good condition. Minor blemishes to margins of board.
Oil on canvas. Signed.
24X33 cm. Good condition.
Oil on paper mounted on cardboard. Signed and dated.
Approx. 58X85 cm. Good condition. Creases. Some blemishes to paint along the creases. Framed: 68X95.5 cm.
Oil on canvas. Signed.
Approx. 50X63 cm. Good condition. Minor blemishes.
Oil on burlap canvas. Signed, titled (French) and dated.
One of Cohen's early works.
74.5X102 cm. Good-fair condition. Cracks and blemishes to paint.
Provenance: Debel Gallery, Jerusalem.