Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
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Displaying 217 - 228 of 277
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $300
Sold for: $375
Including buyer's premium
Large vase. Produced by Hedwig Grossmannn.
Painted unglazed clay. Stamped: "H. G.".
Height: 23 cm. diameter of rim: 12.5 cm. Tiny damages to base.
Painted unglazed clay. Stamped: "H. G.".
Height: 23 cm. diameter of rim: 12.5 cm. Tiny damages to base.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $200
Unsold
Sculpture, figure of an Oriental woman, sitting. One her head is a base for carrying a burden. Produced by Irene and Azriel Awret, Safed.
Painted glazed clay. Stamped: "Awret".
The body of the sculpture serves as a wine bottle and the base on the woman's head is a stopper.
Height: 19.5 cm. Damages to bottom.
Painted glazed clay. Stamped: "Awret".
The body of the sculpture serves as a wine bottle and the base on the woman's head is a stopper.
Height: 19.5 cm. Damages to bottom.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $150
Unsold
Beer jug, decorated with dancing figures. Produced by Irene and Azriel Awret. Safed [1950s].
Painted glazed clay. Stamped; "Awret Safed".
Irene Awret (maiden name Spicker, born in Berlin in 1921) and Azriel Awret (born in Lodz 1910) met in Mechelen (Malines), Belgium during World War II when both were employed by the Germans in the "Artist Workshop" (Malerstube) in the internment camp established in that city. The couple immigrated to Israel in 1949 and settled their home and workshop in Safed.
Height: 14 cm. Diameter of base: 10 cm.
Painted glazed clay. Stamped; "Awret Safed".
Irene Awret (maiden name Spicker, born in Berlin in 1921) and Azriel Awret (born in Lodz 1910) met in Mechelen (Malines), Belgium during World War II when both were employed by the Germans in the "Artist Workshop" (Malerstube) in the internment camp established in that city. The couple immigrated to Israel in 1949 and settled their home and workshop in Safed.
Height: 14 cm. Diameter of base: 10 cm.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $500
Sold for: $625
Including buyer's premium
Ceramic tableware set. Eretz Israel, [1940s].
Painted glazed clay. Stamped: "Made in Palestine" (two have blurred manufacturer's stamp as well).
Impressive tableware set in Art Deco style, in shades of orange and blue-turquoise.
The set has: five cups (one missing cup); six plates, 16.5 cm. in diameter; six plates, 14.5 cm. in diameter; flat bowl, 27.5 cm. in diameter; sugar bowl; milk jug; large tea kettle.
Painted glazed clay. Stamped: "Made in Palestine" (two have blurred manufacturer's stamp as well).
Impressive tableware set in Art Deco style, in shades of orange and blue-turquoise.
The set has: five cups (one missing cup); six plates, 16.5 cm. in diameter; six plates, 14.5 cm. in diameter; flat bowl, 27.5 cm. in diameter; sugar bowl; milk jug; large tea kettle.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $300
Unsold
Three clay ocarinas:
1. An ocarina in the form of an elephant, made by the artist David Morris (born 1936). Stamped.
2. An ocarina in the form of a mouse, made by Jane Meir (1925-2000). Stamped.
3. An ocarina in the form of a porcupine, made by the artist Jane Meir (1925-2000). Stamped.
Average height: 10 cm. Good condition.
1. An ocarina in the form of an elephant, made by the artist David Morris (born 1936). Stamped.
2. An ocarina in the form of a mouse, made by Jane Meir (1925-2000). Stamped.
3. An ocarina in the form of a porcupine, made by the artist Jane Meir (1925-2000). Stamped.
Average height: 10 cm. Good condition.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $3,000
Unsold
A blue and white ceramic tile, heavily glazed. Turkey [Iznik], 16th century. The ceramic tile was an adornment near one of the alcoves at the front of the structure of the Dome of the Rock, on the Temple Mount.
This tile is one of the Turkish ceramic tiles that were embedded in the structure of the Dome during renovations done at the command of Sultan Suleiman the First ("The Magnificent") during the 1530s. Since Caliph Abd Al-Malik had constructed the dome at the end of the seventh century, one of the only architectural changes performed on the structure of the Dome was the replacement of the Byzantine mosaic which had originally covered the external part of the structure. Sultan Suleiman the First replaced the old mosaic with Turkish ceramic tiles such as this one.
In an article written by Dan Yardeni dealing with the ceramic industry in the city of Iznik, he writes about the ceramic tiles of Suleiman the Magnificent. The article was publicized in the magazine "Masa Acher" (Issue 88, November 2009): "Wear and tear of passing time can be seen also in these tiles, and most have been replaced by others during the last 400 years. In spite of the efforts of the artisans who produced the new tiles, they cannot compare to the quality and beauty of the tiles from the time of Suleiman the Magnificent. Those tiles remain in small clusters in places that were less exposed to the weather; under the arches that cover the entrances to the Dome of the Rock and in the inner space of the adjacent Dome of the Chain (some of the original tiles are exhibited in the small museum in the area of the Temple Mount). The marvelous tiles installed by the architects of Suleiman the Magnificent were not produced locally. They were brought to Jerusalem, with tremendous logistic efforts, from the city of Iznik, which is located about 100 kilometers south-east of Istanbul."
Glued on the reverse side of the tile is a paper label testifying that this tile originated from the collection of Prof. Avraham Velersteiner, an archeological expert and a senior collector of antiques of the Middle Ages who lived in Eretz Israel during the time of the British Mandate and in the State of Israel.
Attached is a copy from the book "Jerusalem" (Edited by Michael Avi-Yonah, published by The Institute of Publications in Israel Ltd. Jerusalem, 1960), with a wall photograph of the Dome of the Rock ornamented with Turkish ceramic tiles including tiles identical to these tiles, before they were replaced during the past 80 years. Also enclosed is a photograph of the tile, as exhibited in the house of Prof. Velersteiner.
Measurements: The upper part is 19X19.4 cm, the lower part is 18.5X18.6 cm. its width is 2 cm. Many breaks to the tile edges and cracks in its glaze. Peg holes on its four sides.
This tile is one of the Turkish ceramic tiles that were embedded in the structure of the Dome during renovations done at the command of Sultan Suleiman the First ("The Magnificent") during the 1530s. Since Caliph Abd Al-Malik had constructed the dome at the end of the seventh century, one of the only architectural changes performed on the structure of the Dome was the replacement of the Byzantine mosaic which had originally covered the external part of the structure. Sultan Suleiman the First replaced the old mosaic with Turkish ceramic tiles such as this one.
In an article written by Dan Yardeni dealing with the ceramic industry in the city of Iznik, he writes about the ceramic tiles of Suleiman the Magnificent. The article was publicized in the magazine "Masa Acher" (Issue 88, November 2009): "Wear and tear of passing time can be seen also in these tiles, and most have been replaced by others during the last 400 years. In spite of the efforts of the artisans who produced the new tiles, they cannot compare to the quality and beauty of the tiles from the time of Suleiman the Magnificent. Those tiles remain in small clusters in places that were less exposed to the weather; under the arches that cover the entrances to the Dome of the Rock and in the inner space of the adjacent Dome of the Chain (some of the original tiles are exhibited in the small museum in the area of the Temple Mount). The marvelous tiles installed by the architects of Suleiman the Magnificent were not produced locally. They were brought to Jerusalem, with tremendous logistic efforts, from the city of Iznik, which is located about 100 kilometers south-east of Istanbul."
Glued on the reverse side of the tile is a paper label testifying that this tile originated from the collection of Prof. Avraham Velersteiner, an archeological expert and a senior collector of antiques of the Middle Ages who lived in Eretz Israel during the time of the British Mandate and in the State of Israel.
Attached is a copy from the book "Jerusalem" (Edited by Michael Avi-Yonah, published by The Institute of Publications in Israel Ltd. Jerusalem, 1960), with a wall photograph of the Dome of the Rock ornamented with Turkish ceramic tiles including tiles identical to these tiles, before they were replaced during the past 80 years. Also enclosed is a photograph of the tile, as exhibited in the house of Prof. Velersteiner.
Measurements: The upper part is 19X19.4 cm, the lower part is 18.5X18.6 cm. its width is 2 cm. Many breaks to the tile edges and cracks in its glaze. Peg holes on its four sides.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $300
Sold for: $425
Including buyer's premium
Plate, Armenian ceramic, produced in the workshop of David Ohannessian. Jerusalem, [1930s-40s].
Painted glazed clay. Stamped on back: Palestine.
Diameter: 21 cm. Minor damages to edges.
Painted glazed clay. Stamped on back: Palestine.
Diameter: 21 cm. Minor damages to edges.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $300
Sold for: $750
Including buyer's premium
Four Armenian ceramic tiles, [end of 1940s or beginning of 1950s].
Glazed painted clay. Artist stamp and "Jerusalem-Jordan" stamped on back. Adorned with various floral patterns. In the center of each tile is an Arabic inscription: "Alla", "Salam Alaykum", "Patience", "Ahalan Wa Sahalan".
15X15 cm. Hooks for hanging. Handwritten description on reverse side.
Glazed painted clay. Artist stamp and "Jerusalem-Jordan" stamped on back. Adorned with various floral patterns. In the center of each tile is an Arabic inscription: "Alla", "Salam Alaykum", "Patience", "Ahalan Wa Sahalan".
15X15 cm. Hooks for hanging. Handwritten description on reverse side.
Category
Israeli Ceramics, Armenian Ceramics
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $700
Sold for: $10,625
Including buyer's premium
Four brass tokens. Issued by the "Mikveh Israel" School for the use of students and employees, 1885 or 1886.
The tokens have no note of the name of the currency (apparently, to refrain from breaching Turkish law. We can assume that their value was quoted in piasters or metliks). On the one side is their value surrounded by the inscription "Mikweh Israel" and on the other side are the letters "AIU" Alliance Israélite Universelle.
The tokens have the values of 1 (two tokens), ½ and ¼. Tokens of other values were not minted.
See: "Jewish Tradition in Art, the Feuchtwanger Collection" by Dr. Yeshayahu Shachar (published by the Israel Museum, Jerusalem, 1971), Item 741b.
The tokens have no note of the name of the currency (apparently, to refrain from breaching Turkish law. We can assume that their value was quoted in piasters or metliks). On the one side is their value surrounded by the inscription "Mikweh Israel" and on the other side are the letters "AIU" Alliance Israélite Universelle.
The tokens have the values of 1 (two tokens), ½ and ¼. Tokens of other values were not minted.
See: "Jewish Tradition in Art, the Feuchtwanger Collection" by Dr. Yeshayahu Shachar (published by the Israel Museum, Jerusalem, 1971), Item 741b.
Category
Tokens, Coins and Medals
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $800
Sold for: $9,375
Including buyer's premium
Three brass tokens, for use by the settlers of "Zichron Ya'akov". Minted in Paris in 1885.
The tokens were used by the settlers but their use spread to Arabs living in adjacent villages who traded with the Jews. Noted on one side is their value surrounded by the inscription "Zichron Jacob" and on the second side "Zichron Ya'akov" in Hebrew letters. The tokens have the value of 1, ½ and ¼ (undecided if piaster or metlik). Tokens of other values were not minted.
See: "Jewish Tradition in Art, the Feuchtwanger Collection" by Dr. Yeshayahu Shachar (published by the Israel Museum, Jerusalem, 1971), Item 741a.
The tokens were used by the settlers but their use spread to Arabs living in adjacent villages who traded with the Jews. Noted on one side is their value surrounded by the inscription "Zichron Jacob" and on the second side "Zichron Ya'akov" in Hebrew letters. The tokens have the value of 1, ½ and ¼ (undecided if piaster or metlik). Tokens of other values were not minted.
See: "Jewish Tradition in Art, the Feuchtwanger Collection" by Dr. Yeshayahu Shachar (published by the Israel Museum, Jerusalem, 1971), Item 741a.
Category
Tokens, Coins and Medals
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $200
Sold for: $1,063
Including buyer's premium
Lead token. Minted in Petach Tikva, [end of 19th century].
"Petach Tikva" tokens are minted only on one side, inscribed with the letters "P. T." ["Petach Tikva"] and the numeral 2.
"Petach Tikva" tokens are minted only on one side, inscribed with the letters "P. T." ["Petach Tikva"] and the numeral 2.
Category
Tokens, Coins and Medals
Catalogue
Auction 28 - Objects - Judaica, Ceremonial Art and Israeliana
January 23, 2013
Opening: $500
Unsold
Eleven brass and nickel-plated zinc tokens. Apparently, minted in the royal mint in Wartemberg, Stuttgart, for use by members of the Templar community in their settlements in Eretz Israel. Were cycled from 1880 until the end of World War I (1917).
Written on one side is their value and on the other is a plow which represents the idea of agricultural-industrial settlements, surrounded by the inscription "Centralcasse des Tempels" – The Central Fund of the Temple". Seven tokens belong to a series where the inscription "Consummarke" – "Consumer Token" appears surrounding the value.
Here is a total of three Consummarke tokens brass minted, values 10, 20, and 40 (nearly complete set); four Consummarke tokens minted with nickel-plated zinc, values 5,10, 20, and 40 (complete set); four "regular" tokens, values 5, 10, 20, 40 (complete set).
See: "Jewish Tradition in Art – The Feuchtwanger Collection" by Dr. Yeshayahu Shachar (published by the Israel Museum, Jerusalem, 1971), Item 1132.
Written on one side is their value and on the other is a plow which represents the idea of agricultural-industrial settlements, surrounded by the inscription "Centralcasse des Tempels" – The Central Fund of the Temple". Seven tokens belong to a series where the inscription "Consummarke" – "Consumer Token" appears surrounding the value.
Here is a total of three Consummarke tokens brass minted, values 10, 20, and 40 (nearly complete set); four Consummarke tokens minted with nickel-plated zinc, values 5,10, 20, and 40 (complete set); four "regular" tokens, values 5, 10, 20, 40 (complete set).
See: "Jewish Tradition in Art – The Feuchtwanger Collection" by Dr. Yeshayahu Shachar (published by the Israel Museum, Jerusalem, 1971), Item 1132.
Category
Tokens, Coins and Medals
Catalogue